Article Translations

A dark fictional account of a son subjected to escalating paternal violence, humiliation, and physical control until domestic submission becomes nearly absolute. The narrative presents coercive family authority as a grotesque form of bondage.

A fictional horror narrative set around a theatrical “house of strange tales,” where visitors watch elaborate tableaux of torture, punishment, hanging, murder, and supernatural terror performed by costumed actors. The story emphasizes the disturbing relationsh...

A first-person diary-style fiction about a man’s obsessive attraction to women’s body odor, sweat, bodily traces, and worn clothing, culminating in increasingly intrusive attempts to pursue and control his desired women.

A historical erotic fantasy set in the palace of King Jie, depicting courtly excess, sexual coercion, captivity, punishment, and the domination of women within an ornate Chinese-imperial setting.

An erotic literary narrative in which a seemingly ordinary encounter gradually develops into an unsettling sequence of intoxication, domination, restraint, and sadistic sexual play involving a woman named Yukiko.

A diary-like literary work centered on obsessive enema practices, rectal irrigation, bodily control, and fetishistic fantasy, supplemented by pseudo-medical reflections on the history and psychology of the practice.

A historical erotic crime narrative follows Oume as she is accused, captured, and subjected to escalating sadistic punishment, culminating in her being nailed into a box in a crucifixion-like ordeal.

Presented as an intimate letter, a female sadist addresses her slave and describes the emotional authority, discipline, and erotic control she exercises over him.

In an “abnormal experience” account, a woman recalls wartime domestic service and devoted submission to her husband before describing her attempt to follow him in death through ritualized self-disembowelment.

An essayistic miscellany considers “abnormal” sexuality in modern fiction, film, and theatrical culture through literary commentary, anecdotes, and observations about erotic behavior and artistic representation.

The editorial department reviews and contextualizes unpublished reader manuscripts, then presents an erotic narrative about sisters subjected to coercion, captivity, humiliation, and sexualized control.

The second installment follows Misako through preparations for marriage and a highly charged domestic and wedding setting in which family power, sexual vulnerability, and coercive erotic tension increasingly shape her experience.

An illustrated dream sequence portrays a woman bound with rope and suspended upside down, awakening in an atmosphere of painful suffocation and distress.

This illustrated erotic scene depicts a strange banquet in which a bound participant is displayed before an amused gathering, following an episode of coercive drinking and exposure.

A photographic feature presents a model bound while wearing a nylon raincoat, emphasizing the garment’s tactile and fetishistic appeal.

A photographic feature presents model Sagawa Michiko posed seated and bound with a rope, accompanied by a caption describing her first experience of being tied for the camera.

A photographic feature shows model Kaga Rieko in several tightly bound poses, with the accompanying text dramatizing discomfort as the rope tightens around her wrists and circulation is affected.

This illustrated historical erotic tale follows a warlord’s daughter who is captured by opportunistic thieves amid the chaos of the Warring States period and subjected to sexualized captivity.

A richly illustrated historical erotic fiction presents Hime’s capture by armed men during Japan’s Warring States period, followed by repeated scenes of gagging, binding, pursuit, rescue, and renewed captivity.

This historical newspaper survey assembles Meiji-era reports and advertisements concerning marriage, women’s schooling and compulsory nude physical examinations, domestic abuse, sensational murders, and the administration of corporal punishment in Korea.

A reader-correspondence page presents letters and editorial replies about the magazine’s reception, readership, requested subjects, and submitted material, while inviting continued contributions and support.

A first-person fetish narrative recounts the writer’s fascination with diapers and diaper-like garments, describing encounters, fantasies, remembered incidents, and the influence of Japanese and imported erotic imagery.

An erotic fantasy recounts a white youth’s capture and enslavement of a Black girl on a South Seas island, including domestic labor, chaining, corporal discipline, and sexualized domination.

Framed as a passionate letter, this dark erotic fantasy describes a lover’s fixation on seppuku, blood, blades, bodily injury, and sadomasochistic surrender.

This film-oriented feature surveys Japanese New Year movie scenes in which actresses are captured, tied, suspended, or otherwise restrained, discussing the staging and appeal of bondage imagery.

A first-person memoir of ten months in prison, describing confinement, penal labor, meals, medical routines, relations among inmates and staff, and the humiliations and tensions of institutional life.

An instructional presentation of the Yamaguchi bodybuilding method, explaining exercises, equipment, body-strengthening routines, and practical training experiences intended to improve physical development.

An essay on the erotic and aesthetic appeal of the kilt as a revealing garment, considering bodily exposure, tight clothing, spectatorship, and the psychological responses produced by dress and partial nudity.

Takagi Nobuo combines observations of animal excretion and mating behavior with autobiographical accounts of fetishistic encounters, exploring the erotic significance of feces, enemas, and other taboo bodily pleasures.

Nonaka Aizō presents a literary-psychological study of Dostoevsky’s sadistic imagination, connecting episodes from the author’s life, family background, writings, and reception to recurring themes of cruelty, domination, and sexualized violence.

Baba Takatsugu reflects on the erotic meanings of women riding horses, combining personal recollections, magazine and film references, riding attire, bodily movement, and fantasies of female physical power and display.

An erotic narrative depicts a male subject being disciplined by dominant women through elaborate bondage, blindfolding, gagging, positional restraint, and sensory control, interwoven with dialogue and staged scenes.

This essay examines the eroticized image and symbolism of female swordswomen performing seppuku, discussing traditional clothing, ritual staging, bodily detail, blood, and the appeal of the scene in historical and visual culture.

A reader letter to Kasuga Rumi expresses a male devotee’s desire to serve a female dominant, recounting submissive fantasies and requesting continued interaction and guidance.

A first-person account of life in a juvenile correctional institution describes solitary confinement, forced nudity, beatings, humiliating punishments, and the arbitrary brutality of institutional discipline.

Mizukami Ryūtarō presents a provocative first-person “accusation” of Abu while reflecting on sadism, masochism, gendered desire, violence, and the psychological boundary between erotic fascination and cruelty.

Sakata Shinji recounts formative experiences of harsh paternal and educational discipline, including beatings, fear, shame, and eventual submission to overwhelming authority.

An essay on the erotic and imaginative significance of the nose, illustrated with botanical and fetish imagery, that also discusses piercing, hooks, restraints, and the construction and use of a leg-spreading bondage device.

A critical essay examines bondage and suspension scenes in Japanese and foreign films, recalling specific productions and evaluating the realism, staging, visual impact, and physical mechanics of their restraint sequences.

A first-person autobiographical narrative traces the author’s path from youthful aviation ambitions through wartime and postwar experiences, culminating in an encounter that awakens his fascination with fetishistic bodily practices, restraint, and enema imager...