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Uramado · April 1961

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This eight-page memorial roundtable records reminiscences of Itō Seiu shortly after his death on January 28, 1961. Participants who knew him across several decades recall his early theatrical and illustration work, his relationships with publishers and performers, his brushes with police and censorship, his fascination with Japanese hairstyles and disheveled hair, and his use of models in staged scenes of kinbaku and seme. The discussion is historically significant because it presents Seiu not primarily through later legend but through first-person memories from associates who had known him since the Taishō and early Shōwa periods. Particularly valuable are accounts of his stage-design career, his collection of visual source material, the origins of some of his torment imagery, his preference for Japanese coiffure, anecdotes about models and rope, and the participants' insistence that his eccentric public reputation obscured a fundamentally sincere and warm personality. The article also includes several archival photographs of Seiu and staged scenes associated with his work.

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