Highlight 1 Remove Text A formal illustrated contents spread identifies the issue's fiction, essays, confessions, historical pieces, reader discussion, and visual features. PDF pages Category
Highlight 2 Remove Text The opening photographic feature presents a staged sequence of a bound woman, combining documentary-style photographs with drawn studies of restrained poses. PDF pages Category
Highlight 3 Remove Text Love Slave is a long first-person narrative centered on submission, coercive fantasy, and changing relationships of control. PDF pages Category
Highlight 4 Remove Text The Diary of a Wartime Woman gives an extended first-person account shaped by wartime displacement, sexuality, survival, and exploitation. PDF pages Category
Highlight 5 Remove Text The reader roundtable on the impulse to inflict pain records several participants debating sadistic desire, punishment, marital sexuality, fantasy, and personal experience. PDF pages Category
Highlight 6 Remove Text An essay on chastity belts introduces historical European devices and includes an illustration of a metal restraint apparatus. PDF pages Category
Highlight 7 Remove Text When I Draw a Woman in Torment presents Itō Seiu's reflections on depicting female suffering, artistic observation, models, and the construction of scenes. PDF pages Category
Highlight 8 Remove Text The final and longest late-issue story, The Man Possessed by Red, follows a condemned prisoner's confession and continues well beyond PDF page 150, concluding on PDF page 173. PDF pages Category