Highlight 1 Remove Text An extended opening portfolio presents Fukada Kikuko and other models in diverse rope arrangements, ranging from floor bondage and spread-eagle poses to suspension and color studio compositions. PDF pages Category
Highlight 2 Remove Text Tsukamoto Tetsuzō's camera-and-pen report “Everything About the Woman Who Gave Herself Up, Kikuko” combines autobiographical narration with photographs, tracing Fukada Kikuko's marriage plans, travel, bondage sessions, and the narrator's changing relationship to her. PDF pages Category
Highlight 3 Remove Text Kashiwagi Hajime's “The Proposition of Rope” frames bondage through a personal account of the interdependence and instability of sadistic and masochistic identities. PDF pages Category
Highlight 4 Remove Text Chiba Seiki's serialized novel “The Great Eruption,” installment 76, demonstrates the issue's continued investment in long-form erotic fiction alongside documentary and testimonial material. PDF pages Category
Highlight 5 Remove Text Tonegawa Gorō's “Woman: The Mysterious Part” shifts the issue toward interpretive commentary on female sexuality and masculine uncertainty. PDF pages Category
Highlight 6 Remove Text Funabashi Ichirō's continuing essay “The Aesthetics of Questioning” examines interrogation as an eroticized form governed by technique, psychology, authority, and performance. PDF pages Category
Highlight 7 Remove Text Yoshiya Kazuko's “An Experience of Seppuku” records a staged bodily ordeal in first-person form, illustrating the magazine's characteristic blending of ritual imagery, physical sensation, and experiential confession. PDF pages Category
Highlight 8 Remove Text Roman-ha Sei's final installment of “The Aesthetics of Binding” discusses restraint as visual composition and embodied technique, supported by photographic examples. PDF pages Category
Highlight 9 Remove Text Aoyama Ken'ichi's “An SM Affair with an Older Woman” situates sadomasochistic experience within youthful recollection, confession, and the emotional dynamics of an age-disparate relationship. PDF pages Category
Highlight 10 Remove Text Satō Mitsuyasu's closing testimonial “Nostril Photography Meeting” documents a specialized fetish photography session and provides evidence of the magazine's prize-supported amateur contribution culture. PDF pages Category