Kitan Club

July 1963 Issue

Publication: July 1963 Volume: 17 Issue: 7
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Analysis Review Status Approved on August 2, 2026 2:02 PM by Zetsu
Analysis
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Table of Contents
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PDF Pages
189
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Summary

The July 1963 issue of Kitan Club presents a characteristic mixture of staged bondage photography, imaginative torture illustration, reader testimony, erotic fiction, serialized narratives, practical rope discussion, and correspondence. The front matter establishes the issue’s visual vocabulary through photographs of rope and chain restraint, gagging, seated and floor positions, close studies of bound wrists and ankles, and scenes involving metal implements. A second photographic sequence emphasizes compact body positions and self-conscious posing, while another reverses the usual gender arrangement by presenting a costumed woman directing a masked, submissive figure. The illustrated portfolio ranges from fantastic captivity and nasal torment to whipping, ritual abdominal cutting, insect attack, and the downfall of a castle woman, joining contemporary fetish imagery to historical and exoticized settings. The prose section begins with Sasaki Tsutomu’s illustrated catalogue of personal sadistic and masochistic fantasies, followed by Shibajima Reiko’s reader letter about loneliness, secrecy, and discovering a community through the magazine. Tsujimura Takashi’s thirty-sixth installment of Tales of the Thirty-Ninth Night then develops a staged photographic narrative in which a model is progressively restrained before an observing group, making the process of image production part of the story itself. Ashizawa Iho’s illustrated confession about abdominal-cutting imagery and Manda Fuji’s Rural Notebook move the issue from spectacle toward personal memory, fantasy, and autobiographical reflection. The middle of the issue combines reader experiences with essays on punishment fantasies, solitary masochistic desire, rubber fetishism, nasal fixation, and the symbolic appeal of restraint. It also continues Dan Oniroku’s Flower and Snake and includes contrasting accounts of women’s wrestling, one framed as unusual erotic behavior and another as an account of organizing such matches. Discussions of human hair, bodily materials, and specialized collecting extend the magazine’s documentary interest in highly particular fetishes. The later pages turn toward instruction and extended fiction. A rope-research feature explains binding methods and positional control, while the long novel Wandering in Space shifts confinement into a speculative setting. A reader account connected with the film I Want to Die brings cinema, identification, and masochistic fantasy together. The issue closes with reader communications, replies, exchange notices, advertisements for photographs and publications, ordering information, and editorial matter, reinforcing Kitan Club’s role as both a magazine and a social network for otherwise isolated interests.

Themes

Rope bondage techniques and positional restraint Chains, cuffs, and metallic restraint Reader confession and concealed sexual identity The production and staging of fetish photography Historical and fantastic punishment imagery Abdominal cutting and ritualized self-injury fantasy Rubber and material fetishism Female wrestling and women’s physical dominance Nasal torment and specialized bodily fixations Serialized erotic fiction Speculative captivity and science-fiction settings Reader correspondence and fetish community formation

Highlights

The opening photographic portfolio combines rope bondage, metal restraints, gagging, close studies of wrists and ankles, and the use of tools as visual accessories.
Photography PDF 6–13
A group of full-page illustrations by Shima Takashi and Taki Reiko depicts fantastic captivity, nasal torment, abdominal cutting, whipping, insect attack, and historical punishment.
Illustration PDF 14–21
Later gravure sequences contrast compact floor bondage with a theatrical female-dominant scene involving a masked submissive figure.
Photography PDF 22–29
Sasaki Tsutomu’s illustrated feature assembles a wide-ranging inventory of personal cruelty and submission fantasies, drawing on historical, exotic, theatrical, and domestic imagery.
Illustrated essay PDF 31–37
Shibajima Reiko’s reader letter describes isolation, secrecy, and the emotional significance of finding Kitan Club and its readership.
Reader correspondence PDF 38
The thirty-sixth installment of Tales of the Thirty-Ninth Night incorporates a staged photo session into its narrative, documenting a model’s progressive restraint before photographers and observers.
Serialized narrative PDF 39–49
Ashizawa Iho’s illustrated confession discusses a fascination with abdominal-cutting scenes and connects fantasy, drawing, and bodily vulnerability.
Confession and illustration PDF 50
The central essays and testimonies examine punishment fantasies, lonely masochistic desire, rubber fetishism, nasal fixation, and the appeal of specialized materials.
Essays and confessions PDF 63–99
The later fiction section includes Dan Oniroku’s Flower and Snake, accounts of women’s wrestling, a rope-instruction feature, and the long speculative novel Wandering in Space.
Fiction and instruction PDF 100–154
The closing section combines a reader account associated with the film I Want to Die, reader letters, exchange notices, advertisements, ordering information, and editorial publication matter.
Correspondence and back matter PDF 155–189

Table of Contents

Review TOC Data Backfill Article Themes
Title Author Printed Pages PDF Pages
Opening Gravure Selection Uncredited — 6 –13
Frontispiece Illustration Portfolio Shima Takashi and Taki Reiko — 14 –21
Later Gravure and Photo Studies Uncredited — 22 –29
My Illustrated Scroll of Cruel Delight Sasaki Tsutomu 34–40 31 –37
A Faint Wish Shibajima Reiko 41 38
Tales of the Thirty-Ninth Night: Thirty-Sixth Night Tsujimura Takashi 42–52 39 –49
My Miserable Pictures Ashizawa Iho 53 50
Rural Notebook: A Confession of Masochistic Love Manda Fuji 54–65 51 –62
Reader Experiences and Confessions Uncredited 66–67 63 –64
The World of Ecstatic Cruelty: Punishment of Women Etō Masaaki 68–71 65 –68
A Solitary Longing for Masochism Kurise Takashi 72–80 69 –77
On Differences in the Binding Process Makishibamura Toshitaka 81–85 78 –82
Rubber-Mania Correspondence Hirayama Fushizō 86–91 83 –88
The Garden of Pleasure Shima Hiroshi 92–93 89 –90
Prelude to the Nose Akutsu Katsumi 94–102 91 –99
Flower and Snake, Part Four Dan Oniroku 103–105 100 –102
Women’s Wrestling: An Unusual Erotic Account Ashihara Mutsuo 106–111 103 –108
How a Masochistic Women’s Wrestling Group Was Formed Okahira Yoshio 112–115 109 –112
To the Human-Hair Maniac Fukuda Hisafumi 116–122 113 –119
A Solitary Longing for Masochism Tama Hiroshi 123–133 120 –130
A Curious Return Visit Ōnaka Tadashi 123–133 120 –130
Bondage Research Course: Classroom of Binding Methods Shibawa Yoshihiro 134–141 131 –138
Wandering in Space Saji Asako 142–157 139 –154
Reader Experience: Concerning the Film I Want to Die Iwasaki Sashiko 158–163 155 –160
Instructional Advice for Binding Endō Hajime 164–165 161 –162
Reader Letters and Communications Uncredited 166–169 163 –166
Model and Reader Correspondence Ayasaka Tarō 170 167

Analysis Notes

The formal table of contents appears on PDF page 4. The publication statement on PDF page 30 identifies the issue as Volume 17, Number 7, cumulative number 178. Printed page 34 corresponds to PDF page 31, producing a three-page offset throughout the main numbered section. Several small-print gravure captions, pen names, uncommon characters, and subtitles are difficult to read and should be checked against the original. Two contributions appear to share printed page 123 on the contents page, so their internal boundary is uncertain. The numbered contents conclude around PDF page 167; subsequent pages contain correspondence, exchange columns, advertisements, product ordering material, editorial notices, and publication information through PDF page 189.