Kitan Club

October 1963 Issue

Publication: October 1963 Volume: 17 Issue: 10
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Summary

The October 1963 issue of Kitan Club combines bondage photography, erotic and grotesque illustration, confessional writing, fantasy fiction, cultural commentary, serialized curiosities, and an extensive reader-oriented back section. The formal contents spread introduces an issue whose editorial identity rests on the close proximity of staged visual material and purportedly autobiographical testimony. The opening pages move from advertisements and the contents into photographic sequences featuring rope restraint, gagging, coerced posing, simulated torment, foot domination, and partial suspension. These are interleaved with full-page illustrations by Shima Takashi, Taki Reiko, and other contributors, depicting high-pressure enemas, drowning fantasies, confinement aboard a boat, ritual disembowelment, female wrestling, medicalized humiliation, and restrictive leather garments. The prose section begins with the editorial miscellany Your-Choice Scrapbook, which discusses reader correspondence, privacy, photographic submissions, and the boundaries governing erotic material. Ōnaka Tadashi's Cruel Games follows with a sadistic domestic narrative involving bondage and punishment. Kusunoki Sawako's Marimo Tale shifts into an exotic first-person adventure centered on travel, an Indigenous community, captivity, violence, and doomed attachment. Manda Fuji's Transformation Record presents a confessional account of submissive desire, while Koike Ichirō's Fantasy of the Fig develops another psychologically oriented erotic narrative. The middle of the issue alternates fiction, memoir, and fetish studies. It includes an account set in a police interrogation room, Ōtsuka Keiko's Plaza of the Underworld, a barbershop fantasy, Hanabusa Takako's tale of nasal torment, Kirihara Shimon's reflections on female disembowelment, and Okita Kogorō's bathhouse conversation. Later stories address male body hair, murder fantasy, historical customs, corsetry, acrobatic and white-tabi fetishism, bondage photography, and private experiences associated with clothing, performance, and bodily display. A photographic feature presents a model in staged SM poses, followed by technical and experiential commentary. The issue closes with Tsujimura Takashi's Twenty-Eighth Night in the Thirty-Nine Strange Nights series. The remaining pages contain reader correspondence, editorial columns, advertisements for photographs and publications, personal notices, club information, and classified contact listings. This back matter demonstrates Kitan Club's role as both a commercial magazine and a participatory subcultural network, linking fiction and imagery to readers' confessions, collecting practices, correspondence, and attempts to find like-minded partners.

Themes

Rope bondage, restrictive posing, and partial suspension Sadistic and masochistic confession Erotic photography and reader-submitted imagery Enema, medical, and bodily-procedure fetishism Execution, drowning, and disembowelment fantasy Female domination and coerced performance Clothing fetishism, corsetry, leather, and white tabi Travel narrative and exoticized captivity Editorial regulation of erotic submissions Reader correspondence and subcultural networking Serialized strange tales and grotesque fiction

Highlights

The opening photographic section presents several distinct bondage scenarios, including gagging, chest and arm restraint, foot domination, smoking during restraint, and inverted suspension.
Photography PDF 6–13, 22–29
A concentrated illustrated gallery depicts high-pressure enemas, drowning, boat confinement, ritual disembowelment, medicalized humiliation, female wrestling, and restrictive leather garments.
Illustration PDF 14–21
Your-Choice Scrapbook discusses reader letters, privacy, erotic photography, submission standards, and the editorial limits placed on explicit or criminal imagery.
Editorial commentary PDF 31–36
Cruel Games is a sadistic domestic story built around bondage, whipping, humiliation, and the manipulation of a young woman by a household authority figure.
Fiction PDF 37–42
Marimo Tale combines travel memoir, captivity, Indigenous representation, interracial romance, warfare, and tragic separation in an extended exotic adventure.
Adventure narrative PDF 43–52
Transformation Record presents a lengthy first-person confession of submissive desire and the gradual recognition of a masochistic identity.
Confession PDF 53–66
The issue includes separate studies of female disembowelment fantasy, male body hair, nasal torment, bathhouse conversation, and fetishized clothing.
Fetish studies PDF 77–92
The SM Play Girl feature combines staged model photographs with commentary on performance, restraint, and photographic presentation.
Photography and commentary PDF 123–132
A late cluster examines corsetry, bondage research, acrobatics, white tabi, and other specialized fetishes through historical, technical, and autobiographical approaches.
Research and confession PDF 141–158
The closing correspondence and classified section records readers' interests, publication orders, private notices, club activity, and attempts to establish personal contact.
Correspondence and community PDF 170–189

Table of Contents

Review TOC Data Backfill Article Themes
Title Author Printed Pages PDF Pages
Opening Rope-Bondage Model Study Uncredited — 6 –8
Masked Tormentor and Bound Woman Uncredited — 9 –10
Rope Restraint and Foot Domination Uncredited — 11 –13
High-Pressure Enema Pump Shima Takashi — 14
Fantasy of a Drowned Body Taki Reiko — 15
The Victim in the Boat Taki Reiko — 16
Female Disembowelment: The Delinquent Girl's Code Taki Reiko — 17
Voluptuous Beauties in Bodily Combat Uncredited — 18
Female Enema: The Young Wife Who Was Given an Enema Shima Takashi — 19
Beauty and River Laborer Taki Reiko — 20
Leather Diaper Cover Shima Takashi — 21
Bound Model Under Foot Uncredited — 22 –24
Bound Woman and Cigarette Uncredited — 25 –26
Studies in Breast and Arm Restraint Uncredited — 27
Inverted Rope Suspension Uncredited — 28
Additional Floor-Bondage Studies Uncredited — 29
Your-Choice Scrapbook Editorial Collective 34–39 31 –36
Cruel Games Ōnaka Tadashi 40–45 37 –42
Marimo Tale: A Woman's Memoir Kusunoki Sawako 46–55 43 –52
Transformation Record: A Confession of Submissive Love Manda Fuji 56–69 53 –66
Fantasy of the Fig Koike Ichirō 70–71 67 –68
In the Special Higher Police Interrogation Room Eda Yoshio 72–73 69 –70
Plaza of the Underworld Ōtsuka Keiko 74–77 71 –74
A Certain Barbershop Saitō Shichirō 78–79 75 –76
The Ordeal of a Beautiful Nose Hanabusa Takako 80–85 77 –82
A Conception of Female Disembowelment Kirihara Shimon 86–87 83 –84
A Conversation After the Bath Okita Kogorō 88–92 85 –89
Male Actors with Chest Hair Kajimagari Son'ichi 93–95 90 –92
Murder by Flame Nomoto Taizō 96–112 93 –109
Memoirs of Customs: Strange Residues of the Taishō Era Horihara Hideyoshi 113–125 110 –122
SM Play Girl Tsujimura Takashi 126–133 123 –130
Model and Photography Ideas Masaoka Ritomu 134–135 131 –132
Somewhere in the Universe Saji Mazō 136–143 133 –140
The History of the Corset Narita Ichirō 144–147 141 –144
Bondage Research Roundtable with Tsunakawa Fumiyo and Masochism Makino Jun'ichi 148–149 145 –146
My Special Fetish: Acrobatics and White Tabi Mura Yoshito 150–151 147 –148
Ruri: Memory of a Certain Bestial Act Ikari Senriko 152–155 149 –152
Abnormal Essays: Notes on Passing Thoughts Minamikata Yoshio 156–161 153 –158
Thirty-Nine Strange Nights, Twenty-Eighth Night Tsujimura Takashi 162–174 159 –171

Analysis Notes

The formal printed contents occupies PDF page 4. PDF pages 2, 3, and 5 are advertisements and promotional material rather than additional contents pages. PDF page 30 identifies the issue as Kitan Club, October 1963, Volume 17, Number 10, cumulative number 181. Printed page 34 corresponds to PDF page 31, producing a consistent three-page offset through the principal editorial section. The opening gravure titles are printed in small, stylized captions and several are grouped rather than individually paginated. A few contributor names and subtitles on the contents spread are faint; uncertain romanizations and approximate title readings are identified in individual notes. The formal contents ends with printed page 174, corresponding to PDF page 171. PDF pages 172–189 consist chiefly of correspondence, editorial columns, advertisements, personal notices, publication offers, and classified contact listings.