Highlight 1 Remove Text The issue’s central feature reconstructs the life, work, visual world, and cultural afterlife of Itō Seiu through paintings, drawings, photographs, autobiography, family testimony, and collecting history. PDF pages Category
Highlight 2 Remove Text The Forbidden Photo Album juxtaposes staged models, studio documentation, contact-sheet-like records, drawings, and paintings to examine the relationship between photographic evidence and erotic performance. PDF pages Category
Highlight 3 Remove Text Seiu’s illustrated memoir covers childhood, newspaper work, artistic labor, marriage, family conflict, binding performance, illness, and old age. PDF pages Category
Highlight 4 Remove Text The Seiu visual archive treats charms, superstitions, lanterns, shop signs, peddlers, sideshows, and unofficial history as evidence of everyday Edo and Meiji culture. PDF pages Category
Highlight 5 Remove Text Fukutomi Tarō’s investigation follows the circulation, collection, preservation, and rediscovery of Seiu’s erotic, supernatural, and historical works. PDF pages Category
Highlight 6 Remove Text The Yanase Masamu feature presents a career spanning avant-garde painting, proletarian art, manga, stage design, political graphics, and state repression. PDF pages Category
Highlight 7 Remove Text Hashimoto Osamu’s essay on Tōdai-ji’s Nandaimon contrasts embodied aesthetic response with detached academic art history. PDF pages Category
Highlight 8 Remove Text The Kaga travel feature combines hot springs, Buddhist monuments, sacred mountains, historic inns, lacquerware, food, tourism, and extensive regional photography. PDF pages Category