{ "schema_version": "1.0", "has_toc": true, "confidence": 0.86, "issue_title": "Fūzoku Sōshi, April 1954", "publication_month": "1954-04", "volume": "2", "issue_number": "4", "summary": "The April 1954 issue of Fūzoku Sōshi is an unusually large and varied publication combining color illustration, staged bondage photography, imported erotic imagery, illustrated historical fantasy, serialized fiction, psychological and sexological essays, autobiographical testimony, roundtable discussion, clinical case writing, reader communications, book notices, and a long sequence of later fiction and confessional material. Its editorial identity depends on treating unconventional sexuality as several things at once: spectacle, artistic subject, personal experience, historical curiosity, psychological problem, and shared field of discussion. The issue moves from richly illustrated front matter into a dense literary body and concludes with correspondence, contributor-oriented departments, publishing information, and additional serialized material.\n\nThe cover and opening plates establish a visual atmosphere of restraint, danger, and theatrical cruelty. A painted woman appears partially submerged and bound beside a dark stone passage. Nakagawa Ayako's color illustration of an aristocratic woman under attack is followed by staged seaside photographs in which women are tied near rocks, wooden supports, surf, and rough ground. Subsequent pages shift through interracial erotic photography, a Shanghai-themed performance portfolio, Suzuki Tetsuo's punishment drawings, infernal scenes of demons and skeletons tormenting women, and Kita Reiko's Human Flesh Market, which depicts a nude woman suspended before spectators. These opening images introduce recurring concerns with public display, helplessness, commodification, forced posture, and the eroticization of danger.\n\nThe formal contents spread is framed by miniature scenes of restraint and female dominance. It introduces an editorial structure considerably larger than the opening literary sequence alone. Immediately afterward, the issue presents modern American sadistic photographs, a French lesbian portfolio centered on lingerie and physical intimacy, and an illustrated catalog of mechanical punishments involving rotating boards, frames, clamps, stocks, boxes, and stretching devices. Ten'ichibō Goes to Hell then develops an extended Edo-period picture story of confinement, bodily punishment, animal attack, attempted escape, and repeated recapture.\n\nThe main numbered section begins with Matsui Raiko's serialized In'u Kumasu, a domestic and sexual melodrama shaped by voyeurism, jealousy, secrecy, deception, and coercive relationships. Kurata Tetsurō's The Sweet World of the Masochist changes register from fiction to classification, discussing humiliation, inversion, crawling, direct punishment, role reversal, and female domination as recognizable forms of masochistic experience. Its illustrations convert psychological distinctions into compact scenes of submission.\n\nBondage and Punishment Miscellany uses the roundtable format to bring together writers, researchers, collectors, and artists for a sustained conversation about rope, historical punishment, photography, performance, and personal experience. The article includes photographs of women suspended, restrained outdoors, and tied in interior settings. The conversational form is central to Fūzoku Sōshi's identity because it represents sexual knowledge as something created through exchange rather than delivered solely by a single expert.\n\nShimamura Haruo's Mirror Demon Tale returns to illustrated period fiction, combining disguise, wooded landscapes, capture, supernatural suggestion, and suspension from trees. Mizutani Yukio's Loincloth Mania then shifts toward male fetishism and same-sex desire, using underwear as a trigger for memory, voyeurism, masturbation, secrecy, and attraction between men. Nagatsuka Hiroji's Spring Chronicle of Masochistic Fantasy traces the growth of masochistic desire through remembered scenes and bodily sensations, while Yamanaka Tetsuji's Beautiful Young Sadist examines male beauty, youth, cruelty, and sadistic identity.\n\nMitani Shōsuke's The Techniques of Interrogation, Arrest, and Torture presents official coercion as historical and procedural knowledge. It discusses arrest, rope restraint, questioning, prison authority, and physical intimidation through examples drawn from policing and punishment. The contrast between institutional violence and erotic fantasy is important throughout the issue: similar gestures of binding and control appear alternately as historical documentation, imagined pleasure, and social power.\n\nThe magazine's large manuscript-prize announcement and interim selection list reveal an active effort to recruit readers as contributors. Fiction, confession, research, translation, and reports of unusual experience are all invited. Higa Yuki's Male Dressmaker follows with a long story about tailoring, bodily measurement, clothing, professional access, and the ambiguity of intimate contact between a dressmaker and his clients. Takahashi Tetsu's Strange Tales of Homosexual Love, Part Three, discusses male same-sex relationships through secrecy, age difference, public reputation, and personal recollection.\n\nItō Seiu's My Secret Record is one of the issue's most important autobiographical contributions. It links illness, medical treatment, confinement, personal crisis, artistic development, and the formation of his interest in punishment imagery. East-West Masochists Compared then uses anecdote, dialogue, and cultural comparison to consider how submission, female authority, cruelty, and erotic discipline are shaped by different social conventions.\n\nThe issue does not end with the material previously associated with its first 150 pages. A substantial later body begins with Hiiragi Fuyuo's Modern Male Slaves, which examines men who voluntarily submit to women and the social and psychological meanings attached to this reversal of authority. Takeno Eisuke's Men Who Want to Be Watched, Women Who Want to Be Watched develops a related concern with exhibitionism, voyeurism, and the desire to become the object of another person's gaze. A short fantastic feature titled Nightly Demon uses supernatural and nocturnal imagery to explore sexual fear and temptation.\n\nThirteen Virgins continues the late section with a narrative or case-oriented treatment of women grouped around secrecy, sexual innocence, and threatened initiation. The Defiled Amazon shifts toward an exotic adventure framework, using female strength, capture, and coercion as its central contrasts. Ōyama Akira's Wretched Women is framed as a fictional sadist's record and presents a sequence of imagined cruelties inflicted upon women, emphasizing bodily injury, degradation, and the narrator's attempt to turn violence into a catalog of experience.\n\nThe Demon of Lust's Mad Banquet expands the issue's grotesque and fantastic mode through demonic imagery, uncontrolled appetite, and sexual excess. My Wanderings in Male Attire is a first-person account of cross-dressing, public movement, disguise, gender presentation, and the sensations produced by being read socially as a man. Lesbos Correspondence follows as a reader-oriented department devoted to female same-sex desire, personal testimony, questions, and exchange among correspondents.\n\nThe serialized memoir Apes, Beasts, and Rough Rope is based on recollections of confinement and punishment in the early Shōwa period. It combines prison or military experience, harsh rope, physical degradation, and retrospective commentary, accompanied by illustrations of coercion and restraint. Short People: Group Portraits then turns toward bodily difference and social observation, presenting a series of miniature biographies or cases involving people of unusually short stature.\n\nThe following group of articles continues the magazine's mixture of fiction, confession, and classification. A long illustrated narrative centered on lust, manipulation, and coercive relationships develops through scenes of bodily control and psychological pressure. Sodomia Correspondence provides another specialist communication space, this time focused on male same-sex desire, personal experience, terminology, and social isolation. A female cross-dresser's memoir uses photographs and personal history to discuss clothing, public identity, work, and the practical realities of living across conventional gender roles.\n\nThe later pages also contain profiles, cultural commentary, case notes, and short communications organized around performers, writers, unusual bodies, and stigmatized desires. Photographs of women and men accompany biographical material, while illustrations repeatedly return to seduction, domination, secret encounters, and bodily exposure. Advertisements and catalogs are integrated among the editorial pages, linking the magazine to a wider commercial network of books, special issues, erotic art, confession collections, and correspondence projects.\n\nThe final literary sequence includes a new installment of a serialized tale of discipline and erotic danger, followed by The Rainbow of the Enchantress, a work associated with popular American magazine fiction and adapted into the magazine's own vocabulary of coercion, manipulation, and sexual threat. Its continuation through the closing pages gives the issue a strongly serial character. The final page contains publication information and editorial notices rather than a pictorial back cover, leaving the reader within the magazine's ongoing network of forthcoming issues, submissions, and related publications.\n\nTaken as a complete publication, the issue is organized around the circulation of power through bodies, images, institutions, clothing, and narrative. Rope appears as photographic composition, police technology, prison instrument, imagined punishment, and symbol of erotic dependency. Clothing becomes lingerie, loincloth, professional equipment, disguise, cross-gender presentation, and fetish object. Female dominance is explored through illustration, photography, fantasy, cultural comparison, and male confession, while male vulnerability appears through masochism, homosexuality, cross-dressing, enslavement fantasies, voyeurism, and institutional punishment. The formal contents, prize competition, roundtable, memoirs, specialist correspondence, and extended late departments establish Fūzoku Sōshi not merely as a collection of erotic images but as a participatory forum in which readers, artists, writers, and researchers attempted to create a shared language for desires treated elsewhere as abnormal or unspeakable.", "analysis_notes": "The formal printed table of contents appears on PDF page 21 and is distinct from the surrounding photographs, captions, and advertisements. The main numbered section begins with printed page 50 on PDF page 40, creating a consistent ten-page difference between printed and PDF viewer pagination through printed page 275 on PDF page 265. Opening pictorial features are included only when presented as distinct editorial items in the printed contents. Incidental captions and individual images within a listed portfolio are not treated as separate entries. Correspondence departments and the later serialized material are included because they are substantive parts of the issue's printed editorial structure.", "no_toc_reason": null, "themes": [ "Bondage, punishment, and bodily restraint", "Sadism and masochism as psychological and cultural categories", "Female dominance and male submission", "Voyeurism, exhibitionism, and erotic spectatorship", "Historical punishment and institutional coercion", "Lesbian intimacy and female same-sex correspondence", "Male homosexuality and sodomia correspondence", "Cross-dressing and gender presentation", "Clothing, lingerie, loincloths, and fetish objects", "Mechanical punishment devices", "Autobiography and the formation of unusual desire", "Clinical and case-oriented sexual classification", "Japanese and Western comparative sexual culture", "Reader submissions and participatory publishing", "Grotesque, supernatural, and infernal erotic fantasy", "Prison, military discipline, and retrospective testimony", "Erotic photography, art, fiction, and illustration" ], "toc_pdf_pages": [ 21 ], "toc_entries": [ { "title": "The Improper Aristocratic Lady", "author": "Nakagawa Ayako", "printed_pages": null, "pdf_page_start": 3, "pdf_page_end": 3, "notes": "Color illustration." }, { "title": "The Virgin of the Rocky Shore", "author": null, "printed_pages": null, "pdf_page_start": 4, "pdf_page_end": 4, "notes": "Special photographic feature." }, { "title": "Bound at the Wild Sea", "author": null, "printed_pages": null, "pdf_page_start": 5, "pdf_page_end": 8, "notes": "Seashore photographic portfolio." }, { "title": "White and Black", "author": null, "printed_pages": null, "pdf_page_start": 9, "pdf_page_end": 11, "notes": "Interracial photographic portfolio." }, { "title": "Burning Shanghai", "author": null, "printed_pages": null, "pdf_page_start": 12, "pdf_page_end": 12, "notes": "Photographic performance feature." }, { "title": "Three Punishment Pictures", "author": "Suzuki Tetsuo", "printed_pages": null, "pdf_page_start": 13, "pdf_page_end": 15, "notes": "Illustrated punishment portfolio." }, { "title": "Infernal Punishment Pictures", "author": null, "printed_pages": null, "pdf_page_start": 16, "pdf_page_end": 17, "notes": "Grotesque illustrated fantasy." }, { "title": "Human Flesh Market", "author": "Kita Reiko", "printed_pages": null, "pdf_page_start": 18, "pdf_page_end": 19, "notes": "Illustrated public-restraint feature." }, { "title": "Modern American Sadism Photograph Collection", "author": null, "printed_pages": null, "pdf_page_start": 22, "pdf_page_end": 22, "notes": "Foreign photographic compilation." }, { "title": "French Lesbian Photograph Collection", "author": null, "printed_pages": null, "pdf_page_start": 23, "pdf_page_end": 27, "notes": "Same-sex lingerie and intimacy portfolio." }, { "title": "Eight Mechanically Assisted Punishments", "author": "Kojō Hideo", "printed_pages": null, "pdf_page_start": 28, "pdf_page_end": 31, "notes": "Illustrated catalog of mechanical restraints; author reading is uncertain." }, { "title": "Ten'ichibō Goes to Hell", "author": null, "printed_pages": null, "pdf_page_start": 32, "pdf_page_end": 38, "notes": "Extended illustrated historical picture story." }, { "title": "In'u Kumasu", "author": "Matsui Raiko", "printed_pages": "50–61", "pdf_page_start": 40, "pdf_page_end": 51, "notes": "Third installment of a serialized novel." }, { "title": "The Sweet World of the Masochist", "author": "Kurata Tetsurō", "printed_pages": "62–67", "pdf_page_start": 52, "pdf_page_end": 57, "notes": "Illustrated study of masochistic practices." }, { "title": "Bondage and Punishment Miscellany", "author": null, "printed_pages": "68–79", "pdf_page_start": 58, "pdf_page_end": 69, "notes": "Roundtable discussion with multiple participants." }, { "title": "Mirror Demon Tale", "author": "Shimamura Haruo", "printed_pages": "80–89", "pdf_page_start": 70, "pdf_page_end": 79, "notes": "Illustrated historical fantasy." }, { "title": "Loincloth Mania", "author": "Mizutani Yukio", "printed_pages": "90–95", "pdf_page_start": 80, "pdf_page_end": 85, "notes": "Male fetish and same-sex confession." }, { "title": "Spring Chronicle of Masochistic Fantasy", "author": "Nagatsuka Hiroji", "printed_pages": "96–99", "pdf_page_start": 86, "pdf_page_end": 89, "notes": "Confessional essay." }, { "title": "Beautiful Young Sadist", "author": "Yamanaka Tetsuji", "printed_pages": "100–104", "pdf_page_start": 90, "pdf_page_end": 94, "notes": "Essay on male beauty and sadistic identity." }, { "title": "The Techniques of Interrogation, Arrest, and Torture", "author": "Mitani Shōsuke", "printed_pages": "105–111", "pdf_page_start": 95, "pdf_page_end": 101, "notes": "Historical and procedural study." }, { "title": "Twenty-Man-Yen Prize Manuscript Competition: Interim Announcement", "author": "Editorial Department", "printed_pages": "112–113", "pdf_page_start": 102, "pdf_page_end": 103, "notes": "Selection list and contributor notice." }, { "title": "Male Dressmaker", "author": "Higa Yuki", "printed_pages": "114–123", "pdf_page_start": 104, "pdf_page_end": 113, "notes": "Illustrated fiction; author romanization is uncertain." }, { "title": "Strange Tales of Homosexual Love, Part Three", "author": "Takahashi Tetsu", "printed_pages": "124–130", "pdf_page_start": 114, "pdf_page_end": 120, "notes": "Male same-sex narrative and commentary." }, { "title": "My Secret Record", "author": "Itō Seiu", "printed_pages": "131–135", "pdf_page_start": 121, "pdf_page_end": 125, "notes": "Autobiographical memoir." }, { "title": "East-West Masochists Compared", "author": "Kiyama", "printed_pages": "136–144", "pdf_page_start": 126, "pdf_page_end": 134, "notes": "Illustrated by Onizuka; the author's full name is unclear." }, { "title": "Fūzoku Art Museum", "author": null, "printed_pages": "145–147", "pdf_page_start": 135, "pdf_page_end": 137, "notes": "Historical and foreign erotic art portfolio." }, { "title": "Ecstatic Male Beauty", "author": null, "printed_pages": "148", "pdf_page_start": 138, "pdf_page_end": 138, "notes": "Male physique photographic feature." }, { "title": "Clinical Report on Deviant Sexuality", "author": "Miyake Ichirō", "printed_pages": "149–155", "pdf_page_start": 139, "pdf_page_end": 145, "notes": "Case-oriented sexological report." }, { "title": "The Psychology of the Man Who Torments a Conquered Woman", "author": "Kageura Makoto", "printed_pages": "156–161", "pdf_page_start": 146, "pdf_page_end": 151, "notes": "Psychological essay." }, { "title": "Modern Male Slaves", "author": "Hiiragi Fuyuo", "printed_pages": "162–171", "pdf_page_start": 152, "pdf_page_end": 161, "notes": "Essay and case discussion concerning voluntary male submission." }, { "title": "Men Who Want to Be Watched, Women Who Want to Be Watched", "author": "Takeno Eisuke", "printed_pages": "172–177", "pdf_page_start": 162, "pdf_page_end": 167, "notes": "Essay on exhibitionism and voyeurism." }, { "title": "Nightly Demon", "author": null, "printed_pages": "178–180", "pdf_page_start": 168, "pdf_page_end": 170, "notes": "Short fantastic narrative; exact title translation is uncertain." }, { "title": "Thirteen Virgins", "author": null, "printed_pages": "181–183", "pdf_page_start": 171, "pdf_page_end": 173, "notes": "Short narrative or case feature." }, { "title": "The Defiled Amazon", "author": null, "printed_pages": "184–187", "pdf_page_start": 174, "pdf_page_end": 177, "notes": "Adventure and captivity narrative; exact title rendering is uncertain." }, { "title": "Wretched Women", "author": "Ōyama Akira", "printed_pages": "188–193", "pdf_page_start": 178, "pdf_page_end": 183, "notes": "Presented as a fictional sadist's record." }, { "title": "The Demon of Lust's Mad Banquet", "author": "Sakanoue Nobuhiko", "printed_pages": "194–199", "pdf_page_start": 184, "pdf_page_end": 189, "notes": "Grotesque erotic fantasy." }, { "title": "My Wanderings in Male Attire", "author": null, "printed_pages": "200–206", "pdf_page_start": 190, "pdf_page_end": 196, "notes": "First-person cross-dressing memoir; author reading is unclear." }, { "title": "Lesbos Correspondence", "author": null, "printed_pages": "207–213", "pdf_page_start": 197, "pdf_page_end": 203, "notes": "Female same-sex correspondence department." }, { "title": "Apes, Beasts, and Rough Rope", "author": "Nagaoka Yaichirō", "printed_pages": "214–225", "pdf_page_start": 204, "pdf_page_end": 215, "notes": "Serialized retrospective memoir; title and author readings are conservative." }, { "title": "Short People: Group Portraits", "author": "Hie Shōgo", "printed_pages": "226–233", "pdf_page_start": 216, "pdf_page_end": 223, "notes": "Case-oriented social feature; author reading is uncertain." }, { "title": "Lewd Rope and Youth", "author": null, "printed_pages": "234–241", "pdf_page_start": 224, "pdf_page_end": 231, "notes": "Illustrated fiction; exact title and author are uncertain." }, { "title": "Sodomia Correspondence", "author": null, "printed_pages": "242–247", "pdf_page_start": 232, "pdf_page_end": 237, "notes": "Male same-sex correspondence department." }, { "title": "Memoir of a Female Cross-Dresser", "author": null, "printed_pages": "248–261", "pdf_page_start": 238, "pdf_page_end": 251, "notes": "Photographic autobiographical feature; contributor name is uncertain." }, { "title": "Discipline Tale", "author": null, "printed_pages": "262", "pdf_page_start": 252, "pdf_page_end": 252, "notes": "Opening page of a short serialized or transitional feature; exact title is uncertain." }, { "title": "The Rainbow of the Enchantress", "author": null, "printed_pages": "263–275", "pdf_page_start": 253, "pdf_page_end": 265, "notes": "Serialized fiction adapted from or associated with an American popular-magazine source; author and translator readings are unclear." } ], "highlights": [ { "text": "The painted cover presents a restrained woman partially immersed beside a dark stone passage.", "pdf_pages": "1", "category": "cover" }, { "text": "Nakagawa Ayako's color plate depicts a bound aristocratic woman threatened by a male tormentor.", "pdf_pages": "3", "category": "color illustration" }, { "text": "The opening seashore sequence stages women restrained against wooden supports, rocks, surf, and rough coastal ground.", "pdf_pages": "4–8", "category": "photographic portfolio" }, { "text": "Kita Reiko's Human Flesh Market depicts a nude woman suspended before spectators and presented as a commodity.", "pdf_pages": "18–19", "category": "illustrated feature" }, { "text": "The formal contents spread maps the issue's visual portfolios, fiction, essays, memoirs, correspondence departments, and later serialized material.", "pdf_pages": "21", "category": "table of contents" }, { "text": "The French lesbian portfolio develops a domestic sequence of lingerie, dressing, undressing, physical intimacy, and seduction.", "pdf_pages": "23–27", "category": "photographic portfolio" }, { "text": "Eight illustrated mechanical punishments use rotating boards, frames, clamps, stocks, boxes, and stretching devices.", "pdf_pages": "28–31", "category": "mechanical restraint illustrations" }, { "text": "Ten'ichibō Goes to Hell is an extended Edo-period picture story involving captivity, punishment, animal attack, and escape attempts.", "pdf_pages": "32–38", "category": "illustrated historical fiction" }, { "text": "The Sweet World of the Masochist classifies humiliation, inversion, crawling, direct punishment, and female domination.", "pdf_pages": "52–57", "category": "sexological essay" }, { "text": "Bondage and Punishment Miscellany is a long roundtable on rope, photography, history, performance, and personal experience.", "pdf_pages": "58–69", "category": "roundtable" }, { "text": "Mirror Demon Tale combines historical fantasy, supernatural atmosphere, wooded pursuit, capture, and suspension.", "pdf_pages": "70–79", "category": "illustrated fiction" }, { "text": "Loincloth Mania treats underwear as a catalyst for voyeurism, masturbation, memory, secrecy, and male same-sex desire.", "pdf_pages": "80–85", "category": "fetish confession" }, { "text": "The Techniques of Interrogation, Arrest, and Torture surveys official restraint, questioning, prison procedure, and coercive policing.", "pdf_pages": "95–101", "category": "historical procedural study" }, { "text": "Itō Seiu's My Secret Record links medical treatment, personal crisis, confinement, and artistic development.", "pdf_pages": "121–125", "category": "autobiographical memoir" }, { "text": "East-West Masochists Compared contrasts cultural models of submission, female authority, cruelty, and erotic discipline.", "pdf_pages": "126–134", "category": "comparative essay" }, { "text": "Clinical Report on Deviant Sexuality presents cases involving performance, prostitution, compulsion, humiliation, and public scandal.", "pdf_pages": "139–145", "category": "clinical case study" }, { "text": "The Psychology of the Man Who Torments a Conquered Woman analyzes possession, male insecurity, aggression, and prolonged control.", "pdf_pages": "146–151", "category": "psychological essay" }, { "text": "Modern Male Slaves examines men who submit to women and the social meanings of reversed erotic authority.", "pdf_pages": "152–161", "category": "social and psychological essay" }, { "text": "Men Who Want to Be Watched, Women Who Want to Be Watched explores exhibitionism, voyeurism, and erotic self-display.", "pdf_pages": "162–167", "category": "sexological essay" }, { "text": "Nightly Demon uses a supernatural nocturnal framework to explore erotic fear, temptation, and fantasy.", "pdf_pages": "168–170", "category": "fantastic fiction" }, { "text": "Thirteen Virgins is a short narrative or case feature centered on secrecy, sexual innocence, and threatened initiation.", "pdf_pages": "171–173", "category": "fiction" }, { "text": "The Defiled Amazon contrasts female strength with capture, exposure, and coercive treatment.", "pdf_pages": "174–177", "category": "adventure fiction" }, { "text": "Wretched Women is framed as a fictional sadist's record and catalogs imagined cruelties inflicted upon women.", "pdf_pages": "178–183", "category": "sadistic fantasy" }, { "text": "The Demon of Lust's Mad Banquet combines demonic imagery, sexual excess, and grotesque fantasy.", "pdf_pages": "184–189", "category": "fantastic fiction" }, { "text": "My Wanderings in Male Attire is a first-person account of cross-dressing, disguise, public identity, and gendered social perception.", "pdf_pages": "190–196", "category": "cross-dressing memoir" }, { "text": "Lesbos Correspondence provides a reader-oriented forum for female same-sex experiences, questions, and exchange.", "pdf_pages": "197–203", "category": "correspondence" }, { "text": "Apes, Beasts, and Rough Rope recalls coercion, imprisonment, harsh restraint, and degradation in an early-Shōwa setting.", "pdf_pages": "204–215", "category": "retrospective memoir" }, { "text": "Short People: Group Portraits presents case-oriented sketches of people of unusually short stature.", "pdf_pages": "216–223", "category": "social case study" }, { "text": "A late illustrated narrative develops through seduction, manipulation, bodily control, and coercive relationships.", "pdf_pages": "224–231", "category": "illustrated fiction" }, { "text": "Sodomia Correspondence collects communications concerning male same-sex desire, terminology, experience, and isolation.", "pdf_pages": "232–237", "category": "correspondence" }, { "text": "A female cross-dresser's memoir combines photographs with discussion of clothing, public identity, work, and gender presentation.", "pdf_pages": "238–251", "category": "cross-dressing memoir" }, { "text": "The Rainbow of the Enchantress introduces a serialized tale of manipulation, danger, and sexual coercion in the closing section.", "pdf_pages": "253–265", "category": "serial fiction" } ], "krp_export": { "issue_id": 20, "magazine": "Fuzoku Soshi", "original_filename": "Fuzoku1954-4.pdf", "page_count": 265, "analysis_status": "approved", "exported_at": "2026-09-29T16:14:32+00:00" } }