Review Table of Contents

Five Forms of Variant Binding | Takiko | 5
A Genroku-Era Scene | Itō Seiu | 6
She Ran Like the Wind | | 7
The Skillful Trainer | | 8
Flagellation | | 9
Six Types of Gags | | 10
The Tragedy of Defeat | Takiko | 11–12
Punishment Illustrations | Minamikawa Kazuko | 13–14
Inverted and Two-Handed Suspension | composition by Tsujimura Takashi | 15
Shrimp Binding | | 16
Crotch Binding | composition by Sugiura Kōji | 17
Compact Floor Restraint | | 18
A Bound-Woman Study | | 19–20
Her Majesty the Queen | Takiko | 21
Cruel Women | commentary by Morimoto Aizō | 22–24
Stimulating Methods of Binding | Kazuhisa, artist credit reading uncertain | 25–26
The Unfathomable Punishment Chamber | | 27–28
Two-Woman Half Suspension | composition by Tsujimura Takashi | 29
A Woman Subjected to Interrogation | | 30
To Everyone Who Loved Me: Yūko’s Farewell Message | Furukawa Yūko | 31–44
The Room of Evil | Futamata Shizuko | 45–51
From a Masochist’s Notebook | Numa Shōzō | 52–58
Seppuku Research Night Talk, Part Two | Nakayasu Hiromichi | 59–64
Spiders and Butterflies: Benibana Sōshi | Tobita Kinryōji | 65–70
The Man I Sought, Part Three | Matsui Raikō | 71–76
On the Beauty of the Transformed Female Body | Tomoe Torikun, romanization uncertain | 77–86
In Praise of Perversion | Oniyama Kensaku, romanization uncertain | 87–92
The Mysterious Woman and Me | Okada Sakiko | 93–100
Anatomical Tales: The Female Body Explained | Yoshida Ichitarō | 101–108
Sentimental Education | Azuma Shin; credit reading uncertain | 109–114
Sexual Fluids | Itō Seiu | 115–125
The Demonic Sisters | Naoki Fujio | 126–132
The Female Guard and the Prisoner | Sakurai Eiichi | 133–148
The Fall of Takato Castle: A Secret Record of Cruelty | Kawano Kyōsuke | 149–158
Modern Masochism Art Criticism: Infatuation | Oniyama Tadamasa, romanization uncertain | 159–170
The Stars Are Wet | Hara Tadamasa | 171–178
Crime in My Youth | Kawamoto Yukio | 179–182
The Intestines | Kishino Shigeru, credit reading uncertain | 183–185
Cruel Women | translated and explained by Morimoto Aizō | 186–190
Highland Exhibitionism | Kawada Nobuyuki, credit reading uncertain | 191–198
The Juvenile Prisoner | Miji Otoko, romanization uncertain | 199–202
The Baptism of Marriage | Kawauchi Shigeo, credit reading uncertain | 203–205
Confession of a Homosexual Man | Koseki Shunji, credit reading uncertain | 206–210
Modern Masochism Art Criticism | Hara Tadamasa | 211–217
Publication Information and Advertisements | | 218–221