Review Table of Contents

Binding Methods Using Posts and Stakes | Takiko | 7
The North-Facing Jizō of Awa | Itō Seiu | 8
Four Female Seppuku Fantasies | Kazuhisa, artist credit reading uncertain | 9–10
American-Style Training, Part Two | composition by Sugiura Kōji | 11–12
Narayama Play-Dream | Takiko | 13–14
Seppuku Fantasy | Kazuhisa, artist credit reading uncertain | 15
Female-Dominance Fantasies | | 16
Chair Binding | | 17
Foreign Bondage Photographs | | 18
Three Forms of Hands-Behind Binding | composition by Sugiura Kōji | 19–20
American-Style Torment, Part Two | composition by Sugiura Kōji | 21–22
Trampling and Whipping | composition by Tsujimura Takashi | 23–24
Pillar Restraint | | 25
Hands-and-Feet Suspension and Single-Rope Binding | composition by Sugiura Kōji | 26
Storehouse | Takiko | 27–28
The Drunken Demon | artist credit unclear | 29–31
A Juvenile Prison Record | Nikone Kōji | 33–39
The Room of Evil | Futamata Shizuko | 40–48
Sentimental Education: Confession of a Woman Prisoner | Azuma Shinsaku; illustrated by Kurihara Shin | 49–62
From a Masochist’s Notebook | Numa Shōzō | 63–68
Slavery and Cruelty: A Scene from a Dreadful History | Kawano Shirō; illustrations by Sugiura Kōji | 69–73
Confession of a Male Homosexual | Oda Masaharu | 74–76
In Praise of Perversion | Oniyama Yakusaku, romanization uncertain | 77–80
Two-Hundred-Character Hymns | Masago Jūshirō | 81–94
Overseas Sadism Notes: The Gag, Part Two | Azuma Shin | 95–100
Madame Diana | Norisugi Kiyoko | 101–114
Continued: Longing for Women’s Clothing | Shigeta Masakazu | 115–118
The Man I Sought, Part Five | Matsui Raikō | 119–128
Seppuku Research Night Talk, Part Four | Nakayasu Hiromichi | 129–136
MS Play | Nakatani Reiichi | 137–143
Sexual Fluids | Itō Seiu | 144–148
The Virgin Writer | Awami Ichirō, romanization uncertain | 149–160
Bull Castration | Shinohara Sakue, romanization uncertain | 161–167
Memoir of a Former Military Policeman | Hayashida Maki | 168–172
Sorrowful Tale of a Northern Hot-Spring Town | Yoshino Asao | 173–178
Confession of a Feminized Man | Shinohara Yukio | 179–183
My Etsugyaku Notebook | Tsumaki Mitsuzō | 184–187
Obsessed with Eye Bandages | Sugano Sakurō | 188–190
Endless Defeat: A Tombstone for a Dead Dog | Sasagawa Yūko | 191–194
Cruel Women | translated and explained by Morimoto Aizō | 195–197
Kyōko’s Floating Bag | Hamura Kyōko | 198–203
Awards, Retrospective Indexes, Editorial Material, and Advertisements | | 204–207