Highlight 1 Remove Text The House in the Swamp Where People Disappear opens the issue as a heavily illustrated suspense narrative and later resumes after a long interruption, creating an unusually fragmented serial structure within the issue. PDF pages Category
Highlight 2 Remove Text Tree and Woman is a stark black-and-white bondage portfolio by Yoshida Hisashi in which a rough tree trunk becomes both compositional axis and restraint structure. PDF pages Category
Highlight 3 Remove Text The Painter of Enmado combines fiction with grotesque erotic drawings concerned with artistic obsession, captivity, bodily suffering, and the creation of disturbing images. PDF pages Category
Highlight 4 Remove Text Story of a Man Who Wants to Become a Maid is a first-person reflection on femininity, domestic service, gender identity, and the narrator's wish to occupy a socially female role. PDF pages Category
Highlight 5 Remove Text Uninvited Peril uses an international spy-adventure framework to depict a woman's abduction, border crossing, interrogation, restraint, and attempted escape. PDF pages Category
Highlight 6 Remove Text On The Great Bodhisattva Pass examines scenes of female suffering in multiple generations of Japanese film adaptations, illustrating its argument with film stills. PDF pages Category
Highlight 7 Remove Text White Wall is a sustained photographic bondage portfolio using a minimal studio environment, strong tonal contrast, and repeated variations of restrained posing. PDF pages Category
Highlight 8 Remove Text Disregard for Women's Rights in the Meiji Era gives the issue an explicitly historical discussion of women's social position, connecting Uramado's erotic material to changing gender norms. PDF pages Category
Highlight 9 Remove Text The concluding pages shift into retrospective and historical visual culture through a selection of illustrations from previous issues and the two-color Ōoku Scroll of Naked Women. PDF pages Category