June 1964

Uramado's June 1964 issue presents a dense mixture of serialized criticism, illustrated fiction, reader-contributed writing, photographic bondage portfolios, imported visual material, and community-oriented editorial matter. Its formal contents pages establish a deliberately hybrid identity: literary and cultural commentary sits beside fiction, historical material on punishment and torture, reader submissions, comics, photographs, and recurring columns. Early in the issue, the illustrated Condor's Paradise and the photographic Dog Pictures are followed by the second installment of The Mystery of Panorama Island, then an essay responding to that series and a continuing survey of modern masochistic culture. The first third therefore moves rapidly between narrative fantasy, visual bondage, and self-conscious commentary on masochism as a cultural form. The middle portion broadens the magazine's historical and critical frame. It includes a discussion of puppet-theater aesthetics, a long retrospective introduction to notable pieces from earlier Uramado issues, Natsukawa Kōichirō's historical essay on seppuku, a postwar erotic-history feature, the story The Third Time's Honesty, the reader-criticism piece An Irresponsible Boom, and Okinawa Shōji's illustrated miniature works. A substantial illustrated story, Kyokugiri Nenja, is followed by imported and domestic visual sections, including material attributed to a German ethnographic museum, Fujisawa Osamu's photo works, a Screen Climax collection, film stills emphasizing bondage and sadomasochistic situations, and other pictorial sequences. The later half returns to sustained prose. Uramado Town supplies notices, short commentary, and reader-community material before Mizuo Kyū's continuing Body-Impact Masochism Theory. A reader-submission cluster follows with Red Moon Night, Woman Pickpocket O-Chō, Law of the Dark Streets, Rotten Storehouse, From the Record of a Certain Refusal, and Wet Flower, most accompanied by illustrations. Eda Kiriko's literary criticism and the comic Female Ninja Okyan interrupt this fiction sequence with more playful editorial voices, after which fetish-fashion photographs and the fifteenth installment of Gordon's Memories extend the magazine's international and visual orientation. The closing pages combine the reader column with domestic and imported photographic portfolios, Okinawa Shōji's bar illustration, Yoshida Hisashi's Chamber of the Sand Dune, and a multi-page general index to earlier issues. Across the issue, recurring concerns include bondage as both visual spectacle and narrative device, masochism as a topic of explicit theory and criticism, the historical imagination of punishment, the circulation of foreign erotic imagery, and the magazine's cultivation of an active reader community through submissions, commentary, notices, and retrospective indexing.

Title	Author	Printed Pages	PDF Pages
The Mystery of Panorama Island, Part 2	Kitazono Tōichirō	30	26 –37
The Third Time's Honesty	Miki Shun	82	78 –83
Body-Impact Masochism Theory, 24	Mizuo Kyū	144	142 –151
Prayer to the Appointed Goddess, 4: From the Record of a Certain Refusal	Morimoto Aizō	170	168 –175
Modern Masochism Cultural Criticism, 27	Morishita Takashige	44	40 –45
Postwar Enchanting Views	Mano Rei	76	72 –77
Uramado: Introduction to Notable Reading from Previous Issues	Uncredited	58	54 –65
Kyokugiri Nenja	Kabiya Kazuhiko	94	90 –98
Okinawa Shōji Miniature Masterpieces	Okinawa Shōji	90	86 –89
Red Moon Night	Akagi Keisuke	154	152 –155
Woman Pickpocket O-Chō	Gosho Akira	158	156 –159
Law of the Dark Streets	Higashijima Kaoru	162	160 –163
Rotten Storehouse	Yoshikawa Gen	166	164 –167
History of the Cruelty of Seppuku, Part 1	Natsukawa Kōichirō	70	66 –71
An Irresponsible Boom	Shigemori Azuma	88	84 –85
Uramado Literary Criticism	Andō Izumi	50	46 –53
Wet Flower	Matsuyama Shōichi	178	176 –181
An Order for Panorama Island	Shibayama Sadatoshi	42	38 –39
Gordon's Memories, 15	Ama Tetsurō	202	200 –209
Reader Corner and Editorial Afterword	Uncredited	212	210 –211
Condor's Paradise	Sobue Shin	9	6 –10
Dog Pictures	Yoshida Hisashi	15	11 –18
Screen Climax Collection	Uncredited	111	107 –117
Fujisawa Osamu Photo Works	Fujisawa Osamu	103	104 –106
Inojima Masaya Masterpiece Photo Collection	Inojima Masaya	215	212 –214
New American Photo Collection	Uncredited	218	215 –219
Chamber of the Sand Dune	Yoshida Hisashi	223	221 –223
My Literary Criticism	Eda Kiriko	184	182 –185

The issue itself is dated June 1964 (Shōwa 39) and identifies itself as Volume 9, Number 6; this does not match the supplied June 1963 metadata. Printed pagination is not continuously aligned with PDF viewer pagination because the issue contains unnumbered or separately paginated visual inserts, especially among the imported torture imagery, film stills, fetish-photo pages, and later photographic portfolios. Several personal-name readings are uncertain where the kanji permit multiple romanizations. The formal contents pages list the principal editorial, literary, critical, and photographic features but do not enumerate every inserted visual spread, notice, comic page, reader-service card, or the final multi-page general index.