Review Table of Contents

Beauty Exercises Using Rope | Taki Reiko | 5
The Tragedy of Mitsumata | Itō Seiu | 6
Water Punishment | Kazuhisa, artist credit uncertain | 7–8
Guillotine | Kazuhisa, artist credit uncertain | 9
The Woman of Iron | Kazuhisa, artist credit uncertain | 10
Cage Punishment | Kazuhisa, artist credit uncertain | 11
Firing-Squad Punishment | Kazuhisa, artist credit uncertain | 12
An Example of Rope Use from a French Source | | 13
My Lady, Is It Not Too Hot? | Haruhi Rumi and Itabuki Makiko | 14
Beautiful Pose | Haruhi Rumi and Itabuki Makiko | 15
Active and Passive | composition by Tsujimura Takashi; model Yanagimoto Setsuko | 16
Hands-Behind Binding | Murata Tamiko | 17
Hands-Behind Waist Binding and Gag Harness | Nakafuji Tamiko and Tō Mieko | 18
Newlywed Game: Summertime Kimono | Taki Reiko | 19
Newlywed Game: Dawn | Taki Reiko | 20
Overhead Wrist Restraint | Itabuki Makiko | 21
Unrestrained Playfulness | Haruhi Rumi and Itabuki Makiko | 22
Sitting on the Buttocks | Haruhi Rumi and Itabuki Makiko | 23
Footstool | Haruhi Rumi and model A | 24
Beating | Itabuki Makiko and model B | 25
The Silent Piper | | 26
Disordered Hair | photographed by Itō Seiu | 27
Single-Leg Suspension | composition by Tsujimura Takashi; model Mori Chieko | 28
Shackles | Sugihara Nijiko | 29
Demonic Seduction | Futamata Shizuko | 31–42
Overseas Sadism Notes: Uses of Clothing | Azuma Shin | 43–54
Answering Former Military Policeman Hayashida Masaki | Minamikawa Kazuko | 55–58
Private Punishment | Hishiha Kiyoko, romanization uncertain | 59–63
Seppuku Research Night Talk | Nakayasu Hiromichi | 64–71
Sexual Fluids, Part Seven | Itō Seiu | 72–75
The Complaint of the White Belly | Nozaki Jun | 76–77
Homosexual Mania and Masturbation | Murazato Eiichi | 78–79
The Secret of the Beautiful Boy | Yamaguchi Kōichi | 80–84
The Sorrow of a Foot Fetishist | Haruyama Tadakazu | 85–87
Until Spring Withers | Matsui Raikō | 88–101
From a Masochist’s Notebook | Numa Shōzō | 102–107
Female Sexuality | Saji Kōsuke | 108–110
Song of the Shore | Mimura Haruo | 111–113
Illustrated Mandala of Abdominal Cutting | Hōya Shirō | 114–127
Observations of the Navel, Part Three: My Bodily-Fetish Record | Sudō Ritsuo | 128–131
Cruel Women | translated and explained by Morimoto Aizō | 132–135
The Humiliation of Bengal: A Secret History of Colonial Cruelty | Kawano Kyōsuke | 136–141
Interruption of Female Sexuality | Hayashi Yumio | 142–149
Blue Firefly | Kawada Susumu | 150–155
The Mask of the Sadistic Woman | Yamada Masami, romanization uncertain | 156–163
A Masochistic Man’s Secret Letter | Yanagisaki Kenji, credit reading uncertain | 164–169
Regarding a Certain Letter | Kawabata Tanako | 170–173
Sentimental Education, Part Ten | Kurihara Shin; text credit reading uncertain | 174–187
International Spy Headquarters | Nonaka Aizō | 188–196
Seme in Contemporary Literature | Murata Seiichi | 197–201
In Beautiful May | Furukawa Hiroko, credit reading uncertain | 202–211
Regarding It | Forty-Six | 212
Three Forms of the Female Nose | contributor credit unclear | 213–217
Reader Correspondence, Editorial Material, Binding Diagrams, and Publication Notices | multiple contributors | 218–220