Review Table of Contents

Methods of Binding with Rubber Cord | Takiko | 5
A Scene from a Mask Play | Itō Seiu | 7
Training Beautiful Horses | | 8–9
American-Style Restraint | composition by Sugiura Kōji | 10–11
Photographic Studies of Western-Style Restraint | | 12–13
Bound Poses in a Smoke-Filled Room | Minamikawa Kazuko | 14–15
Until the Monkey Gag | composition by Tsujimura Takashi | 16–18
Bind Me Skillfully! | composition by Tsujimura Takashi | 19
The Woman with a Whip | | 20
Bonds | composition by Sugiura Kōji | 21
Hell of the Lustful Cult Leader | | 22–25
House of Pleasurable Torment | Mine Shigeyo, credit reading uncertain | 26–33
Pleasure in the Ginza Backstreets | Takaga Reiko | 35–42
Human Candlestick | Numata Fujise | 43–46
Spiders and Butterflies, Part Five | Tobita Kinryōji | 47–55
Scattered Red Leaves: A Woman’s Seppuku | Kameoka Ryokushichirō | 56–62
Yūko and Punishment | Furukawa Yūko | 63–71
Seme in Modern Literature | Murata Seiichi | 72–78
Exemplary Prisoner | Sakurai Eiichi | 79–87
Human or Horse? | Jules Supervielle; abridged translation and commentary by Numa Shōzō | 88–92
The Room of Evil | Futamata Shizuko | 93–100
Sentimental Education, Part Four | translated by Kurihara Tsumenobu, romanization uncertain | 101–111
Seppuku Research Night Talk, Part One | Nakayasu Hiromichi | 112–118
Infatuation: The Devil’s Footprints | Oniyama Ryūshichirō, credit reading uncertain | 119–129
Human Sacrifice | Okinoya Emiko | 130–134
The Man I Sought, Part Two | Matsui Raikō | 135–147
From a Masochist’s Notebook | Numa Shōzō | 148–152
Nonfiction: Sexual Fluids | Itō Seiu | 153–158
A Study of Exceptional Men: The Head Clerk of Shimaya | Murata Seiichi | 159–164
Revenge | Okada Sakiko | 165–176
Cruel Women | translated by Morimoto Aizō | 177–180
Female Self-Abuse Illustrations | Mitsutomi Kōsei | 181–186
Getting Free: On Pleasure | Kawabata Tanako | 187–188
A Guilty Woman | Sakurai Kyōichirō | 189–207
Publication Information | | 208
Advertisements | | 209