February 1961

The February 1961 issue of Gaho Fuzoku Kitan is organized around a formal table of contents, an extended sequence of color and monochrome pictorial material, illustrated punishment fantasies, short fiction, a photographic narrative, reader correspondence, and extensive advertising and catalog back matter. Its editorial character is intensely visual: the first half moves from color frontispieces and satirical drawings into staged bondage photography, then into sepia-toned illustrations of imagined torments and a long instructional-style photographic sequence demonstrating named rope configurations. The opening color section presents women bound in domestic clothing and school uniform, followed by monochrome portfolios featuring nude and partially clothed models in floor, chair, outdoor, and platform settings. These sequences emphasize posture, rope placement, facial expression, costume, blindfolding, exposure, and the contrast between interior rooms and rough exterior locations. A separate illustrated portfolio titled Female Body Torment: A Collection of Cruel Pleasure Images shifts from photography to fantasy scenes involving glass, water, heat, suspension, and other contrived punishments. The following Female Punishment History Picture Scroll returns to photographs, arranging a series of compact rope forms around a kneeling model and labeling each tie as a distinct configuration. The prose section begins with Woman Torment in Five Forms, written by Tama Jiro and illustrated by Tagami Keiko, which presents five short punishment tableaux. Mountain Hut Sacrifice, by Tajima Suekichi with illustrations by Ema Yoshihisa, follows as a sustained captivity narrative. The Dangerous Midnight Show combines text and photographs in a staged nocturnal scenario, while The Skin-Peeling Hut, by Mimura Jiro with illustrations by Oda Toshimi, uses a historical-fiction setting and graphic punishment imagery. The later Readers' Plaza gathers correspondence and short reader contributions, reinforcing the magazine's participatory subculture. The closing pages consist largely of house notices, advertisements for related publications and mail-order materials, and a final illustrated feature, Invitation to an Abnormal World, reproducing European erotic and grotesque images. Across the issue, the dominant concerns are kinbaku display, punishment fantasy, costume, female vulnerability, voyeuristic staging, and the circulation of specialized erotic print culture.

Title	Author	Printed Pages	PDF Pages
Skin Laid Bare	Uncredited	3	3
The School-Uniformed Girl	Uncredited	4–6	4 –5
Woman in Boots with Buttons	Rudolf Schlichter	—	1
Strange Bound Woman	Uncredited	10–12	9 –11
Punishment in the Board-Floored Hut	Uncredited	14–16	12 –15
Pitiful School-Uniformed Girl	Uncredited	18–20	16 –17
The Naked Woman Wound Round and Round	Uncredited	22–24	18 –19
Woman Given an Enema	Uncredited	26–30	20 –23
Black Blindfold	Uncredited	32–34	24 –25
Bound for a Long Time	Uncredited	36–38	26 –27
Captured Posture	Uncredited	40–42	28 –29
The Chair's Tormented Pose	Uncredited	44–46	30 –31
The Whip Flies	Uncredited	48–50	32 –33
Bound with Rubber Straps	Uncredited	52–54	34 –35
Expression of Nasal Torment	Uncredited	56–58	36 –37
Female Body Torment: A Collection of Cruel Pleasure Images	Uncredited	60–67	38 –45
Female Punishment History Picture Scroll	Uncredited	68–82	46 –61
Exhibition of Abnormal Customs	Uncredited	79–82	62 –65
Woman Torment in Five Forms	Tama Jiro	83–87	66 –70
Mountain Hut Sacrifice	Tajima Suekichi	88–93	71 –76
The Dangerous Midnight Show	Nakazawa Michitaro	94–97	77 –80
The Skin-Peeling Hut	Mimura Jiro	98–103	81 –86
Readers' Plaza	Uncredited	104–107	87 –90
Agency Department News	Uncredited	108–114	91 –97
Invitation to an Abnormal World	Uncredited	115–122	98 –105

The formal table of contents appears on PDF page 7. Printed pagination becomes clearly visible in the prose section: printed page 83 corresponds to PDF page 66, an offset of seventeen pages. Several gravure titles and model names are printed in small or stylized type, so their romanization remains provisional. The contents spread appears to group some photographic pages under short captions rather than treating each page as a separate article. The page count is 105.