Article Translations

A brief illustrated discussion interprets a fetishistic desire described through human-animalization terminology, linking private fantasy, bondage imagery, and psychological explanation.

A substantial photographic portfolio documents staged bondage and shibari involving numerous adult female models. Its captions and sequences emphasize rope technique, suspension, immobilization, blindfolding, domestic-room staging, and the transformation of SM...

Tsukamoto records an SM study-group meeting, its correspondence network, travel and hotel arrangements, photographic sessions, and the interaction of embarrassment, exhibitionism, authority, and spectatorship.

A first-person confession describes elaborate rubber clothing, masks, boots, gloves, belts, and a full hood, followed by solitary dressing, mirror observation, fantasy, and bathing imagery.

An installment of the historical-fantasy serial places characters in aristocratic and pseudo-historical settings of torture, restraint, suspension, forced display, punishment, and spectatorship, with accompanying illustrations and image-gallery material.

A dramatized first-person account follows hospital preparation, enema administration, barium imaging, catheterization, bodily sensation, embarrassment, and interactions with nurses, with medical intestinal diagrams throughout.

A signed reader submission recounts a group SM encounter involving restraint, humiliation, anal stimulation, and fantasies of collective coercion, presenting extreme intensity as both troubling and pleasurable.

A mock-research report classifies female urination by posture, angle, force, sound, smell, and aftercare, turning ordinary bodily functions into objects of fetishistic observation and purported scientific analysis.

A continuing captivity narrative follows Ryōe through workplace humiliation, coercive examinations, surveillance, interrogation, transport, restraint, punishment, and institutional domination, with embedded visual galleries.

A long illustrated first-person narrative depicts women subjected to service-based exploitation, economic dependence, bondage, humiliation, punishment, and sadistic control in domestic and commercial settings.

The author recalls a lifelong fascination with rubber garments, unsuccessful searches for a rubber cape, changing availability, consumer scarcity, and hopes for renewed production and contact with fellow enthusiasts.

A critical essay studies Tsukamoto’s writing and photography through staging, pose, ropes, props, models, humiliation, voyeurism, and the relationship between literary description and photographic evidence.

This comic-adventure serial episode combines diplomatic intrigue, hotel scenes, surveillance, captivity, disguise, escape, sexualized coercion, and the recurring figure of Goliath.

A first-person birthday scenario escalates through numbered stages of bondage, interrogation, embarrassment, pain, control, and photographic role-play, supported by staged images.

A continuing role-play narrative moves from discipline and rope restraint in an SM club to hotel meetings, multiple participants, exchanged keys, and planned partner swapping.

An illustrated essay considers ideals of nose shape, facial beauty, rhinoplasty, popular taste, and the eroticized humiliation or fetishization of a bodily feature.

A woman’s correspondence-style memoir describes attraction to an older partner, bondage, discipline, fear, staged abuse, fantasy, and erotic surrender, accompanied by photographs.

A dialogue-heavy serialized narrative follows performers and associates of an SM-oriented theatrical group through drinking, rivalry, humiliation, role-play, hotel encounters, and staged sexual performance.

A married middle-aged narrator recalls adolescent and adult sexual experiences, SM interests, fetish imagery, bondage, prostitution, coercive encounters, and the formation of his sexual imagination.

An Edo-period supernatural-cruelty narrative begins around a prosperous tea shop, a beautiful proprietress, and a mysterious beckoning cat, then develops through erotic exploitation, abduction, binding, mutilation, criminal violence, and grotesque retribution.

The issue’s central feature presents female domination, male submission, fetishism, flagellation, masochism, and mythological arguments for female authority. Internal headings and case narratives remain part of this single article-level container.

An illustrated sensational narrative follows sexual pursuit, coercion, humiliation, violence, and shifting power relations between its principal characters.

A comic and violent narrative set in the ozashiki entertainment world, where performance, sexual commerce, money, and bodily display produce repeated reversals of power.

A reader letter and editorial response discuss excessive sexual desire, sexual education, and the magazine’s role as an advice forum.

A first-person confessional narrative describes a sheltered girl’s early sexual curiosity, clandestine initiation, emotional attachment, and later reflections on desire and respectability.

A grotesque domestic narrative uses a diseased chicken, family scarcity, illness, secrecy, and sibling conflict to create a comic-horrific account of bodily disorder and household trauma.

A historical survey of Roman and medieval slavery discusses ownership, sexual exploitation, domestic servitude, punishment, prostitution, and class hierarchy.

Wartime and military anecdotes concerning the Nikolayevsk Incident combine purported testimony with sexualized violence, captivity, punishment, foreignness, and racialized sensationalism.

An illustrated sexological account of the harigata discusses its materials, historical use, manufacture, and relation to marital and female sexual pleasure.

International letters and replies discuss photographs, body hair, masturbation, sexual preferences, relationships, and cross-border erotic communication.

A purported true-crime narrative reconstructs a couple’s sexual pathology, domestic life, deaths, forensic clues, and the subsequent investigation.