Highlight 1 Remove Text Beautiful Garden of Perversion, photographed by Tsukamoto Tetsuzo, forms an extensive opening portfolio presenting numerous models, rope arrangements, gags, poses, and captioned bondage scenarios. PDF pages Category
Highlight 2 Remove Text Tsukamoto Tetsuzo's Exploring the Sexual Instrument of a Woman for Amorous Use is the issue's major camera-and-pen reportage feature, combining photographs of Fujita Akiko with extensive discussion of sexual response, restraint, humiliation, and SM experimentation. PDF pages Category
Highlight 3 Remove Text The sixty-ninth installment of Great Eruption continues one of Kitan Club's long-running serialized erotic narratives and marks the transition from documentary material into fiction. PDF pages Category
Highlight 4 Remove Text The fifth installment of Saji Mazo's Woman Prisoner develops an extended captivity narrative and occupies a substantial block of the issue. PDF pages Category
Highlight 5 Remove Text Shinmaru Kiyoshi's The Tomoko I Raised is framed as an experiential confession and describes a relationship organized around sexual training and control. PDF pages Category
Highlight 6 Remove Text Ushirono Mitsuru's Designs and Experiments for Tormenting a Beautiful Woman's Anus is an unusually explicit essay connecting conceptual planning, physical technique, and experimental SM practice. PDF pages Category
Highlight 7 Remove Text Takamura Hiroko's M-Woman Correspondence feature Fantasies in a Closed Room combines first-person fantasy with photographs of a bound woman, showing the magazine's integration of reader-oriented writing and staged imagery. PDF pages Category
Highlight 8 Remove Text The eight-millimeter movie feature Porn SM: Ecstasy of the Whip documents an SM film through descriptions and film-frame images, providing evidence of small-format erotic filmmaking within the contemporary scene. PDF pages Category
Highlight 9 Remove Text Suzaka Akira's Mariko Image Drawings explicitly presents erotic sketches as images prepared for direct instruction of an M-woman, linking fantasy drawing to the planning of real-world play. PDF pages Category
Highlight 10 Remove Text The closing material includes Nakagawa Keiko's confession I Cry at Twilight and Oniyama Kensaku's Madman, installment 52 of the M-Sawa Friendship Record, maintaining the issue's emphasis on personal testimony and relational SM through its final pages. PDF pages Category