Kitan Club

Kitan Club, March 1955 Special Expanded Issue

Publication: March 1955 Volume: 9 Issue: 3
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Analysis Review Status Approved on August 17, 2026 5:25 PM by Zetsu
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Table of Contents
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August 17, 2026 5:25 PM

Summary

Kitan Club's March 1955 special expanded issue is a large, densely illustrated publication combining pictorial fetish culture, theoretical discussion of sexual abnormality, serialized and prize fiction, autobiographical confession, historical inquiry, and an extensive reader-community section. Its opening is strongly visual, with Japanese drawings and staged photographs of bondage, dominance, masochistic themes, wrestling, medicalized imagery, and imported erotic material. Work associated with Rudolf Hegemann and material from foreign magazines such as BIZARRE, Pigalle, and LAFF place Japanese postwar erotic culture in dialogue with international visual sources. The main editorial body includes Naruse Ryō's On New Developments in Perversion Research, addressing inversion, fetishism, same-sex desire, psychology, and the period's distinctions between normal and abnormal sexuality. Naruyama Nōhei's Drawing Bondage Pictures examines the artistic and erotic process of creating bondage imagery, while Mine Kōji's Masochistic Boyhood traces the development of masochistic desire. Other confessional and experiential contributions examine bodily sensation, medical fantasy, sadistic desire, fetishism, and restraint. Fiction occupies a major portion of the issue. The serialized Night Light Island appears alongside The Shadow Flower, The Tide Wave, Ten Months in Confinement, Bondage Without Rope, the substantial prize story Venus's Heavy Stone, and An Old Tale of O-Tengumatsu: The Origin of the Tengu Nose. Historical and transnational interests also appear in the Ōtsu Incident essay, Cruel Women, Itō Seiu's The Blood-Stained Hair Rope, Oda Nobunaga, Hero of Perversion, and Morimoto Aizō's commentary on Hegemann's imagery. The later portion increasingly emphasizes documentation and community. Tsujimura Takashi discusses bondage models and photography, Numa Shōzō contributes a long installment of From a Masochist's Notebook, and Yamada Masami reflects on decades devoted to abnormal and erotic subjects. The closing pages organize correspondence into general and specialized interest sections, followed by agency notices, media commentary, a next-issue preview, manuscript solicitations, and publication information.

Themes

Rope bondage and restraint imagery Sadism, masochism, and punishment Female dominance Sexual inversion, fetishism, and postwar sexological discourse Confession, autobiography, and fantasy Bondage photography and modeling Foreign erotic literature and international visual sources Historical punishment, crime, and eroticized history Erotic illustration and visual technique Medicalized body practices Reader correspondence and specialized fetish communities

Highlights

The opening pictorial section combines Japanese drawings, staged photography, bondage imagery, dominance themes, wrestling, medicalized fetish material, and reproductions from foreign erotic magazines.
Visual culture PDF 5–33
Naruse Ryō's On New Developments in Perversion Research provides a substantial theoretical discussion of fetishism, inversion, same-sex desire, psychology, and the distinction between normal and abnormal sexuality.
Sexology and theory PDF 39–45
Naruyama Nōhei's Drawing Bondage Pictures examines the process of creating bondage art and connects artistic practice with erotic response and the representation of restraint.
Bondage art PDF 46–50
An Old Tale of O-Tengumatsu: The Origin of the Tengu Nose combines Edo-period gambling culture with bondage, punishment, humiliation, tattoo imagery, and bawdy historical fantasy.
Fiction and historical fantasy PDF 131–140
Itō Seiu's The Blood-Stained Hair Rope, Part 3 continues a historically oriented series connecting punishment imagery, recollection, and Seiu's distinctive visual and narrative vocabulary.
Itō Seiu PDF 141–146
Numa Shōzō's From a Masochist's Notebook, No. 85: Confession of a Young Masochist is one of the issue's longest first-person explorations of masochistic identity and desire.
Masochism and confession PDF 227–240
Tsujimura Takashi's The True Face of Bondage Models, Part 1 shifts attention from fantasy to the people and circumstances involved in producing bondage photography.
Bondage photography PDF 273–280
The closing correspondence pages divide the readership into general correspondence and specialized interest sections, documenting the magazine's role in organizing a network of readers with distinct erotic and research interests.
Reader community PDF 293–306

Table of Contents

Review TOC Data Backfill Article Themes
Title Author Printed Pages PDF Pages
Kawayanagi Idea Ten Forms Uncredited 12 5
Fire Wheel Itō Seiu 13 6
Foreign Literature Introduction: Bondage and Fetish Images Uncredited 14–15 7 –8
Girl Sumo Uncredited 16–17 9 –10
Two Bondage Subjects Uncredited 18–19 11 –12
Masochistic Photo Uncredited 20–21 13 –14
Bondage Photo Album Uncredited 22–23 15 –16
Outdoor Rope-Binding Sequence Uncredited 24–25 17 –18
Two Dominant Women: Combination Photos Uncredited 26–27 19 –20
A Cute Customer Tsuzuki Mineko 28 21
The Fetishist's Dream Tsuzuki Mineko 29 22
The Fetishist's Page Uncredited 30 23
Picture Album of Cruel Women: Hegemann Special Morimoto Aizō 31–33 24 –26
Female Slaves Being Sold Uncredited 34–35 27 –28
Enema, Pinning Down, and Rooftop Photographs Uncredited 36–37 29 –30
Women's Wrestling Uncredited 38 31
The Husband's Place in the American Home Uncredited 39 32
Morning Departure / After Dinner Sugihara Kōji 40 33
The Traitor Shima Takashi 41–44 34 –37
On New Developments in Perversion Research Naruse Ryō 46–52 39 –45
Drawing Bondage Pictures Naruyama Nōhei 53–57 46 –50
Night Light Island, Part 6: An Unpleasant Promise Azuma Shin 58–70 51 –63
The Ōtsu Incident and Its Aftermath, Part 2: Glory Being Eroded Sudō Ritsuo 71–73 64 –66
Masochistic Boyhood, Part 8: Stirring Toward Masochism Mine Kōji 74–81 67 –74
On Sweat Mizushima Mamoru 82–89 75 –82
SAPPHO Japanese Edition: Cutting the Girl's Belly Kawai Itsuko 90–93 83 –86
My Way of Tormenting: Punishment for Infidelity Takarazuka Fumio 94–103 87 –96
The Shadow Flower Kataya Kaoru 104–118 97 –111
Cruel Women Morimoto Aizō 119–121 112 –114
Diary of an Enema Maniac, Emiko: A Sad Monologue Hanamura Emiko 122–127 115 –120
The Tide Wave Shirogane Kōji 128–133 121 –126
My Image: The Operating Room, A Favorite Dream Taketani Jūzō 134–137 127 –130
An Old Tale of O-Tengumatsu: The Origin of the Tengu Nose Midori Takehiko 138–147 131 –140
The Blood-Stained Hair Rope, Part 3 Itō Seiu 148–153 141 –146
Ten Months in Confinement Haruta Ichirō 154–161 147 –154
Confession: Cutting One's Own Belly Odawara Wataru 162–165 155 –158
My Experience Nagase Akiko 166–171 159 –164
Explanation of the Illustration Fire Wheel Itō Seiu 172 165
Memoir: The Young Lady Who Was Catheterized Tamura Jin'ichi 174–175 167 –168
Local Report: Underwear Thief Captured Uncredited 176–178 169 –171
Open Letter to the Editors Sugawara Haruo 179–183 172 –176
On Hagi Chieko: Centering on the Frontispiece Photographs Narumi Fumio 184–187 177 –180
Letter to the Editor: From a Reader Uncredited 188 181
One Night in Tokyo R.G.S. 189–191 182 –184
Venus's Heavy Stone Masago Jūshirō 192–222 185 –215
Experience in a Dormitory Midorikawa Junko 223–227 216 –220
Phallic Worship: A Confession from My Boyhood Mori Taichi 228–233 221 –226
From a Masochist's Notebook, No. 85: Confession of a Young Masochist Numa Shōzō 234–247 227 –240
Bondage Without Rope Futamata Shizuko 248–255 241 –248
Record of My Half-Life Kitajima Kagetsu 256–261 249 –254
Oda Nobunaga, Hero of Perversion Kasagi Toshirō 262–271 255 –264
Thirty Years of Pursuing the Abnormal Yamada Masami 272–279 265 –272
The True Face of Bondage Models, Part 1 Tsujimura Takashi 280–287 273 –280
Letter to M, First Letter Futamata Shizuko 288–291 281 –284
Recollections of Punishment Pictures Yoda Seiji 292–294 285 –287
Commentary on the Picture Album Cruel Women Morimoto Aizō 295–297 288 –290
Film and Magazine Correspondence Shiraishi Minoru 298–299 291 –292
Readers' Correspondence Uncredited 300–304 293 –297
Masochism Correspondence Uncredited 305–306 298 –299
Sadism Correspondence Uncredited 307–308 300 –301
Seppuku Correspondence Uncredited 309–310 302 –303
Agency Department Monthly Report Uncredited 311 304
Sodomy Correspondence Uncredited 312 305
Enema Correspondence Uncredited 313 306
Next Issue Preview Uncredited 314 307
Bondage Film Preview and Publication Notices Uncredited 315 308
Calls for Manuscripts and Publication Information Uncredited 316 309

Analysis Notes

PDF page 4 contains the formal printed table of contents. The issue colophon identifies the publication as Vol. 9, No. 3, cumulative no. 78. Printed pagination in the main body is generally seven pages ahead of PDF viewer numbering. Some contributor-name romanizations and small credits in the opening pictorial section remain uncertain and would benefit from bibliographic confirmation.