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Magazine: Uramado

Issue: September 1959 Special Issue: Secret History of the Ōoku and Inner Palace

File: ura_195909.pdf

Import status: Approved

Automatic Complete-Issue API Scan

Scan the complete magazine with the OpenAI API using KRP's current whole-issue analysis prompt. The result is imported as a review draft and is not approved or published automatically.

ChatGPT analysis JSON

{
    "schema_version": "1.0",
    "has_toc": true,
    "confidence": 0.93,
    "issue_title": "September 1959 Special Issue: Secret History of the Ōoku and Inner Palace",
    "publication_month": "1959-09",
    "volume": "4",
    "issue_number": "9",
    "summary": "The September 1959 issue of Uramado is a large special number centered on sensationalized histories and fantasies of the Ōoku, the shogunal women's quarters, and the wider world of the early-modern inner palace. Its editorial mixture is characteristic of Uramado: illustrated fiction, historical melodrama, erotic and grotesque anecdote, supernatural tales, nude photography, essays, and contemporary crime stories are interwoven rather than separated into rigid departments. The opening establishes this range immediately with the illustrated story The Pink Phantom Thief, Fujisawa Osamu's Nude Masterpieces photographic portfolio, and the editorial miscellany From the Unsorted Shelf.\n\nThe principal special feature begins with Yagiri Jūhachi's Secret Chiyoda Picture Scroll: Lady Kasuga, an extended historical narrative built around the politics, rivalries, sexuality, and punishments associated with the Tokugawa inner chambers. Other major contributions repeatedly return to court intrigue and female rivalry: Demon Palanquin, The Flying Squirrel's Long-Cherished Wish, Two Komachi of Vengeance, Illustrated Flowers in Combat in the Ōoku, Sinister Clouds over Nerima Palace, and The Mad Consort's Trap. The stories are heavily illustrated and use confinement, jealousy, coercion, secret meetings, bodily punishment, and political manipulation as recurring narrative engines.\n\nAlongside the palace material, the issue broadens into other forms of abnormal and erotic culture. Historical Fact and Fiction of Female Seppuku examines women and ritual suicide through a mixture of historical commentary and literary examples. Beautiful-Skinned Page explores male beauty and eroticized youth in an illustrated narrative. The Devil from the Graveyard, Tsugomori Pond, and The Strange Kappa Boy bring supernatural and grotesque motifs into the issue, while Pencil Hell and Hair Benten move into modern urban or psychologically charged settings. Oryū's Secret Notebook and Records of Wicked Women and Villains continue the fascination with dangerous women, deception, sexuality, and criminality.\n\nThe final portion shifts increasingly toward modern settings. In Tokyo's Blind Spot presents a translated or adapted urban crime narrative, while Chronicle of the Ōjō Group closes the major fiction with a contemporary underworld story. The last pages contain the conclusion of that narrative followed by publication information, manuscript solicitation, notices, and the colophon. Across the issue, the Ōoku functions less as a narrowly historical subject than as an organizing fantasy space for secrecy, erotic rivalry, punishment, disguise, transgression, and dangerous desire, while the surrounding fiction and visual material extend those concerns from the Edo period into supernatural folklore and modern metropolitan life.",
    "analysis_notes": "The cover identifies the issue as the September number and as a special issue devoted to secret histories of the Ōoku and inner palace. The internal special-feature title page identifies it as Volume 4, Number 9. A formal illustrated table of contents occupies PDF page 4. Printed pagination does not maintain one constant offset from PDF viewer pagination because the front matter, photographic plates, advertisements, and other inserted leaves are not handled uniformly in the printed numbering; article ranges above therefore follow the actual article openings and continuations rather than a single calculated offset. PDF page 28 is a separate title page for the Ōoku special feature. PDF page 261 contains manuscript solicitation, publication notices, and the issue colophon rather than continuation of the final fiction. Several pen names and personal names are printed without furigana; their Latin-script readings are conventional romanizations and should be authority-checked where exact author-specific pronunciation is important. ",
    "no_toc_reason": null,
    "themes": [
        "Ōoku and Tokugawa inner-palace history and fantasy",
        "Female rivalry, jealousy, and political intrigue",
        "Eroticized punishment, confinement, and coercion",
        "Historical fiction and sensationalized Edo-period narrative",
        "Female seppuku and gendered traditions of suicide",
        "Male beauty, pages, and homoerotic imagery",
        "Supernatural folklore, ghosts, kappa, and grotesque tales",
        "Dangerous women, femme fatales, and criminality",
        "Nude photography and studies of the body",
        "Modern urban crime and marginal social worlds",
        "Illustrated pulp fiction and erotic visual culture"
    ],
    "toc_pdf_pages": [
        4
    ],
    "toc_entries": [
        {
            "title": "The Pink Phantom Thief",
            "author": "Toyoda Ichirō",
            "printed_pages": "11–18",
            "pdf_page_start": 6,
            "pdf_page_end": 13,
            "notes": "Japanese title: 桃色の怪盗. Illustrated story. Art by Furumasa Eisei."
        },
        {
            "title": "Nude Masterpieces",
            "author": "Fujisawa Osamu",
            "printed_pages": "19–26",
            "pdf_page_start": 14,
            "pdf_page_end": 19,
            "notes": "Japanese title: ヌード傑作選. Monochrome nude photographic portfolio."
        },
        {
            "title": "From the Unsorted Shelf",
            "author": "Henjūshi",
            "printed_pages": "27–34",
            "pdf_page_start": 20,
            "pdf_page_end": 27,
            "notes": "Japanese title: 未整理棚の中から. Identified on the opening page as Editorial Miscellany Notebook 4."
        },
        {
            "title": "Secret Chiyoda Picture Scroll: Lady Kasuga",
            "author": "Yagiri Jūhachi",
            "printed_pages": "36–49",
            "pdf_page_start": 29,
            "pdf_page_end": 42,
            "notes": "Japanese title: 秘説千代田絵巻（一）春日の局. First major narrative of the Ōoku and Inner Palace special feature."
        },
        {
            "title": "Hair Benten",
            "author": "Shima Fuji",
            "printed_pages": "50–61",
            "pdf_page_start": 43,
            "pdf_page_end": 54,
            "notes": "Japanese title: 髪弁天. Illustrated by Kumano Saburō."
        },
        {
            "title": "Demon Palanquin",
            "author": "Shimamoto Haruo",
            "printed_pages": "62–77",
            "pdf_page_start": 55,
            "pdf_page_end": 70,
            "notes": "Japanese title: 夜叉駕籠. Part of the Ōoku and Inner Palace special feature."
        },
        {
            "title": "The Devil from the Graveyard",
            "author": "Hasegawa Isamu",
            "printed_pages": "78–89",
            "pdf_page_start": 71,
            "pdf_page_end": 84,
            "notes": "Japanese title: 墓場から来た悪魔. Illustrated by Ewata Teruo."
        },
        {
            "title": "Historical Fact and Fiction of Female Seppuku",
            "author": "Nakayasu Hiromichi",
            "printed_pages": "90–99",
            "pdf_page_start": 85,
            "pdf_page_end": 94,
            "notes": "Japanese title: 続・女腹切りの史実と小説. A continuation discussing female ritual suicide through historical and literary material."
        },
        {
            "title": "The Flying Squirrel's Long-Cherished Wish",
            "author": "Hashizume Hikoshichi",
            "printed_pages": "100–117",
            "pdf_page_start": 95,
            "pdf_page_end": 112,
            "notes": "Japanese title: むささび悲願. Included in the Ōoku and Inner Palace special feature."
        },
        {
            "title": "Pencil Hell",
            "author": "Narumi Genkichi",
            "printed_pages": "118–130",
            "pdf_page_start": 113,
            "pdf_page_end": 125,
            "notes": "Japanese title: えんぴつ地獄. An illustrated modern erotic narrative."
        },
        {
            "title": "Beautiful-Skinned Page",
            "author": "Nakajima Yoshimi",
            "printed_pages": "131–138",
            "pdf_page_start": 126,
            "pdf_page_end": 133,
            "notes": "Japanese title: 美肌小姓. The author is also credited for the illustrations."
        },
        {
            "title": "Two Komachi of Vengeance",
            "author": "Kuga Fūtarō",
            "printed_pages": "139–147",
            "pdf_page_start": 134,
            "pdf_page_end": 142,
            "notes": "Japanese title: 怨讐二人小町. Illustrated historical fiction."
        },
        {
            "title": "Illustrated Flowers in Combat in the Ōoku",
            "author": "Nakabayashi Setsuji",
            "printed_pages": "148–159",
            "pdf_page_start": 143,
            "pdf_page_end": 154,
            "notes": "Japanese title: 大奥闘花図絵. Part of the Ōoku and Inner Palace special feature."
        },
        {
            "title": "Tsugomori Pond",
            "author": "Usurogi Jakushi",
            "printed_pages": "160–171",
            "pdf_page_start": 155,
            "pdf_page_end": 166,
            "notes": "Japanese title: つごもり池. The opening page uses a large illustrated title treatment before the main prose begins."
        },
        {
            "title": "Sinister Clouds over Nerima Palace",
            "author": "Odagiri Sō",
            "printed_pages": "172–185",
            "pdf_page_start": 167,
            "pdf_page_end": 180,
            "notes": "Japanese title: 妖雲練馬御殿. Illustrated by Furumasa Eisei and included in the Ōoku special feature."
        },
        {
            "title": "The Strange Kappa Boy",
            "author": "Suzuki Tarokubei",
            "printed_pages": "186–197",
            "pdf_page_start": 181,
            "pdf_page_end": 192,
            "notes": "Japanese title: 怪異河童小僧. The title page credits illustrations to Furumasa Eisei."
        },
        {
            "title": "The Mad Consort's Trap",
            "author": "Fujimi Iku",
            "printed_pages": "198–211",
            "pdf_page_start": 193,
            "pdf_page_end": 206,
            "notes": "Japanese title: 狂妃の罠. Historical erotic fiction included in the Ōoku and Inner Palace special feature."
        },
        {
            "title": "Oryū's Secret Notebook",
            "author": "Enjōji Tatsu",
            "printed_pages": "212–223",
            "pdf_page_start": 207,
            "pdf_page_end": 218,
            "notes": "Japanese title: お竜秘帖. Period-set illustrated narrative."
        },
        {
            "title": "Records of Wicked Women and Villains",
            "author": "Suzuki Kazuo",
            "printed_pages": "224–237",
            "pdf_page_start": 219,
            "pdf_page_end": 232,
            "notes": "Japanese title: 江戸暗黒秘録 妖婦悪党抄. An Edo dark-history feature focused on dangerous women and criminal figures."
        },
        {
            "title": "In Tokyo's Blind Spot",
            "author": "Kuroha Shin",
            "printed_pages": "238–247",
            "pdf_page_start": 233,
            "pdf_page_end": 242,
            "notes": "Japanese title: 東京の死角で. The opening page identifies it with foreign-source or translated crime material."
        },
        {
            "title": "Chronicle of the Ōjō Group",
            "author": "Iida Toyokichi",
            "printed_pages": "248–265",
            "pdf_page_start": 243,
            "pdf_page_end": 260,
            "notes": "Japanese title: 往生組始末記. The final major narrative before the closing publication material."
        }
    ],
    "highlights": [
        {
            "text": "The Pink Phantom Thief opens the substantive issue as a lavishly illustrated crime story, using alternating red and green page designs and cinematic scenes of pursuit, disguise, and seduction.",
            "pdf_pages": "6–13",
            "category": "Illustrated fiction"
        },
        {
            "text": "Fujisawa Osamu's Nude Masterpieces is a monochrome photographic portfolio emphasizing sculptural poses, bodily curvature, gesture, and studio composition.",
            "pdf_pages": "14–19",
            "category": "Nude photography"
        },
        {
            "text": "Secret Chiyoda Picture Scroll: Lady Kasuga launches the Ōoku special feature with a long illustrated historical narrative about Lady Kasuga and the political and erotic dynamics of the shogunal inner chambers.",
            "pdf_pages": "29–42",
            "category": "Ōoku historical fiction"
        },
        {
            "text": "Demon Palanquin develops the special issue's combination of palace intrigue, coercion, punishment, and illustrated historical melodrama across one of the issue's longest early features.",
            "pdf_pages": "55–70",
            "category": "Historical melodrama"
        },
        {
            "text": "Historical Fact and Fiction of Female Seppuku treats women's ritual suicide as both a historical and literary subject, pairing commentary with period examples and illustrations.",
            "pdf_pages": "85–94",
            "category": "Historical sexuality and punishment"
        },
        {
            "text": "Beautiful-Skinned Page is an illustrated narrative focused on an attractive male page, making male beauty and homoerotic attention unusually explicit within the issue's broader erotic program.",
            "pdf_pages": "126–133",
            "category": "Male beauty and erotic culture"
        },
        {
            "text": "Illustrated Flowers in Combat in the Ōoku presents rivalry among women of the inner palace through prose and numerous period-style illustrations of confrontation, intrigue, and punishment.",
            "pdf_pages": "143–154",
            "category": "Ōoku visual narrative"
        },
        {
            "text": "The Mad Consort's Trap is a substantial late historical narrative by Fujimi Iku, returning to the special issue's central concerns with court sexuality, manipulation, danger, and entrapment.",
            "pdf_pages": "193–206",
            "category": "Historical fiction"
        },
        {
            "text": "Records of Wicked Women and Villains combines Edo-period criminal and erotic material with illustrated episodes involving deception, violence, and socially transgressive women.",
            "pdf_pages": "219–232",
            "category": "Criminal and erotic history"
        },
        {
            "text": "Chronicle of the Ōjō Group carries the issue into a modern underworld setting and occupies most of the final substantive pages before publication notices and the colophon.",
            "pdf_pages": "243–260",
            "category": "Modern crime fiction"
        }
    ]
}

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ChatGPT instructions for this issue

Upload the PDF to ChatGPT and request a complete issue analysis using PDF viewer page numbers. Ask for JSON only, using the schema below.

Return valid JSON only, with no markdown fence. Use PDF viewer page numbers, not printed pagination, for all pdf_page fields. Determine whether the issue contains a formal printed table of contents. Do not treat advertisements, captions, correspondence listings, or random numbered text as a table of contents. BEGIN KRP COMPLETE PDF SCAN REQUIREMENTS ============================================================ COMPLETE PDF REVIEW ============================================================ Before producing the JSON: 1. Determine and verify the true total number of PDF viewer pages. 2. Inspect every PDF viewer page, beginning with page 1 and continuing through the true final page. 3. Review all parts of the issue, including: - Cover - Front matter - Printed contents pages - Visual portfolios - Articles and essays - Fiction - Correspondence - Editorial material - Advertisements when structurally relevant - Notices - Publication information - Substantive back matter - Final page 4. Do not stop at page 150. 5. Do not assume that a rendering, preview, extraction, search, or display limit represents the end of the PDF. 6. When a tool initially displays only the first 150 pages, continue with page 151 and inspect every remaining page through the verified final page. 7. Include substantive material found after page 150 in the summary, highlights, table of contents, and other relevant JSON fields. 8. Do not finalize the JSON until the complete issue has been reviewed through its true final PDF viewer page. 9. Do not mention the review process, scanning procedure, rendering limits, tool limits, page-count verification, or completeness checks in the JSON. The JSON must describe only the magazine and its contents. END KRP COMPLETE PDF SCAN REQUIREMENTS BEGIN KRP CONTENT-ONLY JSON OUTPUT REQUIREMENTS ============================================================ CONTENT-ONLY JSON OUTPUT ============================================================ The review requirements describe how to analyze the PDF. They must not become part of the magazine description. All JSON fields must focus exclusively on the publication and its contents. Do not mention any of the following in the JSON: - The scanning process - The review process - The number of pages inspected - Tool behavior - Rendering limits - Preview limits - Extraction limits - Search limits - Context limits - Continuing beyond a particular page - Verifying the page count - Whether the final page was reached - User instructions - Compliance with the procedure - Technical difficulties encountered while reading the PDF - How the JSON was produced Do not write statements such as: - “The issue continues beyond page 150.” - “All pages were reviewed.” - “The true final page was inspected.” - “The complete scan was verified.” Do not create highlight categories such as: - Complete-issue verification - Scan verification - Page-count verification - Full-PDF review - Review completeness - Tool limitation - Processing note Field-specific rules: SUMMARY Describe only the magazine’s: - Editorial character - Organization - Visual material - Articles - Fiction - Essays - Correspondence - Themes - Substantive back matter Do not describe the act of reviewing the magazine. HIGHLIGHTS Identify genuinely notable magazine content. Do not use highlights to document analysis coverage or scan completeness. THEMES Describe subjects, ideas, genres, editorial concerns, and recurring motifs within the magazine. Do not include themes about completeness, page coverage, scanning, or technical processing. TABLE OF CONTENTS Include only actual printed or substantive magazine contents. Do not add entries describing the review process. PAGE COUNT The `page_count` field must contain only the verified integer. Do not explain how the number was determined. UNCERTAINTY FIELDS Use `uncertain_readings` and `missing_or_illegible_text` only for specific unclear: - Words - Names - Titles - Authors - Damaged passages - Illegible text locations Do not discuss software, interface behavior, model limits, or the inspection process. END KRP CONTENT-ONLY JSON OUTPUT REQUIREMENTS BEGIN KRP COMPLETE ISSUE SUMMARY INSTRUCTIONS ============================================================ SUMMARY REQUIREMENTS ============================================================ Write a substantial issue-level summary that presents the magazine as a coherent publication. Do not merely list selected articles. The summary must explain: - The overall character of the issue - Its scope and organization - Its editorial identity - How it develops from beginning to end - Its principal sections - Its recurring features - Its major genres - Its important visual material - Its most significant articles, essays, stories, confessions, translations, correspondence features, and columns - Its dominant themes - Its substantive back matter The summary should also: - Identify meaningful shifts in subject, tone, genre, or format. - Explain how reader letters, editorial commentary, club notices, or community material contribute to the publication’s identity. - Mention notable authors, artists, translators, recurring series, and editorial figures when clearly identified. - Distinguish editorial content from advertisements, incidental captions, and unrelated notices. - Remain factual and grounded in the magazine. - Avoid speculation about uncertain authorship, unidentified people, or illegible material. - Avoid repeating the same observation in slightly different language. - Avoid becoming a line-by-line table of contents. Recommended structure: 1. Opening overview Describe the issue’s overall scale, character, organization, and mixture of content. 2. Opening sections Describe important front matter, visual portfolios, editorial features, or introductory sections. 3. Main body Trace the major articles, fiction, essays, confessions, translations, correspondence features, and recurring series in approximate issue order. 4. Later sections Describe later contributions, closing sections, and substantive back matter. 5. Conclusion Explain the issue’s dominant themes, editorial identity, and overall significance as a complete publication. Length: - Use several well-developed paragraphs. - Make the summary detailed enough that a reader can understand the issue without opening the PDF. - Give large, dense, or unusually varied issues correspondingly fuller summaries. - Do not shorten the summary merely because the issue contains many pages or entries. Formatting: - The `summary` field must be one valid JSON string. - Use escaped newline characters between paragraphs. - Avoid routine PDF page citations inside the summary. - Put most page references in `highlights` and `toc_entries`. END KRP COMPLETE ISSUE SUMMARY INSTRUCTIONS Use this schema: { "schema_version": "1.0", "has_toc": true, "confidence": 0.95, "issue_title": "", "publication_month": "YYYY-MM", "volume": null, "issue_number": null, "no_toc_reason": null, "summary": "", "themes": [], "highlights": [ { "text": "", "pdf_pages": "1–3", "category": "" } ], "toc_pdf_pages": [], "toc_entries": [ { "title": "", "author": null, "printed_pages": "", "pdf_page_start": 1, "pdf_page_end": 1, "notes": null } ], "analysis_notes": "" } For toc_entries: ARTICLE-LEVEL SUMMARY AND THEMES For every object in `toc_entries`, include: - `summary`: a concise one- or two-sentence English description of that specific entry. - `themes`: an array of concise English descriptive theme phrases for that specific entry. Base these fields on the actual PDF pages belonging to the entry. Do not copy issue-level themes into every article. Prefer 1-5 specific themes. Themes may describe subjects, practices, genres, motifs, visual forms, historical topics, community functions, or cultural concerns actually present in the entry. Use natural descriptive English phrases, not taxonomy IDs or slugs. For photographic and illustration features, use visible content, captions, headings, and context. For fiction, distinguish narrative themes from factual/editorial subjects where appropriate. If reliable article themes cannot be determined, use: "themes": [] If a reliable article summary cannot be determined, use: "summary": null Always include both keys in every TOC entry. END ARTICLE-LEVEL SUMMARY AND THEMES - Include each substantive article or section listed in the formal table of contents. - Preserve established English titles when supplied. - Use consistent romanization. - Leave author null when uncredited. - Verify entries against the actual article pages. - Use en dashes for page ranges. - Do not invent missing titles, authors, or page numbers. For highlights: - Provide concise, specific highlights. - Give PDF viewer page references. - Do not make unsupported claims. When there is no formal table of contents: - Set has_toc to false. - Set toc_pdf_pages and toc_entries to empty arrays. - Explain why in no_toc_reason. - Still provide the issue summary, themes, and highlights.

Current Imported Summary

The September 1959 issue of Uramado is a large special number centered on sensationalized histories and fantasies of the Ōoku, the shogunal women's quarters, and the wider world of the early-modern inner palace. Its editorial mixture is characteristic of Uramado: illustrated fiction, historical melodrama, erotic and grotesque anecdote, supernatural tales, nude photography, essays, and contemporary crime stories are interwoven rather than separated into rigid departments. The opening establishes this range immediately with the illustrated story The Pink Phantom Thief, Fujisawa Osamu's Nude Masterpieces photographic portfolio, and the editorial miscellany From the Unsorted Shelf. The principal special feature begins with Yagiri Jūhachi's Secret Chiyoda Picture Scroll: Lady Kasuga, an extended historical narrative built around the politics, rivalries, sexuality, and punishments associated with the Tokugawa inner chambers. Other major contributions repeatedly return to court intrigue and female rivalry: Demon Palanquin, The Flying Squirrel's Long-Cherished Wish, Two Komachi of Vengeance, Illustrated Flowers in Combat in the Ōoku, Sinister Clouds over Nerima Palace, and The Mad Consort's Trap. The stories are heavily illustrated and use confinement, jealousy, coercion, secret meetings, bodily punishment, and political manipulation as recurring narrative engines. Alongside the palace material, the issue broadens into other forms of abnormal and erotic culture. Historical Fact and Fiction of Female Seppuku examines women and ritual suicide through a mixture of historical commentary and literary examples. Beautiful-Skinned Page explores male beauty and eroticized youth in an illustrated narrative. The Devil from the Graveyard, Tsugomori Pond, and The Strange Kappa Boy bring supernatural and grotesque motifs into the issue, while Pencil Hell and Hair Benten move into modern urban or psychologically charged settings. Oryū's Secret Notebook and Records of Wicked Women and Villains continue the fascination with dangerous women, deception, sexuality, and criminality. The final portion shifts increasingly toward modern settings. In Tokyo's Blind Spot presents a translated or adapted urban crime narrative, while Chronicle of the Ōjō Group closes the major fiction with a contemporary underworld story. The last pages contain the conclusion of that narrative followed by publication information, manuscript solicitation, notices, and the colophon. Across the issue, the Ōoku functions less as a narrowly historical subject than as an organizing fantasy space for secrecy, erotic rivalry, punishment, disguise, transgression, and dangerous desire, while the surrounding fiction and visual material extend those concerns from the Edo period into supernatural folklore and modern metropolitan life.

Current Imported Highlights

The Pink Phantom Thief opens the substantive issue as a lavishly illustrated crime story, using alternating red and green page designs and cinematic scenes of pursuit, disguise, and seduction. PDF 6–13
Fujisawa Osamu's Nude Masterpieces is a monochrome photographic portfolio emphasizing sculptural poses, bodily curvature, gesture, and studio composition. PDF 14–19
Secret Chiyoda Picture Scroll: Lady Kasuga launches the Ōoku special feature with a long illustrated historical narrative about Lady Kasuga and the political and erotic dynamics of the shogunal inner chambers. PDF 29–42
Demon Palanquin develops the special issue's combination of palace intrigue, coercion, punishment, and illustrated historical melodrama across one of the issue's longest early features. PDF 55–70
Historical Fact and Fiction of Female Seppuku treats women's ritual suicide as both a historical and literary subject, pairing commentary with period examples and illustrations. PDF 85–94
Beautiful-Skinned Page is an illustrated narrative focused on an attractive male page, making male beauty and homoerotic attention unusually explicit within the issue's broader erotic program. PDF 126–133
Illustrated Flowers in Combat in the Ōoku presents rivalry among women of the inner palace through prose and numerous period-style illustrations of confrontation, intrigue, and punishment. PDF 143–154
The Mad Consort's Trap is a substantial late historical narrative by Fujimi Iku, returning to the special issue's central concerns with court sexuality, manipulation, danger, and entrapment. PDF 193–206
Records of Wicked Women and Villains combines Edo-period criminal and erotic material with illustrated episodes involving deception, violence, and socially transgressive women. PDF 219–232
Chronicle of the Ōjō Group carries the issue into a modern underworld setting and occupies most of the final substantive pages before publication notices and the colophon. PDF 243–260