Review Table of Contents

mprovised Restraint Positions Using Furniture and Frames | | 5
October Punishment Scene | Itō Seiu | 6
The Two Men Pursuing Her | illustrated by Hanayama Kazuhisa, credit reading uncertain | 7–12
Monkey Game | Tsujimura Takashi | 13–14
Variant Hands-Behind Binding | | 15
Scattered Blossoms at the Water’s Edge | Tsujimura Takashi; model Nakafuji Tamiko | 16–18
The Queen’s Daily Routine: Washing Her Face | Haruhi Rumi and Koike Masami | 19
The Queen’s Daily Routine: Foot Service and Release | Haruhi Rumi and Koike Masami | 20
Footstool | Haruhi Rumi and Koike Masami | 21
Dog Training | Haruhi Rumi and Koike Masami | 22
Outdoor Female Wrestling | Haruhi Rumi and Itabuki Makiko | 23–24
Erotic-Print Fantasies | Miyako Mineko | 25–26
Commemorative Photography | | 27
Newlywed Autumn Game | Taki Reiko | 28
Traditional-Costume Play | illustrated by Hanayama Kazuhisa | 29–30
Warning Against Violence | | 31
Gags and New Women’s Shoes | | 32
Secret Photographic Album: Rope Poses, Part One | multiple models | 33–34
Secret Photographic Album: Rope Poses, Part Two | multiple models | 35–36
Fantasy of Rope and Whips | Sugihara Nijiko | 37
Nightmare | Sugihara Nijiko | 38
Male Beauty and Abused-Masochist Poses | | 39
After the Bath and Women’s Bathhouse Imagery | Kawabata Tanako and historical artist | 40
Illustrated Floor Restraint Studies | | 41–42
Female Seppuku Studies | Kawai Kazuhito and others | 43
A Feminist’s Page: Feet and Clothing | Kagawa Toshiko | 44
Submission and Overthrow | Haruhi Rumi and Koike Masami | 45
The Wisteria Woman | Futamata Shizuko | 47–54
Collection: From My Scrapbook | Saji Kōsuke | 55–60
Record of the Demon Insect | Hōno Mayumi, romanization uncertain | 61–69
On Female Armpit Mania | Mori Takuji | 70
From a Masochist’s Notebook | Numa Shōzō | 71–78
On the Beauty of Boys | Yamaguchi Kōichi | 79–82
Sexual Fluids, Part Nine | Itō Seiu | 83–86
Joys and Sorrows of Being Tormented, Continued | Magane Kanjirō | 87–94
An Open Letter to Dr. Azuma | Hamura Kyōko | 95–97
Cruel Women | translated and explained by Morimoto Aizō | 98–102
A Tale of Youth, Whips, and Bitter Winds | Iwahiroshi, author reading uncertain | 103–114
A Masochistic Fantasy in the Style of Kōdan | Tamura Minoru | 115–116
Binding the Female Body in Japanese Dress and Cross-Dressing Restraint | Kishimoto Seiryū | 117–120
The Teacher | Aoba Shin’ichi | 121–126
First-Sight Part-Time Job | Shirogane Kōji | 127–132
Natsuko’s Copybook: Diary of a Guilty Woman | Sakurai Kyōichirō | 133–143
The Smile of the Male Flower: Captivity Record | Mikihara Jirō | 144–150
Dizism | Maru Megumi, romanization uncertain | 151
Sadism Among Chinese Women | contributor credit uncertain | 152–154
The Beauty of Women’s Noses | Masago Jūroku | 155–158
Pleasurable Period Drama: Women Bound in Film | Fujiki Senji | 159–167
A New Discovery in the Art of Rope | Tsukihisa Takeshi, credit reading uncertain | 168–172
Devoted to the Enema | Hamura Kyōko | 173–174
Ear Cleaning and the Glass Rod: My Experience | Tsunozaki Takako | 175–178
Rainbow of Life | Taketani Jūzō | 179–187
Abdominal Cutting Seen on Sōshi Paper, Part Two | Kawai Itsuko | 188–191
Current Reflections on Female Genitalia | Dokushi Yotsuya, credit reading uncertain | 192–194
Dream: An Illustrated Story | Matsui Raikō, credit reading uncertain | 195–202
At the Evening Window | Furukawa Yūko | 203–216
Marie Madeleine: The Poisoning Maniac Recorded in Women’s Criminal History | Samukawa Midori | 217–222
Sorrow and Compassion for an Abused Boy | Mikata Kōji | 223–230
Fragments of My Masochism | Kawada Tashirō, credit reading uncertain | 231–235
Female Seppuku: Snow-Molded Ayukawa Osen | Segawa Yasuko | 236–246
A Strange Night Without Characters | Ukishima Genji, romanization uncertain | 247–260
Sexuality Advice Column | contributor and readers | 261–264
New Women’s Sumo Terminology | Katō Sanpei | 265
Publication Listings and Notices | | 266–269
On Long-Boot Fetishism | Amaike Seibi, romanization uncertain | 270–273
Looking at the Beauty of Models | Nakamura Yasushi, credit reading uncertain | 274–277
Night-Light Island | Kurihara Mugi; illustrated by Shinjō | 278–290
The Fruits of Abuse | Hosokawa Nobuko | 291–305