Highlight 1 Remove Text The issue opens with an extensive bondage-photography special, Melancholy and Solitary Beauty, photographed by Tsukamoto Tetsuzō, including monochrome and color portfolios followed by a long illustrated feature centered on Takamura Hiroko. PDF pages Category
Highlight 2 Remove Text Satō Mitsuyasu's My Collection documents the unusual practice of collecting impressions of women's breasts, combining personal testimony with discussion of the collection as an SM and fetish archive. PDF pages Category
Highlight 3 Remove Text Tsukamoto Tetsuzō's Tormenting a Rubber-Clad Doll is an extended photo-reportage feature on an S Research Group session involving the wife of Ōyama Ryōsuke, emphasizing organized amateur SM play and rubber fetish clothing. PDF pages Category
Highlight 4 Remove Text Prostration Before the Goddess is a prize-winning autobiographical confession tracing the narrator's early memories and the development of a masochistic identity. PDF pages Category
Highlight 5 Remove Text From Kept Wife to Play Wife, from Play Wife to Slave Wife presents Tamamoto Akiko's first-person account of a marital relationship developing into an explicitly structured SM partnership. PDF pages Category
Highlight 6 Remove Text Confession of My First Binding of a Pregnant Woman combines Setouchi Isamu's recollection of Kodama Masako with photographs documenting rope restraint during pregnancy. PDF pages Category
Highlight 7 Remove Text Thoughts on the Sorrows and Joys of a Slave Wife examines several married couples as case studies in female submission, marital authority, and the lived meaning of the slave-wife role. PDF pages Category
Highlight 8 Remove Text The Ultimate in SM Is Group Play closes the surviving issue with a married man's argument for and reflections on multi-person SM participation and organized group activity. PDF pages Category