Article Translations

A sensational erotic account recounts extreme episodes of sadistic and coercive sexual behavior, including violent relationships, group encounters, beach rendezvous, and fetishistic bodily experimentation, illustrated through staged scenes.

A first-person account describes a two-person enema session between the narrator and Reiko, detailing their preparation, repeated procedures, physical reactions, and the intimate but painful dynamics of the encounter.

A reader-salon section brings together correspondence, personal reflections, requests, and editorial replies about bondage, erotic photography, models, and readers’ preferred practices, reinforcing the magazine’s participatory exchange among enthusiasts.

The editorial office reflects on producing the issue, thanks readers for their continued support, and discusses the magazine’s ongoing effort to publish new photographs and feature material while encouraging reader cooperation and submissions.

A historical crime report reconstructs the biological-warfare experiments conducted on prisoners by a Japanese military unit, drawing on trial testimony about infection, vivisection, torture, executions, and the concealment of evidence.

A serialized erotic narrative set around the Kyorakuso lodging house follows an increasingly coercive affair involving performers, voyeuristic observation, drinking, and repeated scenes of women being stripped, bound, humiliated, and physically dominated.

A curated portfolio of Furumasa Eisei’s erotic illustrations depicts women subjected to elaborate rope bondage, confinement, and coercive torment in stylized domestic and fantastical scenes.

A photographic feature presents a range of staged rope-bondage postures, including floor-bound, standing, outdoor, and suspended arrangements, emphasizing the visual drama and bodily strain of restraint.

“Melancholy by the Pond” is a staged outdoor bondage photograph showing a restrained woman posed beside a pond amid foliage, combining landscape melancholy with rope restraint.

A photographic feature depicts a woman tightly rope-bound outdoors in a garden, shown in several crouching and kneeling positions amid foliage and framed through themes of shame, pain, and endurance.

This photographic study presents a woman standing while tightly bound and suspended by one leg, emphasizing the instability and vulnerability of the captured-leg pose.

A series of photographs shows a woman quietly enduring while seated and contorted against a wooden pillar, with ropes securing her torso, limbs, and thighs.

A photographic feature presents a nude woman bound with rope in and around a domestic interior, emphasizing captivity, exposure, and the visual spectacle of restraint.

A sequence of staged photographs demonstrates rope-bound “foot-torment” poses, repeatedly immobilizing and displaying the model’s feet and legs in varied positions.

This photographic feature explores the shame and exposure of the bound back through posed rope restraints, kneeling and standing positions, and views that emphasize bodily vulnerability.

A photographic portfolio presents staged rope- and chain-bondage scenes in outdoor landscapes and traditional indoor settings, depicting women restrained against rocks, trees, posts, floors, and a woven cage. Captions emphasize varied positional restraints, he...

A photographic bondage feature showing a nude woman tied with rope and posed in varied positions among rocks and rugged outdoor terrain.

A visual sequence portraying a bound woman in reclining and seated poses, combining rocky outdoor settings with a traditional Japanese interior and emphasizing an atmosphere of longing.

A photographic portfolio of a nude woman secured with rope in several outdoor positions, including reclining and tightly folded poses that foreground restraint and bodily vulnerability.

A photographic bondage feature presents a woman restrained in chains wrapped around her torso and limbs, including poses that tether her to a pillar and restrict movement.

A photographic feature depicts a woman wrapped and restrained in transparent cellophane, including imagery emphasizing enclosure, restricted movement, and difficult breathing.

A staged photographic sequence shows a woman in a single negligee bound with rope in domestic and outdoor settings, including restraint to a veranda pillar and various seated or standing poses.

A photographic feature depicts a woman restrained by the ankles and suspended upside down, with supplementary images showing inverted and floor-based variations of the pose.

This photographic feature presents a woman bound in rope in seated and reclined positions, framing the experience as an interplay of pleasure and pain.

A photographic portfolio shows a woman in a sailor-style uniform subjected to varied rope-bound poses, emphasizing the combination of clothing imagery and staged restraint.

A photographic sequence depicts a nude woman bound with rope in the fork of a tree, shown from several angles and positions in an outdoor setting.

This staged photographic feature presents a woman restrained in various indoor overhead and kneeling positions, emphasizing her inability to move and exposed, defenseless condition.

A photographic sequence shows a woman rope-bound against and beside the exterior of an abandoned house, including restraints around her arms, torso, and legs.

A photographic feature presents a woman in a sequence of posed rope-bound positions, emphasizing bodily display, restraint, and the aestheticized pleasure of bondage.

This staged photographic picture scroll depicts a woman bound in dramatic seppuku-themed scenes, combining rope restraint, ritualized violence, and theatrical erotic imagery.

An outdoor photographic sequence shows a woman tied among rocks and attempting to move through a rugged landscape while restrained, framing bondage as an isolated captivity scenario.

A photographic feature presents a bound woman enclosed in a woven cage, accompanied by poetic text emphasizing immobility, confinement, and sorrow.

A photographic portfolio depicts women in a series of rope-bound and constrained poses, emphasizing bodily immobilization and the visual spectacle of restraint.

A mixed photo-text feature describes German SM enthusiasts and club gatherings involving outdoor bondage, masks, restraints, and other implements, while presenting staged scenes of two-person SM play.

A photographic erotic reportage feature profiles Chiharu, a young woman trained in kendo from childhood who demonstrates rigorous discipline, fights male opponents, and derives pride and excitement from her physical mastery.

This illustrated historical erotic serial follows O-Sayo, a young woman drawn into an Edo-period brothel and subjected to abduction, confinement, binding, punishment, and coercive sexual control amid rival captors.

The continued illustrated adventure places Gwendoline in a succession of coercive trials in which she is captured, restrained, humiliated, and subjected to elaborate bondage by antagonists, with the narrative framed as an imported English-language fetish comic...

An illustrated erotic feature presents women swimming and posing underwater as a fantastical “human aquarium,” combining observational narration with discussion of underwater movement, bodily display, and spectatorship.

The Reader’s Forum compiles correspondence from readers about bondage imagery, male and female models, desired features, personal responses, and requests for future magazine content.

An editorial and sales-information section catalogs available back issues, special features, photographs, and ordering arrangements, while also providing subscription, stock, and agency notices for the specialist magazine.