Review Table of Contents

A Woman Pierced by Needles | Minamikawa Kazuko | 5
Historical Punishment Scene | | 6
Erotic Female-Body Hell Illustrations | Itō Seiu; commentary by Murata Seiichi | 7–9
The Dying White Swan | Tsuzuki Mineko | 10–13
At an Outdoor Punishment Ground | composition by Tsujimura Takashi; photography by Tsukamoto Tetsuzō | 14–17
Men Who Attack and Women Who Are Attacked | | 18–19
Gymnasium Warehouse | Kawamura Tetsuo; illustrations by Taki Reiko | 20–22
Modern Sadism | Kuruki Sakae | 24–27
Research into Hatsuhana Village | Murata Seiichi | 28–29
My Memories | Okada Sakiko; illustrations by Hidawaki Kaoru | 30–35
The Temptation of Sacred Paintings | Chikami Reiko | 36–44
My Clothes, Bound Clothes | | 45–47
Love Slave, Part Ten | Kitō Kōichirō | 48–57
In Reply to the Hymn to Ars | Hamura Kyōko | 58–61
Amphibious Animal, Part Two: A Tale of Male Love | Okada Mashirō | 62–65
A Solitary Wanderer’s Record | Komiya Kiyoshi | 66–71
A Strange Confession | Mizukami Ryūtarō | 72–77
The Binding Curse: From the Nishida Kotoe Fatal-Injury Investigation | Tsujimura Takashi | 78–83
Spider and Butterflies | Tobita Ryōji | 84–91
A Record of Love and Bondage | credit unclear | 92–95
A Curious Confession of Sadism | credit unclear | 96–101
The Awakening of Sadism | credit unclear | 102–105
An Illustrated Tale of a Beautiful Punishment Ground | Iwahori Hiroshi; illustrations by Sanjō Haruhiko | 106–117
A Female Student’s Part-Time Confession | Nomura Emiko | 118–125
Madame Red Crane | Matsui Kōko | 126–133
Diary of a Repatriate from Communist China | Maejima Yoshio | 134–141
Record of Abuse | credit unclear | 142–149
Fire, Part Ten | Matsui Kōko | 150–157
How to Construct a Punishment-Ground Stage | Itō Seiu | 158–167
From a Masochist’s Notebook, Part Five | Numa Shōzō | 168–175
The Sweet Surrender of Alice, Part Three | translated by Samukawa Midori | 176–181
Publication Notices and Advertisements | | 182