Highlight 1 Remove Text A formal two-page contents design organizes the issue into photographic gravure, erotic art, historical image collections, illustrated albums, and prose fiction. PDF pages Category
Highlight 2 Remove Text The front matter juxtaposes ukiyo-e, European erotic imagery, modern photography, and drawings, establishing the issue’s cross-cultural pictorial approach. PDF pages Category
Highlight 3 Remove Text An extensive Japanese bondage portfolio surveys floor ties, gags, torso harnesses, garden restraint, furniture bondage, paired restraint, netting, and wooden-frame confinement. PDF pages Category
Highlight 4 Remove Text Doi Keiko’s cruel-image album imagines mechanized and theatrical restraint through stocks, collars, iron bands, cages, suspension, and animal-threat scenarios. PDF pages Category
Highlight 5 Remove Text Oda Toshimi’s illustrated album presents Westernized scenes of inverted suspension, corporal punishment, animal menace, and single-leg suspension. PDF pages Category
Highlight 6 Remove Text The later photographic section changes printing tone and develops religious sacrifice, couch restraint, kimono bondage, chair confinement, standing restraint, and paired female tableaux. PDF pages Category
Highlight 7 Remove Text The international pictorial collections assemble grotesque customs, historical cruelty, women wielding whips, and bathing imagery from European and Japanese sources. PDF pages Category
Highlight 8 Remove Text The prose section combines confession, sexual menace, crime, brothel and harem settings, espionage, captivity, and survival adventure. PDF pages Category
Highlight 9 Remove Text The closing illustrated story “Obsessive Love” adopts a period setting and manga-like sequential art before the publication notices and advertisements. PDF pages Category