Article Translations

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Article Author Publication Requests Content Status Updated
Whip and Knife Open Reader p. 95
Article #5468
A detective crime narrative follows Shimada through a knife murder investigation, interrogations, conflicting testimony, a coastal confrontation, a whip-and-knife struggle, and a final confession.
Uncredited Kitan Club
Kitan Club, January 1958
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The Female Bandit’s Transformation Open Reader p. 102
Article #5469
A period crime adventure follows a deceptive and mobile female outlaw through inns, gambling rooms, coastal travel, abduction, disguise, pursuit, bondage, and eventual apprehension.
Uncredited Kitan Club
Kitan Club, January 1958
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My Pranks Open Reader p. 114
Article #5470
A prose-and-image feature explains staged erotic photography, posing, cropping, retouching, ropes, partial nudity, and the transformation of impossible fantasies into apparently realistic restraint images.
Minami (given name uncertain) Kitan Club
Kitan Club, January 1958
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A Masochist’s Confession: The Nature of Dogs Open Reader p. 124
Article #5471
An autobiographical masochist describes female domination, commands, humiliation, bodily fetishism, drinking, and submission through recurring comparisons between the narrator and a dog.
Sugimoto Shinzō Kitan Club
Kitan Club, January 1958
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Secret Story of Female Seppuku Open Reader p. 132
Article #5472
A Meiji-era historical narrative follows women of a former samurai household toward ritualized female seppuku, emphasizing duty, family honor, military unrest, blood, bodily sacrifice, and death.
Yoshiki Yama (romanization uncertain) Kitan Club
Kitan Club, January 1958
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Night Glows Open Reader p. 140
Article #5473
An illustrated erotic suspense narrative begins with a bound woman and develops through art-world conversation, photography, locked rooms, voyeurism, ropes, staged display, and coercive performance.
Tsujimura Takashi Kitan Club
Kitan Club, January 1958
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In Praise of Severed Heads Open Reader p. 145
Article #5474
An illustrated cultural essay examines decapitation, murder legends, kabuki and dance-drama staging, dolls, props, realism, grotesque beauty, and audience response.
Minakata Jun Kitan Club
Kitan Club, January 1958
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The Domesticated Human Yapoo Open Reader p. 147
Article #5475
A dystopian future society classifies people as livestock or servants, organizing domestic life through hierarchy, punishment, bodily inspection, forced service, animalization, and technological control.
Numa Shōzō Kitan Club
Kitan Club, January 1958
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Miscellaneous News and Impressions Open Reader p. 157
Article #5476
A miscellany of literary, social, and cultural notes discusses institutions, sanitation, women, domestic expectations, and contemporary conditions in an informal editorial tone.
Various contributors Kitan Club
Kitan Club, January 1958
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Bondage-Film News Column Open Reader p. 159
Article #5477
A rapid film bulletin reports on sensational and bondage-related films, performers, production details, plot premises, captivity, restraint, and the commercial circulation of erotic spectacle.
Abe Shū Kitan Club
Kitan Club, January 1958
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Readers’ Correspondence Open Reader p. 161
Article #5478
The closing correspondence department records readers’ opinions, personal experiences, clothing and body interests, photography requests, posing advice, television and film commentary, editorial replies, and the commercial ordering of photographic sets.
Uncredited Kitan Club
Kitan Club, January 1958
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Fiction: Flower and Snake Open Reader p. 156
Article #5444
A creative captivity narrative centered on abduction, criminal power, rope binding, gagging, interrogation, punishment, confinement, and attempted rescue, with wealthy captives and pursuers moving through numbered episodes.
Kyotaro Hanamaki Kitan Club
Kitan Club, August–September 1962
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First Gravure: Attractive Poses Open Reader p. 6
Article #5418
A photographic portfolio of staged domestic bondage poses using cloth, rope, garments, mirrors, and varied seated, kneeling, and reclining arrangements.
Sugihara Moto; Rika Yukiko; Sakurai Yoko; Takeno Hiroko Kitan Club
Kitan Club, August–September 1962
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Second Gravure Open Reader p. 11
Article #5419
A sequence of visual gravure sections moves from outdoor tree bondage and prisoner imagery to prayer-like captivity and poses involving mouth restraint.
Uncredited Kitan Club
Kitan Club, August–September 1962
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Frontispiece: Severed Head, Buttocks, and Alice (Part 1) Open Reader p. 3
Article #5420
A full-page erotic illustration functioning as a frontispiece plate, associated with Taki Reiko and the issue’s recurring themes of staged bodies and restraint.
Taki Reiko Kitan Club
Kitan Club, August–September 1962
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Female-Body Seppuku (Part 2)
Article #5421
Taki Reiko Kitan Club
Kitan Club, August–September 1962
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Shibari Close-Up Selection Open Reader p. 16
Article #5422
A concentrated sequence of bondage and captivity imagery, including chains, stocks, cages, historical costumes, female prisoners, and melodramatic scenes of punishment and violence.
Uncredited Kitan Club
Kitan Club, August–September 1962
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Valuable Responses to Bondage (Changes in Facial Expression) Open Reader p. 23
Article #5423
A photographic feature documenting facial expression, gagging or masking, chains, cuffs, and the bodily effects of staged restraint.
Uncredited Kitan Club
Kitan Club, August–September 1962
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Coat Bondage Open Reader p. 25
Article #5424
A visual portfolio of clothing-based and rope bondage, presenting controlled posture, flexibility, staged interaction, and restrained female bodies.
Uncredited Kitan Club
Kitan Club, August–September 1962
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Masochist Photos (Toyoki: Chest, Skin, and Performance) Open Reader p. 28
Article #5425
A concluding gravure sequence emphasizing the body, performance, staged restraint, and photographic presentation of fetish scenes, followed by promotional magazine material.
Uncredited Kitan Club
Kitan Club, August–September 1962
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A Satirical Review of Japanese Customs: Harakiri Open Reader p. 31
Article #5426
An extensively illustrated historical-cultural essay on seppuku, covering ritual procedure, implements, attendants, samurai ideology, class and gender, literary and theatrical representations, modern suicide, and the tension between heroic symbolism and bodily...
Einosuke Fukukawa Kitan Club
Kitan Club, August–September 1962
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A Record of Feet (From Novels and Newspaper Articles) Open Reader p. 47
Article #5427
A wide-ranging study of feet as aesthetic, erotic, social, literary, and documentary objects, incorporating fiction, newspaper material, photographs, footwear, hygiene, class, fashion, and painter Itō Shinsui’s views.
Kiyoshi Kimura Kitan Club
Kitan Club, August–September 1962
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Correspondence: To Takagi Kikue Open Reader p. 53
Article #5428
An illustrated essay on buttock contours, bodily impressions, erotic aesthetics, photographic display, posture, and the cultural meanings attached to bodily marks.
Ritsuo Sudo Kitan Club
Kitan Club, August–September 1962
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Masochist Senryu with Author’s Notes: Yokoguri Mazori Open Reader p. 55
Article #5429
An illustrated, personalized erotic presentation addressed to Kikue Takagi, describing successive poses, restraint, riding, bodily control, and staged encounters in a gift-like fantasy format.
Nishida Jin Kitan Club
Kitan Club, August–September 1962
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A Long SM Novel: Somewhere in the Universe Open Reader p. 59
Article #5430
A serialized SM novel involving prison, interrogation, criminal organizations, trafficking, police pursuit, handcuffs, ropes, gagging, sexual coercion, and institutional violence; the visible installment remains unresolved.
Saji Osamu? Kitan Club
Kitan Club, August–September 1962
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A Connoisseur’s Record: That Which Is Infinitely Sweet Open Reader p. 73
Article #5431
A first-person confession about bondage, exhibitionism, fetishistic attention to bodies, self-restraint, Buddhist hell imagery, and identification with readers who share unusual fantasies.
Toyama Katsuhiko Kitan Club
Kitan Club, August–September 1962
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Correspondence: An Appeal to Pregnancy Fetishists Open Reader p. 81
Article #5432
An appeal discussing fascination with pregnancy photographs, enlarged bellies, maternity imagery, prior magazine material, and requests for further reader contributions.
Senuma Shiro Kitan Club
Kitan Club, August–September 1962
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A New Face Appears: Rika Yukiko’s Gift Open Reader p. 83
Article #5433
A photographic profile introducing new models through interviews, captions, dialogue, and extensive images of bondage participation, embarrassment, fantasy, and staged display.
Tsujimura Takashi Kitan Club
Kitan Club, August–September 1962
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Illustrated Text: Memories of Women’s Sumo Open Reader p. 89
Article #5434
An illustrated reminiscence of women’s sumo that emphasizes female strength, grappling, sweat, bodily exposure, spectatorship, and reversal of conventional gender roles.
Tatsuya Masaharu Kitan Club
Kitan Club, August–September 1962
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Confession of Days Gone By: Playing at Being a Baby Open Reader p. 91
Article #5435
A long first-person account of adult-baby role-play involving maternal authority, baby clothing, diapers, feeding, carrying, discipline, toilet training, dependency, and psychological regression.
Watanabe Kaneko Kitan Club
Kitan Club, August–September 1962
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A Connoisseur’s Record: Confession Open Reader p. 97
Article #5436
A comic first-person account of hospitality, food, alcohol, bathing, bodily odor, cleanliness, and social embarrassment during an evening gathering.
Saji Masazo Kitan Club
Kitan Club, August–September 1962
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Experiential Confession Memoir: A Radiantly Sweet Thing Open Reader p. 99
Article #5437
A personal narrative of bathing and swimming encounters with a muscular man, exploring nudity, physique, admiration, embarrassment, visual comparison, and eroticized bodily observation.
Edonuma Shiro Kitan Club
Kitan Club, August–September 1962
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Confession and Correspondence: To Higashiura Hikaru and Takeno Hiroko Open Reader p. 101
Article #5438
A provocative reader contribution imagining bodily cooking, pregnancy, abdominal cutting, anatomy, enemas, digestion, and transformation through letter-like prose and graphic illustration.
Kyoko Hamura Kitan Club
Kitan Club, August–September 1962
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Film: Love and Love—Do Not Love Open Reader p. 105
Article #5439
A sensational film-related feature discussing erotic spectacle, pregnancy, artificial insemination, abortion, fetal development, and the popular presentation of women’s bodies.
Watsutani Kazuharu Kitan Club
Kitan Club, August–September 1962
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Masochism Heaven Open Reader p. 107
Article #5440
An illustrated masochism department combining anecdotes and fantasies of humiliation, domination, punishment, pursuit, fetishized clothing and bodies, and shifting gendered power.
Kunii Yoshiro Kitan Club
Kitan Club, August–September 1962
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An Invitation to Suspension Torture Open Reader p. 112
Article #5441
A direct correspondence item discussing suspension, bondage, endurance, limits of participation, and the negotiation of erotic power between correspondents.
Toyoshima Riichi Kitan Club
Kitan Club, August–September 1962
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Thirty-Nine Nights of Strange Tales Open Reader p. 113
Article #5442
A serialized grotesque erotic narrative involving wealthy women, servants, money, coercion, bondage, humiliation, bodily violence, disguise, revenge, and criminal exploitation across successive strange-tale episodes.
Tsujimura Takashi Kitan Club
Kitan Club, August–September 1962
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Fantasy Story: Women Who Cast Away Their Tears Open Reader p. 143
Article #5443
An illustrated series of staged accounts in which women are bound, supervised, punished, gagged, humiliated, and made to endure restraint through named scenarios and model-based photographs.
Kondo Fuzuko Kitan Club
Kitan Club, August–September 1962
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Confession: The Experience of Being a Human Horse Open Reader p. 166
Article #5445
A testimonial account of human-horse role-play involving riding, reins, commands, bodily control, endurance, objectification, and an immersive private-room encounter.
Takako Tsumura Kitan Club
Kitan Club, August–September 1962
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Brief Film Review: The Mature Person
Article #5446
Higashitsuyama Murai Eishu Kitan Club
Kitan Club, August–September 1962
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not started 3 weeks ago
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