Review Table of Contents

The Madness of the Ise Pilgrimage | Itō Seiu | 6
Fear of Being Whipped | | 7
Western Binding and Pony Training | | 8
On Restraint: Seven Positions | Kazuhisa, artist credit uncertain | 9–10
A Slave Beneath Her Lady’s Feet | composition by Tsujimura Takashi | 11
Male Beauty, Women’s Clothing, and Tight Foot Binding | | 12
Two Female-Wrestling Scenes | | 13
Stockings: A Helpless Pose | model Itō Mieko | 14
American-Style Torment, Part Three | composition by Sugiura Kōji | 15–16
The Woman in White | composition by Tsujimura Takashi; model Chiba Chizuko | 17–18
Photographic Studies of Chest and Arm Binding | | 19–20
Storehouse | Takiko | 21
Basement | Takiko | 22
Pole Binding | Takiko | 23
Using a Chair | Takiko | 24
Beheading | Kazuhisa, artist credit uncertain | 25
Execution by Firing Squad | Kazuhisa, artist credit uncertain | 26
Burning at the Stake | Kazuhisa, artist credit uncertain | 27–28
Post-Mounted Restraint | Kazuhisa, artist credit uncertain | 29
The Construction of Tight Binding and Ideas for Torment | Tsujimura Takashi | 31–40
The Room of Evil, Final Installment | Futamata Shizuko | 41–50
Tsuritobi: A Juvenile Reformatory Experience | Orihara Osamu, romanization uncertain | 51–55
ANUS Bullying | Numata Fusaji, romanization uncertain | 56–58
Diary of My Selfish Heart: A Masochistic Woman’s Journal | Furukawa Yūko | 59–72
The Beautiful Tyrant | Mazoku Tamotsu | 73–88
Overseas Sadism Notes: Uses of Clothing | Azuma Shin | 89–96
Infatuation | Oniyama Yakusaku, romanization uncertain | 97–106
Sexual Fluids, Part Five | Itō Seiu | 107–111
My Record of Perversity: Beheading and Strangulation in Strange Punishments | Uemura Etsuhisa, romanization uncertain | 112–114
My Honeymoon | Tominaga Kazuo | 115–120
The Man I Sought, Part Six | Matsui Raikō | 121–132
The Juvenile Reformatory’s Folding Bars | Nonomura Yukio | 133–136
Confession of an Effeminate Man | Shinohara Yukio | 137–139
Longing for Enema | Yamada Yoshie | 140
Sentimental Education | Azuma Shinsaku; illustrations by Kurihara Shin | 141–152
The Portrait of Blame | Koshino Yoshio | 153–156
An Examination of the Navel: My Bodily-Fetish Record | Sudō Ritsuo | 157–160
Bound and Rebound | Numata Masami, romanization uncertain | 161–162
From a Masochist’s Notebook | Numa Shōzō | 163–168
The Buttocks Person | Kimura Michiko | 169–172
On the Beauty of Women’s Noses and Nasal Cavities | Masago Jūroku | 173–175
Rehabilitation of Former Juvenile Soldiers | Maeda Shinji | 176–178
Cruel Women | translated and explained by Morimoto Aizō | 179–184
From Husband to Wife | Kurume Eizō | 185–188
My Model | Tobita Ryōji | 189–204
My Favorite Way of Being Bound | Kawabata Tanako | 205–206
The Ceremony of the Straw Doll | Segawa Yasuko | 207–216
Reader Correspondence | multiple contributors | 217–220
Editorial and Publication Information | | 221