Highlight 1 Remove Text The issue begins with a long black-and-white and color image gallery presenting numerous named models, rope configurations, gags, masks, floor ties, standing restraint, suspension, body writing, and compressed postures. PDF pages Category
Highlight 2 Remove Text The formal contents and image-gallery index identify both the issue’s principal prose contributions and the individual captions and models represented in the opening photographic sequence. PDF pages Category
Highlight 3 Remove Text Hayashi Shigezō’s “Melancholy Amid Splendor” appears beside the March 1975 masthead and introduces the issue’s visual fascination with restraint, beauty, and bodily display. PDF pages Category
Highlight 4 Remove Text Tsukamoto Tetsuzō’s long camera-and-pen reportage “The Sensual Sow’s Education” combines a journey through Kyoto and Nara with staged bondage sessions and sustained commentary on model Yamaguchi Tsuyako. PDF pages Category
Highlight 5 Remove Text Shinkawa Hiroo’s “Gags” treats the gag as a distinct instrument of restraint, humiliation, and erotic communication rather than merely an incidental photographic prop. PDF pages Category
Highlight 6 Remove Text Murasaki Shiki’s account of an SM couple adopts the form of personal testimony and a public appeal, demonstrating how the magazine served as a meeting ground for readers with shared interests. PDF pages Category
Highlight 7 Remove Text The serialized period sadistic novel “The Gate of Purple Orchids” introduces historical settings and illustrated scenes, expanding the issue beyond contemporary documentary material. PDF pages Category
Highlight 8 Remove Text “The Tormenting Rubber Raincoat” foregrounds rubber clothing, enclosure, discomfort, and fetish sensation in a first-person narrative. PDF pages Category
Highlight 9 Remove Text Sakaki Masao’s “Yuki’s Sensitive Parts” documents a bondage-photography encounter and reflects on bodily response, photographic direction, and the relationship between model and photographer. PDF pages Category
Highlight 10 Remove Text Morimoto Aizō’s illustrated “Sweet Trap” closes the issue with a melodramatic narrative of seduction, criminal intrigue, travel, and betrayal. PDF pages Category