Review Table of Contents

Fūzoku Art Museum |  | 3–7
Three States of a Woman Being Tormented | Kita Reiko | 8–10
Torture in the Women’s Prison at Kodenmachō | Fukada Tetsu | 15–22
The Allure of Dangerous Play | Yanome Gen’ichi | 23–26
Male-Love Café | Kabiya Kazuhiko | 27–31
New Torments, Old Torments | Ueda Seishirō | 32–36
No Virgins in Tokyo! | Hinatsu Yukio | 37–41
The Room of Ecstatic Cruelty | Kita Reiko | 42–46
Western Clothes, Automobiles, and the Rendezvous House | Shibata Toshio | 47–51
Married Women Who Have Abortions | Nishijima Minoru | 52–54
The Swan of Ecstasy | Toba Eiko | 55–64
Women of the Secret Vice District | Onogi Osamu | 65–68
The Woman I Tortured | Nezu Meiji | 69–74
A Hundred Scenes of Married Women | Kijima Kōji | 75–79
The Chair of Needles | Furushō Hideo | 80
The City of Beautiful Youths | Shima Yukio | 81–88
Ten Forms of Edo Punishment |  | 89–90
Women I Met at a Marriage Bureau | Kuromaru Keiji | 91–96
The House of the Whip | Sugawa Natsue | 97–102
Conversations on Erotic Implements | Nakano Eizō | 103–105
The Pleasure of Peeping | Mogami Kyōko | 107–111
Pathological Tendencies in Postwar Sex Crimes | Ashio Kyōzō | 112–116
The Lament of an Urning | Mashita Kōji | 117–120
Yasuna’s Madness | Arima Chizuko | 121–123
The Wife Who Fled | Kagawa Senjirō | 124–127
Lesbos Correspondence | Sonomura Keiko | 128–130
Sodomia Correspondence | Fujii Akira | 131–135
Fantasy Murder | Hiki Kyōichirō | 136–146
Recollections of Splendid Cruelty | Shindō Eriko | 147–149
A Sadist’s Wandering Record | Amano Tetsuji | 150