Highlight 1 Remove Text The opening visual portfolio combines Kitahara Junko’s scenes of historical captivity with foreign bondage photographs and illustrations, establishing the issue’s international and historical visual frame. PDF pages Category
Highlight 2 Remove Text Fujiki Senji’s “Detailed Examination of Sadism Scenes” surveys restraint, humiliation, threat, and violence in contemporary films and considers how cinematic technique shapes their emotional effect. PDF pages Category
Highlight 3 Remove Text “Through the Light” provides an unusually detailed patient’s account of Japanese hospital life, including overcrowding, sanitation, food, tuberculosis treatment, staff shortages, and the economics of care. PDF pages Category
Highlight 4 Remove Text “Abandoned Dog” uses male companionship, criminal underworld settings, injury, dependency, and physical coercion to construct a bleak urban melodrama. PDF pages Category
Highlight 5 Remove Text “My Enema Play” describes instruments, quantities, procedures, and fantasy scenarios in a rare first-person account of specialized bodily play. PDF pages Category
Highlight 6 Remove Text Fukumura Mitsuharu’s prison memoir documents food, tobacco, labor, searches, punishment, smuggling, and relations between inmates and guards. PDF pages Category
Highlight 7 Remove Text Hara Tadamasa’s “Modern Masochism Art Review” examines European and American films, actresses, magazines, fashion, politics, and the international circulation of fetish imagery. PDF pages Category
Highlight 8 Remove Text Tamao Sumiko’s “Parasites” joins biological observation to a domestic narrative of sexuality, dependency, and bodily abnormality. PDF pages Category
Highlight 9 Remove Text The later illustrated fiction includes extended scenes of domination, confinement, social degradation, and historical or quasi-historical punishment. PDF pages Category
Highlight 10 Remove Text The closing editorial and correspondence pages preserve exchanges among readers, contributors, collectors, and editors and document the magazine’s function as a subcultural network. PDF pages Category