Review Table of Contents

Women’s Wrestling | Taki Reiko | 5
September Field Scene | Itō Seiu | 6
Pasture Story | Kaiji Kazuhisa, credit reading uncertain | 7–18
Woman Cast into a Rocky Stream | | 19
Record of Outdoor Binding: Sun-Drying on a Pine Trunk | Tsujimura Takashi; model Itō Masako | 20
Please Do Not Torment Me Too Much, My Lady | Haruhi Rumi and Itō Masako | 21
Tightening the Hands Behind the Back | Haruhi Rumi and Itabuki Makiko | 22
Newlywed Autumn Game: Nut Gathering | Taki Reiko | 23
Newlywed Autumn Game: Continuing Rain | Taki Reiko | 24
Single-Leg Suspension and Chest Restraint | Murata Tamiko | 25
Shrimp Binding and Hands-Behind Binding | Nakafuji Tamiko and Itō Mieko | 26
Trampling | Haruhi Rumi and Koike Masami | 27
Punishment of a Male Servant | Haruhi Rumi and supporting model | 28
Fantasy of a Deformed Old Man | Sugihara Nijiko | 29
I Accuse: As a Victim of Sadistic Punishment | Azuma Shin | 31–46
Two-Sided Mirror of the Painted Soul | Kawai Itsuko | 47–48
On Female Beauty, Especially the Buttocks | Kari Rei, romanization uncertain | 49–54
Department-Store Mannequin | Shirogane Tanjirō | 55–62
Curious Meditations | Sudō Ritsuo | 63–66
Sexual Fluids | Itō Seiu | 67–70
Desire to Be Crushed | Aoba Fūichi, romanization uncertain | 71–76
Yumi Woman, Continued | Saji Kōsuke | 77–80
Confession of a Girl with Exhibitionist Desires | Shibazaki Riko | 81–85
The Secret of the Beautiful Boy, Part Three | Yamaguchi Kōichi | 86–92
Joys and Sorrows of Being Tormented | Magane Kanjirō | 93–100
Seppuku Research Night Talk, Part Six: Its History and Influence on Literature | Nakayasu Hiromichi | 101–108
Cruel Women | translated and explained by Morimoto Aizō | 109–113
Red-Tag Prisoner | Shinohara Sakue | 114–120
Cruelty in Modern Literature | Murata Seiichi | 121–126
Abnormal Dream: Following the Snake-Shaped Spring Sun | Okada Yoshio | 127–129
Longing for Acrobatics | Ōji Tarō | 130–132
The Woman Who Burns Her Body | Matsui Kagoko, romanization uncertain | 133–143
An Experiment in Being Tormented While Cross-Dressed | Kishimoto Seiryū | 144–146
From a Masochist’s Notebook | Numa Shōzō | 147–155
White Blade | Ōshima Hajime | 156–160
Jealousy’s Manipulated Torment | Sumi Akiko | 161–166
Contemporary Masochism Art Criticism: Masochism in Film and Publishing | Hara Tadamasa | 167–170
The Smile of the Male Flower: A Record of Captivity | Mikihara Jirō | 171–176
The Woman Called Me | Kasuga Rumi | 177–179
Women of Sadism | Sai Shōgo | 180–184
Types of the Abnormal Seen Through Reader Letters | Editorial Department | 185–190
Humiliation in a Railway Car | Kuki-mura Sato, credit reading uncertain | 191–194
Record of Outdoor Binding | Tsujimura Takashi | 195–200
Illustrated Bondage Arrangements | contributor credit unclear | 201–202
Sentimental Education, Final Installment | Azuma Shin | 203–220
Editorial and Publication Information | | 221