Article Translations

A career retrospective in which Kawakami selects memorable productions from her first decade, documenting titles, release dates, labels, production stills, and recurring bondage and performance motifs.

A four-page photographic report presenting Naka Akira in carefully staged rope-bondage tableaux in a traditional Japanese interior, followed by information about related rope-photography events.

An image-led DISC-2 feature depicting a married woman in staged rope restraint, blindfolding, suspension, and floor-based tableaux under the 悦虐クラブ label.

A documentary-style feature follows Sumire’s staged first restraint experience, combining preparation, nervousness, observation, changing reactions, and a sequence of monochrome photographs.

A multi-page Dogma catalogue presents performer profiles and product descriptions organized around bondage, punishment, sensory ordeal, coercive role-play, and highly theatrical adult-video imagery.

An extended interview with Dogma director TOHJIRO addresses serious SM, directing, performers, filming practice, production history, audience expectations, and the boundary between staged performance and genuine response.

A news and notices column covering product releases, signing events, performers, specialist retailers, and promotional activity in the SM-video community.

A collector and exhibition notice reports on a large display of erotic or sexually themed drawings, linking specialist visual culture with collecting and public exhibition.

A correspondence page presents reader reactions, requests, and opinions about SM videos, performers, and bondage imagery, demonstrating an active specialist readership.

A two-page sales ranking records specialist SM-video purchases through Sunshop, listing titles, performers, manufacturers, and commentary on market popularity.

A school-themed photographic scenario reverses teacher and student roles through female domination, exposure, discipline, humiliation, and staged restraint.

A flower-arranging setting is transformed into a staged bondage narrative, juxtaposing traditional Japanese aesthetics, floral motifs, rope restraint, and coercive performance.

The opening of a decadent family-role-play photographic narrative presents an adopted schoolgirl in a declining aristocratic household; the following page continues the image sequence without a visible heading.

A run of Cinemagic promotional profiles combines short plot synopses with photographs of staged captivity, revenge, professional-role reversals, fantasy quests, punishment, and bondage.

A serialized novel following Ryoko as financial desperation draws her into an institutional SM enterprise governed by surveillance, training, discipline, commodification, and resistance.

The afterword thanks readers, discusses the issue’s photography and DVD content, invites feedback and model submissions, and supplies publisher and editorial information.

A retrospective gravure portfolio assembles dated Yuu Kawakami image sessions from 2007 through 2014, combining portraits, traditional Japanese settings, ceremonial props, suspension, and staged bondage tableaux.

A large staged erotic illustration depicts a woman restrained across a horse-like apparatus, combining mechanical bondage with theatrical visual invention.

Two full-page illustrations present women in staged rope restraint, using school uniform, clothing, age-coded identity, posture, and exposure as visual motifs.

The illustration centers on a woman tied behind a pillar, with attention to rope marks, immobilization, clothing, and the bodily effects of prolonged restraint.

A multi-page photographic feature presents a woman in Japanese-style costume in seated, kneeling, and floor-based rope-restraint positions, emphasizing costume, posture, rope arrangement, and studio staging.

Film stills depict women prisoners, confinement, conflict, and collective scenes of female incarceration, presenting cinema as a source of eroticized and dramatic captivity imagery.

A long scenario feature discusses staged punishment, bondage games, social gatherings, role-based discipline, ropes, clothing, humiliation, and escalation, combining anecdotes with practical suggestions and diagrams.

The essay considers lenses, distance, lighting, framing, audience sightlines, and the practical photographing of staged bondage, alongside commentary on Japanese and foreign films.

A richly described narrative of secret doctrine, ritual authority, temple interiors, costumes, machinery, ceremonial punishment, bondage, and eroticized submission. Large illustrations are integrated into the fantastic religious setting.

A cultural and psychological essay examines masochism through literary, mythological, cinematic, and social examples, relating suffering, humiliation, fantasy, compensation, theatricality, and role reversal.

A community column combines reader-oriented reports, film and stage notes, bondage observations, props and costumes, personal testimony, and requests for photographic contributions.

A first-person domestic narrative turns marriage, moxibustion, heat, commands, shame, and endurance into a scene of ritualized disciplinary control.

A systematic study classifies actresses, costumes, restraint devices, positions, age, social identity, staging, and the psychological effects of cinematic bondage, using extensive comparative tables.

A philosophical notebook considers slavery, Roman servitude, obedience, authority, punishment, translation, human dignity, and the difference between institutional and personal domination.

A diary-like medical-sexological account records hormone preparations, injections, bodily measurements, breast development, emotional responses, adverse effects, and the desire to feminize the body.

Dated diary entries describe enemas, patients, clinical authority, embarrassment, bodily reactions, and the nurse’s intimate perspective on medical encounters.

An illustrated historical feature recounts Edo-period women, courtesans, entertainers, crime, punishment, local legend, and urban sexual culture, including a depiction of a bound and punished woman.

A continuing beauty-treatment narrative depicts cosmetics, measurements, massage, bathing, sensory devices, training, bodily transformation, institutional authority, humiliation, and psychological control.

A first-person account of rural family life, work, migration, economic limitation, and the search for companionship is paired with a personal notice seeking an understanding correspondent or partner.

A melodramatic historical tale follows a condemned warrior, children, retainers, loyalty, rescue attempts, execution, and self-sacrifice in a morally charged atmosphere.

A long fiction about family secrecy, inheritance, wartime memory, female identity, education, performance, surveillance, sexual danger, and coercion, later shifting into illustrated and dramatized scenes.

A social commentary examines parental authority, family violence, poverty, gendered expectations, child abuse, and the psychological effects of confinement, incorporating a newspaper-style case report.

A detective crime narrative follows Shimada through a knife murder investigation, interrogations, conflicting testimony, a coastal confrontation, a whip-and-knife struggle, and a final confession.

A period crime adventure follows a deceptive and mobile female outlaw through inns, gambling rooms, coastal travel, abduction, disguise, pursuit, bondage, and eventual apprehension.