July 1960

This second collection of Gaho Fuzoku Kitan is organized as an unusually image-dominant survey of erotic restraint, punishment imagery, fetish costume, and sensational fiction. After a cover announcing a visual compendium of abnormal customs, the opening leaves combine historical prints and photographs before a formal contents spread introduces three long photographic groupings, illustrated galleries, foreign and historical material, and several fictional or documentary narratives. The first half is dominated by staged photographic sequences. Women are posed with rope, cloth, furniture, architectural fittings, garden rocks, water, ladders, chairs, bedding, and tiled bathing spaces. The layouts repeatedly convert domestic rooms and landscaped gardens into theatrical sites of captivity. Short captions assign each configuration a dramatic title, moving from suspension and compact body-folding to chair bondage, outdoor exposure, bath scenes, blindfolding, gagging, and poses framed as human cargo or living ornaments. A separate eight-view portfolio emphasizes intoxication, languor, and costume, while later blue-toned and sepia sequences study increasingly varied knots and restraints. The middle section shifts from photography to historical and international visual culture. An “Abnormal Secret Picture Exhibition” reproduces images of whipping, corporal punishment, executions, public humiliation, and grotesque caricature. The following gallery surveys women in riding clothes, trousers, boots, masculine dress, same-sex dominance, and self-punishment imagery. A substantial illustrated essay on women wearing trousers links fashion, cross-dressing, performance, and gendered spectacle. The final third returns to prose and illustrated narrative. It includes a sensational account of eccentric and unusual customs, the supernatural tale “A Single Thought of Love Becomes a Snake,” lurid overseas stories such as “Human Steak,” “Journey Through the Desert of Death,” and “The Ice Field Crazed by Desire,” an illustrated guillotine feature, a documentary-style survey of gruesome murder scenes, and the period melodrama “The Torment of Kichiya in Mad Love.” Together these sections give the issue an encyclopedic yet theatrical identity, combining staged bondage photography, historical punishment iconography, gender transgression, crime reporting, exoticized foreign settings, and illustrated erotic melodrama. The closing page contains publication data and notices.

Title	Author	Printed Pages	PDF Pages
Pleasure by the Pond	Uncredited	2	6
Foot Fetishism	Uncredited	3	7
Hanging from the Transom	Uncredited	4–6	8 –10
A Woman as an Ornament	Uncredited	7–8	11 –12
Human Luggage	Uncredited	9–10	13 –14
Shrimp Torment	Uncredited	11–12	15 –16
Struck by Water	Uncredited	13–14	17 –18
Glossy Bound Pose	Uncredited	15–16	19 –20
Stepladder Torment	Uncredited	17–18	21 –22
Quiet Ecstasy of Torment	Uncredited	19	23
Bound to a Chair	Uncredited	20–21	24 –25
Six Poses of a Beautiful Prisoner	Uncredited	22	26
The White Mermaid's Struggle	Uncredited	23–24	27 –28
Beautiful Human Pillar	Uncredited	25–26	29 –30
Cruelty on the Bed	Uncredited	27–28	31 –32
Tortoise-Shell Binding	Uncredited	29–31	33 –35
Four Bewitching Flowers	Uncredited	32	36
Pleasure of the Bath	Uncredited	33–34	37 –38
Merciless by the Water	Uncredited	35	39
Eight Views of Intoxicated Female Bodies	Uncredited	36–43	40 –47
Pleasure in the Darkness	Uncredited	44–45	48 –49
Become a Dog	Uncredited	46	50
Bound to a Tree	Uncredited	47–48	51 –52
Cushions Are Also Instruments of Torment	Uncredited	49–50	53 –54
Upside-Down Shrimp Suspension	Uncredited	51–53	55 –57
A Pose Awaiting Torment	Uncredited	54–55	58 –59
The Subtle Mystery of the Female Body	Uncredited	56–57	60 –61
Lingering Sensuality	Uncredited	58	62
Cold Tile	Uncredited	59	63
People Being Whipped	Uncredited	60–68	64 –72
Cruel Punishments	Uncredited	69–72	73 –76
Strange People	Uncredited	73–75	77 –79
Women in Riding Dress	Uncredited	76–79	80 –83
Women Drawn by Masochists	Uncredited	80	84
Same-Sex Sadism	Uncredited	81	85
Pictures of Self-Torment	Uncredited	82	86
Women Wearing Trousers	Alfred Holtmont	83–91	87 –95
Man's Eccentric and Curious Tales	Tonomura Shichirō	92–96	96 –100
A Single Thought of Love Becomes a Snake	Oda Toshimi	97–100	101 –104
Human Steak	Uncredited	101–102	105 –106
Journey Through the Desert of Death	Kitahara Yūzō	103–104	107 –108
The Ice Field Crazed by Desire	Kunieda Yūgo	105–106	109 –110
The Beauty of the Guillotine Platform	Uncredited	108–112	112 –116
Gruesome Murder Scenes That Make One Cover One's Eyes	Uncredited	113–116	117 –120
The Torment of Kichiya in Mad Love	Dan Reitarō	117–122	121 –126

The formal contents is printed on PDF page 4. Most numbered editorial pages use a consistent offset of four, with printed page 4 corresponding to PDF page 8 and printed page 124 corresponding to PDF page 121 because later internal numbering includes unnumbered and differently counted leaves. Several personal-name readings in the contents and story bylines remain uncertain, particularly the authors of the eccentric-customs and overseas-fiction sections. The final PDF page contains publication information, advertisements, and notices rather than a substantive article.