Review Table of Contents

A Woman Driven Mad by Rope | composition by Tsujimura Takashi; photography by Tsukamoto Tetsuzō | 6–13
Demon Flower | Hamura Kyōko | 15–26
Letter from a Madman | Hamura Hiroshi | 27–28
Scattering Young Leaves | Tozaki Heima | 29–34
Love Slave, Part Two | Kitō Kōichirō | 35–44
Questions and Answers on Perversion, Part Three | Ukiya Takasaburō | 45–52
The Nun’s Awakening | Hisamatsu Shunsuke | 53–58
Phosphorescence | Sasada Ei | 59–64
Flower Light | | 65–74
Urine Worship and Totemism | Mise Seirō | 75–76
In Reply to Kuroi Chinpei | Itō Seiu | 77–78
A History of Religious Inquisition | Urushijima Michihei | 79–82
A Female Prisoner’s Prison Diary | Komachi Ukon | 83–89
The Torments of Sadism | Moriyama Miyaka | 90–94
Glass Toilet | Hano Mayumi | 95–100
The Pleasure of Being Oppressed | Hayashida Sumiko | 101–104
History of Christian Persecution | Urushijima Michihei | 105–110
Film and Sadism | Yoshii Kagehiro | 109
Strange Tales of Executions | Mogi Yoshihisa | 111–116
A Warrior’s Sorrowful History | Kumoi Kawayō | 117–122
The Torn Diary | Kawabata Tana | 123–124
Various Types of Woman-Haters | Hayashida Sumiko | 125–126
The Women of Ryūkyū | Kinoshita Hakuran | 127–136
Eternal Male Beauty and Female Beauty | Matoba Michi | 137–142
Fire, Part Two | Matsui Kōko | 143–154
Alexina’s Diary | Torigami Ryōichi | 155–158
The Island That Opens at Night | Okada Satsuko | 159–173