Article Translations

This visual feature presents flat-cord binding in staged photographs, showing rope wrapped around the model’s torso and limbs in several restrained poses.

An outdoor bondage portfolio shows a woman restrained with rope among rocks and vegetation, emphasizing varied body positions and natural surroundings.

A photographic feature depicts a nude woman experiencing embarrassment and vulnerability in a staged nighttime bondage setting, with the accompanying text emphasizing the shame of nudity and the discomfort of rope restraint.

This photographic feature presents a woman bound in T-shaped and other rigid poses against a pole, using rope placement and bodily positioning to create images of disciplined female restraint.

A staged photographic sequence explores an altered, ecstatic state through a woman bound with rope around her neck, arms, torso, and legs, emphasizing bodily restriction and psychological surrender.

A photographic feature presents a woman in several posed states of apparent ecstatic torment, with cloth or rope arranged around her torso and legs to create restrained, stylized compositions.

This illustrated feature demonstrates “tanuki binding,” showing a woman’s wrists and ankles secured together and the resulting constrained positions in a sequence of rope-binding photographs.

A portfolio of three staged rope-binding arrangements shows a woman restrained in standing and leaning poses against an interior architectural setting, emphasizing varied forms of kinbaku display.

A photographic feature depicts a woman subjected to a triangular wooden-horse apparatus in several painful restraint positions.

Photographs present scenes of women imposing quiet, controlled punishments through bodily positioning and restraint.

A photographic portfolio stages women wrestling, grappling, and overpowering one another in a series of physically charged encounters.

A visual collection presenting posed scenes of male masochistic pleasure and submission.

An illustrated feature depicting the imagined “world of men” through a collection of male-oriented erotic images.

The third installment of a visual record portraying gentlemen in cross-dressed presentation.

A collection of erotic illustrations depicts women subjected to elaborate bondage, restraint, humiliation, and perilous fantasy situations, presenting tormenting scenes inspired by bondage imagery.

A photographic portfolio attributed to Luis Avila presents staged bondage scenes involving ropes, restraints, masks, gags, furniture, and posed models in domestic and theatrical settings.

A report on the Bondage Society’s bizarre costume ball surveys its themed bondage costumes, staged demonstrations, restraint apparatus, illustrated exhibits, and the event’s role within specialist erotic publishing and club culture.

An erotic bondage scenario in which Haruko submits to being stepped on, emphasizing physical submission and the visual display of restraint.

An eroticized outlaw-execution scenario that combines criminal spectacle with punitive restraint and coercive fantasy.

A possessive erotic fantasy centered on the selection and claiming of a beautiful boy.

A provocative feature centered on a prostitute who uses a whip, presenting female-controlled erotic punishment and sadistic role reversal.

The fourth installment of a series recounting provincial tales of male punishment, focusing on men subjected to disciplinary and humiliating treatment.

A dramatized historical account of the Ōoku inner palace in Edo Castle, describing sexual rivalry, coercion, punishments, suspension, burning, and other forms of cruel confinement inflicted on women.

The Reader Plaza compiles correspondence, reader reactions, image requests, submissions, and editorial replies concerning the magazine’s erotic photographs, illustrations, male and female models, and future features, emphasizing active exchange between readers...

A multi-page stock and agency catalogue advertises back issues, themed photographic and illustrated collections, bondage and fetish materials, and mail-order purchasing, while providing distributor information and promoting newly released male-focused bondage...

A staged bondage photograph presents a nude woman tied across a board in a posed “white mermaid” tableau.

A photographic sequence depicts women bound with rope and left in grassy outdoor settings, emphasizing exposed bodies, immobilized poses, and the surrounding landscape.

Okumura Sekio discusses people who experience sexual excitement through being tormented by the opposite sex, reflecting on sadistic and masochistic tendencies as psychological and social phenomena.

A first-person marital SM narrative describes a woman’s emotional and erotic satisfaction in receiving severe punishment from her husband, including beatings, binding, hot-water ordeals, and other disciplinary acts.

An illustrated feature surveys elegant bondage scenes drawn from historical Japanese erotic fiction and visual culture, presenting bound women, coercive encounters, and related captions and commentary from the Edo-period tradition.

This essay examines the psychology of tormenting the female body, discussing restraint, pain, shame, clothing, bodily control, and the heightened emotional responses produced by punishment and immobilization.

A sensational erotic account recounts extreme episodes of sadistic and coercive sexual behavior, including violent relationships, group encounters, beach rendezvous, and fetishistic bodily experimentation, illustrated through staged scenes.

A first-person account describes a two-person enema session between the narrator and Reiko, detailing their preparation, repeated procedures, physical reactions, and the intimate but painful dynamics of the encounter.

A reader-salon section brings together correspondence, personal reflections, requests, and editorial replies about bondage, erotic photography, models, and readers’ preferred practices, reinforcing the magazine’s participatory exchange among enthusiasts.

The editorial office reflects on producing the issue, thanks readers for their continued support, and discusses the magazine’s ongoing effort to publish new photographs and feature material while encouraging reader cooperation and submissions.

A historical crime report reconstructs the biological-warfare experiments conducted on prisoners by a Japanese military unit, drawing on trial testimony about infection, vivisection, torture, executions, and the concealment of evidence.

A serialized erotic narrative set around the Kyorakuso lodging house follows an increasingly coercive affair involving performers, voyeuristic observation, drinking, and repeated scenes of women being stripped, bound, humiliated, and physically dominated.

A curated portfolio of Furumasa Eisei’s erotic illustrations depicts women subjected to elaborate rope bondage, confinement, and coercive torment in stylized domestic and fantastical scenes.

A photographic feature presents a range of staged rope-bondage postures, including floor-bound, standing, outdoor, and suspended arrangements, emphasizing the visual drama and bodily strain of restraint.

“Melancholy by the Pond” is a staged outdoor bondage photograph showing a restrained woman posed beside a pond amid foliage, combining landscape melancholy with rope restraint.