Review Table of Contents

Special Photographs of Watanabe Yoshimi | Watanabe Yoshimi | 3–6
Photographic Record of Watanabe Yoshimi | Urado Hiroshi; photography by Seta Kaiichi | 9–25
Design for an SM Playroom | Taga Kin | 26–29
On Making SM Films | Urado Hiroshi | 30–43
Forms of Love | Kawabe Seiya | 44–45
Bondage Memoir: The Pleasure of Serving as a Beast of Burden | Ichinose Mayumi | 46–54
The Woman Who Came from the North Like a Wild Goose | | 59–60
Record of Bondage and Erotic Torment | Ichinose Sōshi | 61–62
An M-Woman Is Better Plump | photographs supplied by Takeuchi Iwao | 63–65
Pet Miko | | 66
Tanigawa Kiyoshi Photo Report | Tanigawa Kiyoshi | 67–69
S’s Wife: A Record of Late-Night Outdoor Torment | | 70
Yamagata-Style Pillar Frame | Taga Kin | 71
My SM Play Technique, Part Three: Variant Suspension | Roman-ha Sei | 72–77
Urethral Masturbation and Foreign-Object Insertion | Mutsuki Fueichirō | 78–82
Sex-Slave Record, Part One | Suzui Koreo | 83–90
First Bondage Experience of a Sow-Type M-Woman | Toda Shigeyuki | 91–98
Fantasies Inspired by Beautiful Breasts | Shima Shikō | 99–107
Echoes from the City | | 108
I Am a Witness to a Married Couple’s SM Play | Chiba Shinkiyomaru | 109–110
Miscellaneous Thoughts on Valuable Photographs | Inayama Tamio | 111
The Fourth Afterword | Chiba Ōtsuka Akira | 112–113
A Request | Kawasaki and Oyama Ryūji | 114
Reader Photographs, Notices, and Group Information | | 115–117
Transformative Arousal | | 118