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Magazine: Fuzoku Soshi

Issue: September 1954

File: FS195409.pdf

Import status: Approved

Automatic Complete-Issue API Scan

Scan the complete magazine with the OpenAI API using KRP's current whole-issue analysis prompt. The result is imported as a review draft and is not approved or published automatically.

ChatGPT analysis JSON

{
    "schema_version": "1.0",
    "has_toc": true,
    "confidence": 0.88,
    "issue_title": "September 1954",
    "publication_month": "1954-09",
    "volume": null,
    "issue_number": null,
    "summary": "The September 1954 issue of Fuzoku Soshi is a large, densely packed postwar popular-culture magazine combining erotic illustration, sensational fiction, sexual psychology, historical curiosities, crime narratives, social observation, and reader-oriented features. Its visual identity is established immediately by a surreal painted cover and a varied front-matter portfolio that places Japanese staged bondage photography beside European punishment imagery, American fetish photographs, historical martyrdom scenes, and illustrations of legendary women. A formal illustrated contents spread then presents the issue as a broad survey of abnormality, desire, violence, and marginal social worlds.\n\nThe main body opens with Muramatsu Rokuryō’s historical erotic fiction “The Color Quarter of Akegarasu,” illustrated in an ukiyo-e-derived manner and centered on sexual rivalry, coercion, and revenge in a pleasure-quarter setting. Matsui Raiko’s concluding installment of “The Lustful Rain Does Not Cease” shifts to a modern urban world of hotels, bars, theatrical performers, jealousy, captivity, and erotic betrayal. This is followed by medical and criminological material, notably Ōta Tenrei’s discussion of the psychiatric evaluation of people labeled sexually abnormal and Mitani Shōsuke’s political-crime narrative “The Female Party Member Gasping Beneath the Bloodstained Whip.”\n\nAcross the middle of the issue, the tone alternates between documentary explanation and sensational narrative. The special feature “Twelve Chapters Concerning Abnormality” surveys forms of sexual behavior, fetishism, gender variance, prostitution, reproductive customs, and related social questions through short illustrated essays. Other contributions examine women associated with bicycle-racing venues, historical male homosexuality through Oda Nobunaga, breast tattooing, youthful despair, and women described as animal trainers, servants, or social outsiders. The fiction and reportage repeatedly use confinement, whipping, disguise, bodily marking, jealousy, and sexual commerce as narrative engines.\n\nThe later portion remains substantial rather than dissolving into incidental back matter. It includes stories about women in competitive or exploitative environments, summer-themed erotic tales, correspondence from a young obstetrician-gynecologist, a feature on a woman who sleeps on nails, accounts of distorted relationships and enslavement, Ryūtanji Yū’s literary tale “Rainbow of the Enchantress,” and closing columns and notices. The issue’s editorial character lies in its restless movement between pulp drama, pseudo-clinical authority, historical anecdote, subcultural reportage, and illustrated fantasy. It treats sexuality as at once spectacle, pathology, commerce, crime, folklore, and a lens on the transformations of postwar society.",
    "analysis_notes": "The formal illustrated contents appears on PDF page 12. Main printed pagination begins five pages ahead of the corresponding PDF viewer number, so printed page 20 is PDF page 15 and the same five-page offset continues through the final numbered page. Several small contributor names and some short titles on the densely designed contents spread are difficult to distinguish; provisional romanizations and translations are identified in the relevant notes. The scan includes a cover spread, unnumbered frontispieces, and early pictorial material before the regular printed pagination begins.",
    "no_toc_reason": null,
    "themes": [
        "Postwar sexual modernity and changing social customs",
        "Eroticized punishment, captivity, and coercion",
        "Pleasure quarters, prostitution, and commercial sexuality",
        "Sexology, psychiatry, and classifications of abnormal desire",
        "Historical martyrdom and corporal punishment imagery",
        "Jealousy, betrayal, and revenge in erotic fiction",
        "Female criminality and political persecution",
        "Fetishism, bodily marking, and tattooing",
        "Male homosexuality in historical narrative",
        "Gender variance and sexual role reversal",
        "Urban nightlife, hotels, theaters, and entertainment districts",
        "Reader correspondence and advice-oriented sexual discourse"
    ],
    "toc_pdf_pages": [
        12
    ],
    "toc_entries": [
        {
            "title": "Three Scenes by Itō Kōzō: Jealousy, Cruelty, and Exposure",
            "author": "Itō Kōzō",
            "printed_pages": "",
            "pdf_page_start": 3,
            "pdf_page_end": 4,
            "notes": "Front-matter pictorial feature; the exact reading of the artist’s given name requires confirmation."
        },
        {
            "title": "The White Queen of the Ruined City",
            "author": "Suzuki Gyosui",
            "printed_pages": "",
            "pdf_page_start": 5,
            "pdf_page_end": 5,
            "notes": "Illustration."
        },
        {
            "title": "American Photo",
            "author": null,
            "printed_pages": "",
            "pdf_page_start": 6,
            "pdf_page_end": 7,
            "notes": "Imported fetish-photography portfolio."
        },
        {
            "title": "The Martyrdom of Saint Concordia",
            "author": "Nakagawa Ayako",
            "printed_pages": "",
            "pdf_page_start": 8,
            "pdf_page_end": 8,
            "notes": "Historical punishment illustration; the saint’s romanized name is provisional."
        },
        {
            "title": "The Miracle of Saint Agnes",
            "author": "Nakagawa Ayako",
            "printed_pages": "",
            "pdf_page_start": 9,
            "pdf_page_end": 9,
            "notes": "Historical religious illustration."
        },
        {
            "title": "Flower and Flower",
            "author": null,
            "printed_pages": "",
            "pdf_page_start": 10,
            "pdf_page_end": 10,
            "notes": "Photographic frontispiece."
        },
        {
            "title": "From History",
            "author": "Nakagawa Ayako",
            "printed_pages": "",
            "pdf_page_start": 11,
            "pdf_page_end": 13,
            "notes": "Illustrated survey of historical punishments and ordeals."
        },
        {
            "title": "The Color Quarter of Akegarasu",
            "author": "Muramatsu Rokuryō",
            "printed_pages": "20–31",
            "pdf_page_start": 15,
            "pdf_page_end": 26,
            "notes": "Illustrated historical erotic fiction; artwork credited to Furushō Hidemasa."
        },
        {
            "title": "The Lustful Rain Does Not Cease",
            "author": "Matsui Raiko",
            "printed_pages": "32–43",
            "pdf_page_start": 27,
            "pdf_page_end": 38,
            "notes": "Final installment of a serialized abnormal-sexuality novel; illustrations by Kita Reiko."
        },
        {
            "title": "Crawling in Summer",
            "author": "Toba Eiko",
            "printed_pages": "44–52",
            "pdf_page_start": 39,
            "pdf_page_end": 47,
            "notes": "Short-story sequence with multiple titled episodes."
        },
        {
            "title": "Psychiatric Evaluation of the Sexually Abnormal",
            "author": "Ōta Tenrei",
            "printed_pages": "53",
            "pdf_page_start": 48,
            "pdf_page_end": 48,
            "notes": "Medical and criminological essay."
        },
        {
            "title": "The Female Party Member Gasping Beneath the Bloodstained Whip",
            "author": "Mitani Shōsuke",
            "printed_pages": "54–60",
            "pdf_page_start": 49,
            "pdf_page_end": 55,
            "notes": "Illustrated political-crime narrative; artwork by Oda Akio."
        },
        {
            "title": "How Much I Have Changed in Ten Years",
            "author": "Naka Masao",
            "printed_pages": "61–69",
            "pdf_page_start": 56,
            "pdf_page_end": 64,
            "notes": "Personal or social-change feature; author reading is provisional."
        },
        {
            "title": "Distorted Affairs",
            "author": "Takemura Fujisuke",
            "printed_pages": "70–75",
            "pdf_page_start": 65,
            "pdf_page_end": 70,
            "notes": "The title and author reading are partially uncertain."
        },
        {
            "title": "The Female Animal Trainer",
            "author": "Ogata Itsuma",
            "printed_pages": "76–85",
            "pdf_page_start": 71,
            "pdf_page_end": 80,
            "notes": "Illustrated fiction."
        },
        {
            "title": "Twelve Chapters Concerning Abnormality",
            "author": null,
            "printed_pages": "86–113",
            "pdf_page_start": 81,
            "pdf_page_end": 108,
            "notes": "Multi-part special feature on sexual behavior and social customs."
        },
        {
            "title": "Oda Nobunaga and Male Love",
            "author": "Kawakami Yatarō",
            "printed_pages": "114–125",
            "pdf_page_start": 109,
            "pdf_page_end": 120,
            "notes": "Historical illustrated feature."
        },
        {
            "title": "The Woman with Tattooed Breasts",
            "author": "Kayama Fūtarō",
            "printed_pages": "126–135",
            "pdf_page_start": 121,
            "pdf_page_end": 130,
            "notes": "Illustrated fiction."
        },
        {
            "title": "Youth Crying Out",
            "author": "Takatsuki Daizō",
            "printed_pages": "136–146",
            "pdf_page_start": 131,
            "pdf_page_end": 141,
            "notes": "Illustrated youth narrative; author reading is provisional."
        },
        {
            "title": "Women of the Bicycle Racetrack",
            "author": "Tajima Toshiko",
            "printed_pages": "147–154",
            "pdf_page_start": 142,
            "pdf_page_end": 149,
            "notes": "Social-observation feature; the author’s surname is somewhat unclear."
        },
        {
            "title": "Two Women of Summer",
            "author": "Aoyagi Keizō",
            "printed_pages": "155–161",
            "pdf_page_start": 150,
            "pdf_page_end": 156,
            "notes": "Two-part summer fiction feature."
        },
        {
            "title": "The Woman Who Sleeps on Nails",
            "author": "Takano Saburō",
            "printed_pages": "162–167",
            "pdf_page_start": 157,
            "pdf_page_end": 162,
            "notes": "Illustrated feature."
        },
        {
            "title": "Letters from a Young Obstetrician-Gynecologist",
            "author": "Minamida Fumio",
            "printed_pages": "168–175",
            "pdf_page_start": 163,
            "pdf_page_end": 170,
            "notes": "Medical correspondence feature."
        },
        {
            "title": "A Woman in Slavery",
            "author": "Takamatsu Asako",
            "printed_pages": "176–185",
            "pdf_page_start": 171,
            "pdf_page_end": 180,
            "notes": "Illustrated fiction; title translated provisionally from the contents wording."
        },
        {
            "title": "Rainbow of the Enchantress",
            "author": "Ryūtanji Yū",
            "printed_pages": "186–194",
            "pdf_page_start": 181,
            "pdf_page_end": 189,
            "notes": "Literary closing feature followed by publication information on the final page."
        }
    ],
    "highlights": [
        {
            "text": "The opening portfolio juxtaposes staged Japanese bondage photography, American fetish photographs, historical punishment illustrations, Christian martyrdom scenes, and images of legendary women, establishing the issue’s transnational visual vocabulary.",
            "pdf_pages": "2–11",
            "category": "Visual portfolio"
        },
        {
            "text": "The formal contents spread is itself an elaborate two-page design with playing-card, dagger, candle, and pin-up motifs, organizing the issue into fiction, medical commentary, social observation, historical material, and illustrated features.",
            "pdf_pages": "12",
            "category": "Editorial design"
        },
        {
            "text": "“The Color Quarter of Akegarasu” is a long illustrated period tale of sexual exploitation, rivalry, humiliation, and revenge in a pleasure-quarter milieu.",
            "pdf_pages": "15–26",
            "category": "Historical erotic fiction"
        },
        {
            "text": "The final installment of “The Lustful Rain Does Not Cease” uses hotels, cabarets, theatrical performers, jealousy, bondage, and betrayal to construct a distinctly modern urban erotic drama.",
            "pdf_pages": "27–38",
            "category": "Modern erotic fiction"
        },
        {
            "text": "Ōta Tenrei’s “Psychiatric Evaluation of the Sexually Abnormal” reflects the issue’s recurring attempt to place sensational sexual material within a medical and criminological framework.",
            "pdf_pages": "48",
            "category": "Sexology and psychiatry"
        },
        {
            "text": "“The Female Party Member Gasping Beneath the Bloodstained Whip” combines political persecution, criminal investigation, torture, and sensational illustration.",
            "pdf_pages": "49–55",
            "category": "Political crime narrative"
        },
        {
            "text": "The special feature “Twelve Chapters Concerning Abnormality” forms the issue’s largest quasi-encyclopedic section, presenting illustrated discussions of sexual behavior, fetishism, gender, prostitution, reproduction, and bodily difference.",
            "pdf_pages": "81–108",
            "category": "Special feature"
        },
        {
            "text": "“Oda Nobunaga and Male Love” treats male homosexuality through historical biography and illustrated period narrative.",
            "pdf_pages": "109–120",
            "category": "Historical sexuality"
        },
        {
            "text": "The late-issue sequence includes writing on breast tattooing, troubled youth, competitive public spaces, summer desire, medical correspondence, and women imagined as slaves or social outsiders.",
            "pdf_pages": "121–180",
            "category": "Later features"
        },
        {
            "text": "Ryūtanji Yū’s “Rainbow of the Enchantress” provides a literary closing feature before the final columns and publication notices.",
            "pdf_pages": "181–189",
            "category": "Literary fiction and back matter"
        }
    ]
}

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ChatGPT instructions for this issue

Upload the PDF to ChatGPT and request a complete issue analysis using PDF viewer page numbers. Ask for JSON only, using the schema below.

Return valid JSON only, with no markdown fence. Use PDF viewer page numbers, not printed pagination, for all pdf_page fields. Determine whether the issue contains a formal printed table of contents. Do not treat advertisements, captions, correspondence listings, or random numbered text as a table of contents. BEGIN KRP COMPLETE PDF SCAN REQUIREMENTS ============================================================ COMPLETE PDF REVIEW ============================================================ Before producing the JSON: 1. Determine and verify the true total number of PDF viewer pages. 2. Inspect every PDF viewer page, beginning with page 1 and continuing through the true final page. 3. Review all parts of the issue, including: - Cover - Front matter - Printed contents pages - Visual portfolios - Articles and essays - Fiction - Correspondence - Editorial material - Advertisements when structurally relevant - Notices - Publication information - Substantive back matter - Final page 4. Do not stop at page 150. 5. Do not assume that a rendering, preview, extraction, search, or display limit represents the end of the PDF. 6. When a tool initially displays only the first 150 pages, continue with page 151 and inspect every remaining page through the verified final page. 7. Include substantive material found after page 150 in the summary, highlights, table of contents, and other relevant JSON fields. 8. Do not finalize the JSON until the complete issue has been reviewed through its true final PDF viewer page. 9. Do not mention the review process, scanning procedure, rendering limits, tool limits, page-count verification, or completeness checks in the JSON. The JSON must describe only the magazine and its contents. END KRP COMPLETE PDF SCAN REQUIREMENTS BEGIN KRP CONTENT-ONLY JSON OUTPUT REQUIREMENTS ============================================================ CONTENT-ONLY JSON OUTPUT ============================================================ The review requirements describe how to analyze the PDF. They must not become part of the magazine description. All JSON fields must focus exclusively on the publication and its contents. Do not mention any of the following in the JSON: - The scanning process - The review process - The number of pages inspected - Tool behavior - Rendering limits - Preview limits - Extraction limits - Search limits - Context limits - Continuing beyond a particular page - Verifying the page count - Whether the final page was reached - User instructions - Compliance with the procedure - Technical difficulties encountered while reading the PDF - How the JSON was produced Do not write statements such as: - “The issue continues beyond page 150.” - “All pages were reviewed.” - “The true final page was inspected.” - “The complete scan was verified.” Do not create highlight categories such as: - Complete-issue verification - Scan verification - Page-count verification - Full-PDF review - Review completeness - Tool limitation - Processing note Field-specific rules: SUMMARY Describe only the magazine’s: - Editorial character - Organization - Visual material - Articles - Fiction - Essays - Correspondence - Themes - Substantive back matter Do not describe the act of reviewing the magazine. HIGHLIGHTS Identify genuinely notable magazine content. Do not use highlights to document analysis coverage or scan completeness. THEMES Describe subjects, ideas, genres, editorial concerns, and recurring motifs within the magazine. Do not include themes about completeness, page coverage, scanning, or technical processing. TABLE OF CONTENTS Include only actual printed or substantive magazine contents. Do not add entries describing the review process. PAGE COUNT The `page_count` field must contain only the verified integer. Do not explain how the number was determined. UNCERTAINTY FIELDS Use `uncertain_readings` and `missing_or_illegible_text` only for specific unclear: - Words - Names - Titles - Authors - Damaged passages - Illegible text locations Do not discuss software, interface behavior, model limits, or the inspection process. END KRP CONTENT-ONLY JSON OUTPUT REQUIREMENTS BEGIN KRP COMPLETE ISSUE SUMMARY INSTRUCTIONS ============================================================ SUMMARY REQUIREMENTS ============================================================ Write a substantial issue-level summary that presents the magazine as a coherent publication. Do not merely list selected articles. The summary must explain: - The overall character of the issue - Its scope and organization - Its editorial identity - How it develops from beginning to end - Its principal sections - Its recurring features - Its major genres - Its important visual material - Its most significant articles, essays, stories, confessions, translations, correspondence features, and columns - Its dominant themes - Its substantive back matter The summary should also: - Identify meaningful shifts in subject, tone, genre, or format. - Explain how reader letters, editorial commentary, club notices, or community material contribute to the publication’s identity. - Mention notable authors, artists, translators, recurring series, and editorial figures when clearly identified. - Distinguish editorial content from advertisements, incidental captions, and unrelated notices. - Remain factual and grounded in the magazine. - Avoid speculation about uncertain authorship, unidentified people, or illegible material. - Avoid repeating the same observation in slightly different language. - Avoid becoming a line-by-line table of contents. Recommended structure: 1. Opening overview Describe the issue’s overall scale, character, organization, and mixture of content. 2. Opening sections Describe important front matter, visual portfolios, editorial features, or introductory sections. 3. Main body Trace the major articles, fiction, essays, confessions, translations, correspondence features, and recurring series in approximate issue order. 4. Later sections Describe later contributions, closing sections, and substantive back matter. 5. Conclusion Explain the issue’s dominant themes, editorial identity, and overall significance as a complete publication. Length: - Use several well-developed paragraphs. - Make the summary detailed enough that a reader can understand the issue without opening the PDF. - Give large, dense, or unusually varied issues correspondingly fuller summaries. - Do not shorten the summary merely because the issue contains many pages or entries. Formatting: - The `summary` field must be one valid JSON string. - Use escaped newline characters between paragraphs. - Avoid routine PDF page citations inside the summary. - Put most page references in `highlights` and `toc_entries`. END KRP COMPLETE ISSUE SUMMARY INSTRUCTIONS Use this schema: { "schema_version": "1.0", "has_toc": true, "confidence": 0.95, "issue_title": "", "publication_month": "YYYY-MM", "volume": null, "issue_number": null, "no_toc_reason": null, "summary": "", "themes": [], "highlights": [ { "text": "", "pdf_pages": "1–3", "category": "" } ], "toc_pdf_pages": [], "toc_entries": [ { "title": "", "author": null, "printed_pages": "", "pdf_page_start": 1, "pdf_page_end": 1, "notes": null } ], "analysis_notes": "" } For toc_entries: ARTICLE-LEVEL SUMMARY AND THEMES For every object in `toc_entries`, include: - `summary`: a concise one- or two-sentence English description of that specific entry. - `themes`: an array of concise English descriptive theme phrases for that specific entry. Base these fields on the actual PDF pages belonging to the entry. Do not copy issue-level themes into every article. Prefer 1-5 specific themes. Themes may describe subjects, practices, genres, motifs, visual forms, historical topics, community functions, or cultural concerns actually present in the entry. Use natural descriptive English phrases, not taxonomy IDs or slugs. For photographic and illustration features, use visible content, captions, headings, and context. For fiction, distinguish narrative themes from factual/editorial subjects where appropriate. If reliable article themes cannot be determined, use: "themes": [] If a reliable article summary cannot be determined, use: "summary": null Always include both keys in every TOC entry. END ARTICLE-LEVEL SUMMARY AND THEMES - Include each substantive article or section listed in the formal table of contents. - Preserve established English titles when supplied. - Use consistent romanization. - Leave author null when uncredited. - Verify entries against the actual article pages. - Use en dashes for page ranges. - Do not invent missing titles, authors, or page numbers. For highlights: - Provide concise, specific highlights. - Give PDF viewer page references. - Do not make unsupported claims. When there is no formal table of contents: - Set has_toc to false. - Set toc_pdf_pages and toc_entries to empty arrays. - Explain why in no_toc_reason. - Still provide the issue summary, themes, and highlights.

Current Imported Summary

The September 1954 issue of Fuzoku Soshi is a large, densely packed postwar popular-culture magazine combining erotic illustration, sensational fiction, sexual psychology, historical curiosities, crime narratives, social observation, and reader-oriented features. Its visual identity is established immediately by a surreal painted cover and a varied front-matter portfolio that places Japanese staged bondage photography beside European punishment imagery, American fetish photographs, historical martyrdom scenes, and illustrations of legendary women. A formal illustrated contents spread then presents the issue as a broad survey of abnormality, desire, violence, and marginal social worlds. The main body opens with Muramatsu Rokuryō’s historical erotic fiction “The Color Quarter of Akegarasu,” illustrated in an ukiyo-e-derived manner and centered on sexual rivalry, coercion, and revenge in a pleasure-quarter setting. Matsui Raiko’s concluding installment of “The Lustful Rain Does Not Cease” shifts to a modern urban world of hotels, bars, theatrical performers, jealousy, captivity, and erotic betrayal. This is followed by medical and criminological material, notably Ōta Tenrei’s discussion of the psychiatric evaluation of people labeled sexually abnormal and Mitani Shōsuke’s political-crime narrative “The Female Party Member Gasping Beneath the Bloodstained Whip.” Across the middle of the issue, the tone alternates between documentary explanation and sensational narrative. The special feature “Twelve Chapters Concerning Abnormality” surveys forms of sexual behavior, fetishism, gender variance, prostitution, reproductive customs, and related social questions through short illustrated essays. Other contributions examine women associated with bicycle-racing venues, historical male homosexuality through Oda Nobunaga, breast tattooing, youthful despair, and women described as animal trainers, servants, or social outsiders. The fiction and reportage repeatedly use confinement, whipping, disguise, bodily marking, jealousy, and sexual commerce as narrative engines. The later portion remains substantial rather than dissolving into incidental back matter. It includes stories about women in competitive or exploitative environments, summer-themed erotic tales, correspondence from a young obstetrician-gynecologist, a feature on a woman who sleeps on nails, accounts of distorted relationships and enslavement, Ryūtanji Yū’s literary tale “Rainbow of the Enchantress,” and closing columns and notices. The issue’s editorial character lies in its restless movement between pulp drama, pseudo-clinical authority, historical anecdote, subcultural reportage, and illustrated fantasy. It treats sexuality as at once spectacle, pathology, commerce, crime, folklore, and a lens on the transformations of postwar society.

Current Imported Highlights

The opening portfolio juxtaposes staged Japanese bondage photography, American fetish photographs, historical punishment illustrations, Christian martyrdom scenes, and images of legendary women, establishing the issue’s transnational visual vocabulary. PDF 2–11
The formal contents spread is itself an elaborate two-page design with playing-card, dagger, candle, and pin-up motifs, organizing the issue into fiction, medical commentary, social observation, historical material, and illustrated features. PDF 12
“The Color Quarter of Akegarasu” is a long illustrated period tale of sexual exploitation, rivalry, humiliation, and revenge in a pleasure-quarter milieu. PDF 15–26
The final installment of “The Lustful Rain Does Not Cease” uses hotels, cabarets, theatrical performers, jealousy, bondage, and betrayal to construct a distinctly modern urban erotic drama. PDF 27–38
Ōta Tenrei’s “Psychiatric Evaluation of the Sexually Abnormal” reflects the issue’s recurring attempt to place sensational sexual material within a medical and criminological framework. PDF 48
“The Female Party Member Gasping Beneath the Bloodstained Whip” combines political persecution, criminal investigation, torture, and sensational illustration. PDF 49–55
The special feature “Twelve Chapters Concerning Abnormality” forms the issue’s largest quasi-encyclopedic section, presenting illustrated discussions of sexual behavior, fetishism, gender, prostitution, reproduction, and bodily difference. PDF 81–108
“Oda Nobunaga and Male Love” treats male homosexuality through historical biography and illustrated period narrative. PDF 109–120
The late-issue sequence includes writing on breast tattooing, troubled youth, competitive public spaces, summer desire, medical correspondence, and women imagined as slaves or social outsiders. PDF 121–180
Ryūtanji Yū’s “Rainbow of the Enchantress” provides a literary closing feature before the final columns and publication notices. PDF 181–189