Review Table of Contents

A Study of the Beauty of Tight Binding with the Hands Behind and the Arms Raised | composition by Tsujimura Takashi; photography by Tsukamoto Tetsuzō | 6–13
Confessions of a Reformed Delinquent | Goku Osamu | 15–17
How to Obtain the Wine of the Gods | Numa Shōzō | 18–20
Longing for the Obese Body | Asō Tsuwako | 21–24
Riding Clothes, High Boots, and the Whip | Morimoto Aizō | 25–27
A Mysterious Interrogation | Arima Inaho | 28–31
My Newlywed Life | Shimamura Yasuo | 32–36
The Occasion for Blooming | Shida Yōko | 37–40
The Shadow of Jealousy | Izumi Tatsunosuke | 41–48
The Dream I Saw Last Night | Kawabata Tanako | 49–50
Lament of a Young Bride | Hanamura Tsuruji | 51–56
Confession of a Cultured Animal | Tsunoda Heihachi | 57–60
New Nude Rhapsody | Nanajō Miki | 61–66
Sexual Intercourse | Fujiyasu Setsuko | 67–72
Love Slave, Part Four | Kitō Kōichirō | 73–82
The Woman on a Sheet of Paper | Sasaki Tadashi | 83–86
Pilgrimage Through Pictures of Hell | Nagaoka Aiichirō | 87–94
The Death of a Beautiful Boy | Okada Mashirō | 95–104
Ecstasy and Religious Rapture | Takatori Nagaharu | 105–108
Camera Lovers’ Society | Okada Sakiko | 109–118
Rulers and the Ruled | Watanabe Shinji | 119–128
Blame in Aesthetic Expression: Blame in Film, Theater, and Fiction | credit unclear | 129–132
Continued: Prison Garb | Furukawa Yūko | 133–142
Historical Notes on Seppuku, Part Two | Nakayasu Kōdō | 143–150
Bound Actresses, Part Two | Iioka Kinkichi | 151–154
A Refined Form of Blame | Azuma Minoru | 155–157
Selections from Heresy | Nibiyama Hitoshi | 158–162
Fire, Part Four | Matsui Kōko | 163–172
Publication Notices and Advertisements | | 173