Article Translations

A confessional narrative centers on an intense admiration for a brother’s male body and fundoshi loincloth, portraying intimate dressing, bathing, exercise, bodily discipline, and submissive fascination within a domestic relationship.

An illustrated essay celebrates women’s abdomens and midsections, discussing the appeal of soft, rounded stomachs and presenting close-up erotic photographs in a documentary-style visual feature.

A personal erotic narrative describes fascination with women’s bodies and the use of a three-way mirror during intimate observation, alongside discussion of enemas and abdominal imagery.

A detailed report on a high-school girls’ sumo championship records the competitors, bouts, techniques, rules, spectators, and dramatic match outcomes, framing female athletic combat as spectacle.

A fictionalized visit to Sardinia depicts a male observer encountering women subjected to elaborate bondage, discipline, punishment, and service under female authority, including cages, chains, gags, riding restraints, and other specialized apparatus.

A first-person reverie describes an intense fetishistic fantasy centered on observing women’s legs, stockings, skirts, shoes, and bodily movement, blending voyeuristic attention with imagined erotic pursuit.

A long-form first-person SM fiction follows a household maid subjected to confinement, bondage, humiliating punishments, coercive service, and repeated attempts to escape or resist, including episodes involving a secret erotic show, police intervention, and re...

A serialized erotic captivity narrative follows a white woman who is seized, displayed on an auction block, sold to rough men, and subjected to escalating coercion, humiliation, and restraint before her resistance and fate are tested.

A first-person experiential account describes the design, fitting, and use of a restrictive punishment corset, illustrated with construction diagrams and scenes of prolonged bodily restraint and disciplinary control.

A serialized erotic fantasy follows a young man whose encounters around a river, a mysterious girl, and an uncanny older figure blur desire, voyeurism, coercion, and supernatural menace.

A first-person confession describes a male narrator’s enduring wish to become a wife, including cross-dressing, feminine self-fashioning, and fantasies of marriage, domesticity, and acceptance by a male partner.

This sensational historical-erotic piece imagines the wives of loyalist warriors undertaking female seppuku, combining samurai-era sacrifice with graphic, ritualized descriptions of abdominal cutting and death.

A serialized erotic fantasy follows Yoshimura’s encounters with Reihō, a Taiwanese woman whose bound feet become the focus of his fascination, leading to coercive sexual encounters involving foot fetishism, rope bondage, gagging, punishment, and captivity.

This reader-oriented visual commentary discusses staged bondage photographs and fantasies of restraint, including suspension and forced display, while reflecting on how such images affect their viewers and the magazine’s audience.

A confessional essay explores the author’s intense fascination with women’s armpits and body contours, combining fetishistic observation, imagined scenes, and reflections on the appeal of photographing or viewing the body.

A comparative historical survey of corporal and capital punishments practiced in Japan, China, Europe, and elsewhere, describing methods such as execution, torture, mutilation, suspension, burning, drowning, and other forms of bodily and public punishment, acc...

A photographic gravure portfolio presenting staged bondage tableaux in which women are tied, gagged, posed, and subjected to varied forms of positional restraint.

An illustration portfolio depicting eroticized interrogation and punishment scenes, including restrained women, seppuku imagery, foot-focused submission, and branding motifs.

A second photographic portfolio showing staged bondage sketches in domestic, outdoor, and seated settings, with rope restraint, gagging, and immobilized poses as recurring motifs.

A fictional narrative set around an inn follows a couple whose encounters with female staff and guests develop into elaborate scenes of rope bondage, coercion, humiliation, and sexual domination.

A hybrid feature combines barroom conversations and personal notes about bondage interests with an account of photographer and model Mizumoto Shigemi, including staged restraint scenes and reflections on bondage aesthetics and technique.

This erotic narrative and visual feature centers on the binding and sexualized humiliation of a woman, presenting both imagined domestic scenes and photographic or illustrative representations of rope restraint.

A film report examines how actresses perform bondage roles, discussing the physical and emotional demands of restraint scenes, cinematic realism, direction, and the distinctive acting styles of several Japanese actresses.

The second installment of this serialized erotic captivity narrative follows a married couple subjected to abduction, rope restraint, financial coercion, voyeuristic humiliation, and escalating sadistic abuse by a criminal group.

This erotic life chronicle follows the troubled development of a blind man whose wartime loss, poverty, resentment, dependency, and encounters with women lead to coercive and destructive intimate relationships.

A confessional erotic narrative follows two brothers whose shared domestic life develops into intimate bondage and fetish play, including ritualized clothing, restraint, and submission.

This experimental-room report gives illustrated, practical instructions for making and wearing a rubber diaper cover, discussing materials, measurements, sewing, elastic fittings, comfort, and its fetish appeal.

An illustrated design feature presents unconventional women’s underwear and S-play devices made from items such as rubber, bottle caps, shells, cans, and belts, with directions for construction, fastening, and use.

A photographic portfolio presents rope-bondage studies of models in varied seated, kneeling, standing, and floor-bound positions, often incorporating blindfolds, gags, and elaborate body wrapping.

Shima Takashi’s illustration depicts a woman bound and gagged on a bed within a confined domestic setting, emphasizing elaborate restraint and captivity.

Shima Takashi’s illustration portrays a woman immobilized with her wrists and ankles tied and a carrot-shaped gag secured to a chain in a domestic interior.

An erotic illustration depicts a man suspended and restrained on a wooden apparatus as part of a punishment scene, with a woman assisting or overseeing the ordeal.

An eroticized historical illustration presents a tattooed female bandit beside a sword in a seppuku scene, combining Japanese criminal imagery with death and execution.

An erotic illustration depicts a woman imposing punishment on a prone man through pressure involving the soles of the feet.

An erotic illustration depicts a diapered woman restrained on the floor beside enema equipment, combining infantilized presentation with an enema scene.

An illustration shows a woman bound to a chair while a man uses a rubber boot to pour or administer water to her, emphasizing coercive restraint and boot-centered fetish imagery.

An erotic illustration depicts a woman restrained in a baby carriage or chair while an older man feeds her, surrounded by baby-related objects and presenting a childlike dependency scenario.

A photographic gravure presents models in varied kneeling, seated, and floor-bound positions, using ropes, blindfolds, and gags to study the visual composition of restrained bodies.

A prose-and-illustration feature develops staged scenarios of cigarette-based punishment involving restrained women, emphasizing dramatic poses, smoke, and the visual conception of bondage scenes.

This historical essay surveys stories and imagined scenes of female warriors dying in battle and being beheaded, comparing gendered ideals of martial honor while dwelling on the aesthetic and erotic charge of severed heads and illustrated execution imagery.