August 1961

The August 1961 issue of Fuzoku Kitan is a large and unusually varied issue combining extensive bondage photography, punishment imagery, fetish-oriented essays, autobiographical testimony, homosexuality and cross-dressing columns, sensational historical material, serialized fiction, and reader correspondence. Its central editorial feature, Fetishists, examines people whose erotic interests are organized around clothing, underwear, buttocks, fundoshi, leather, neckties, and other objects or bodily fixations. The issue treats fetishism alternately as personal confession, sexual psychology, eccentric collecting, subcultural identity, and a potential source of socially disruptive behavior. The front third is dominated by visual material. A long gravure sequence titled Women's Bondage, Men's Bondage presents women and men restrained with rope in tatami rooms, beside pillars, outdoors, on rocks, and in deliberately cramped positions. Individual captions emphasize bodily pain, facial expression, spatial confinement, rope pressure, and differences between male and female bondage. This is followed by Tagami Keiko's selected female-torment illustrations, a photographic sequence of severe sadistic tableaux, and an illustrated survey of medieval European torture instruments. Together these sections establish punishment and restraint as both erotic spectacle and historical curiosity. The fetishism feature begins with an editorial introduction by Okumura Sekio and continues through Shishimura Yutaka's portrait of an eccentric collector, Ichinose Etsuko's discussion of women attracted to leather, Nonaka Kimi's autobiographical fixation on an older woman's buttocks, Wake Hisashi's account of a woman obsessed with fundoshi, Kuga Ryohei's pursuit of women's buttocks, and Tani Kanta's masochistic necktie fantasy. Later essays shift toward lesbian life, homosexuality, and the relation between male homosexuality and women. A sensational illustrated piece about Ingeborg in Hamburg introduces European sadistic imagery, while Homo Window and related columns provide shorter observations on homosexual subculture. The latter half returns repeatedly to punishment and confession. Mano Rei's Mass Killing Order continues a wartime atrocity serial; Ashidate Eikichi's Flame Emperor Temple supplies historical erotic fiction; Banba Takeo's A Young Lady Who Lives by the Whip presents a female sadist; Natsukawa Kinuko's Enema, Moxa, and Bondage combines several bodily fetishes in a first-person account; and Oikawa Kon's Full-Nude Beauty's Gruesome Seppuku Illustrated explores eroticized female suicide imagery. Ezaki Kyoko's A Day with My Fiancé and the Cross-Dressing Enthusiasts' Room shift toward intimate testimony and gender presentation before Aoyama Miekichi's Wandering in Ecstatic Torment: The Hair-Torment Room occupies much of the closing fiction section. Reader Salon, advertisements, mail-order notices, back-issue listings, and editorial information conclude an issue whose identity rests on the intersection of fetish documentation, erotic fantasy, reader community, and visual cultures of bondage and punishment.

Title	Author	Printed Pages	PDF Pages
Women's Bondage, Men's Bondage	Uncredited	—	8 –31
Pain of the Nude Body	Uncredited	—	8 –10
Two Bound by the Seashore	Uncredited	—	11 –12
In a Corner	Uncredited	—	13 –14
The Cruelty of the Chair	Uncredited	—	15 –16
In the Woods	Uncredited	—	17 –18
Even the Tokonoma Is a Place of Torment	Uncredited	—	19 –20
In a Narrow Place	Uncredited	—	21 –22
Inside the Lodge	Uncredited	—	23 –24
Expressions of Bondage	Uncredited	—	25 –26
Do Whatever You Want	Uncredited	—	27 –30
Tormenting the Legs	Uncredited	—	31
Selected Female-Torment Illustrations	Tagami Keiko	—	32 –38
Cruel Sadistic Scenes	Colon Bro	99–106	39 –42
Various Medieval Torture Instruments	Uncredited	—	43 –47
Fetishists	Okumura Sekio	51	48
The Master of the Curiosity Collection	Shishimura Yutaka	52–62	49 –59
Women with a Leather Fetish	Ichinose Etsuko	63–68	60 –65
My Maman	Nonaka Kimi	69–75	66 –72
The Woman with a Fundoshi Mania	Wake Hisashi	76–79	73 –76
Today Again I Chase Women's Buttocks	Kuga Ryohei	80–85	77 –82
The Man with a Necktie Desire	Tani Kanta	86–91	83 –88
I Stake My Life on Lesbos	Ashida Naga	92–98	89 –95
Ingeborg, Mad with Blood in Hamburg	Uncredited	99–106	96 –103
Male Homosexuals and Their Relations with Women	Kabiya Kazuhiko	107–115	104 –112
Homo Window	Uncredited	116–117	113 –114
Mass Killing Order: The Situation of Mass Slaughter	Mano Rei	118–125	115 –122
Salon Masochistica	Uncredited	126–127	123 –124
Homo Masochistica	Uncredited	126–127	123 –124
Flame Emperor Temple: Azure Dragon Chapter	Ashidate Eikichi	128–138	125 –135
A Young Lady Who Lives by the Whip	Banba Takeo	139–146	136 –143
Enema, Moxa, and Bondage	Natsukawa Kinuko	147–153	144 –150
Full-Nude Beauty's Gruesome Seppuku Illustrated	Oikawa Kon	154–163	151 –160
A Day with My Fiancé	Ezaki Kyoko	164–169	161 –166
The Cross-Dressing Enthusiasts' Room	Uncredited	170–171	167 –168
Beauty Course for Cross-Dressing: Making the Eyes Beautiful	Okuma Sanae	170–171	167 –168
Wandering in Ecstatic Torment: The Hair-Torment Room	Aoyama Miekichi	172–183	169 –180
Reader Salon	Uncredited	184–187	181 –184
From the Editorial Office	Uncredited	194	191

The formal printed contents is on PDF page 4. The issue contains a long front gravure and art section before the conventionally paginated prose section. From the feature section beginning on PDF page 48, printed pagination follows a consistent three-page offset, with PDF page 49 corresponding to printed page 52 and PDF page 191 corresponding to printed page 194. Several contents items are nested departments or short features sharing the same printed pages, particularly Salon Masochistica and Homo Masochistica, and the Cross-Dressing Enthusiasts' Room and its beauty-course component. The foreign credit rendered here as Colon Bro and the romanizations of 分部久, 芦田奈賀, and 及川混 require human bibliographic confirmation. The closing pages after Reader Salon consist largely of advertisements, mail-order photograph listings, back-issue promotions, agency information, and publication notices.