Article Translations

An illustrated historical erotic narrative set amid the Boshin War, in which a woman is captured, bound, and subjected to violent treatment by opposing forces.

An illustrated scene depicts a young female prisoner bound behind bars while male guards approach, emphasizing confinement, surveillance, and helplessness.

An illustrated sacrificial scene shows a young woman restrained and displayed before male figures at a waterfall, combining ritualized sacrifice with eroticized captivity.

Sugihara Kōji’s illustrated “mandala” presents an eroticized seppuku tableau featuring nude and clothed figures, a sword, and ritualized violence.

This dream sequence depicts a masochistic fantasy of women subjected to restraint, gagging, and domination by male and female figures.

“Beautiful Captives” combines two erotic illustrations with Japanese narrative text portraying women bound, chained, gagged, and held captive in dramatic settings including a ship or maritime scene.

An illustrated erotic captivity narrative follows a young woman lured into an urban trafficking ring, sold into sexual exploitation, and subjected to binding, punishment, and other forms of coercive control.

A photographic portfolio presents staged scenes of women restrained with rope in varied ligation positions, emphasizing visual display and physical immobilization.

A practical photographic feature demonstrates rear suspension, showing a model secured with her arms bound behind her back and suspended from overhead ropes.

A photographic feature presents a woman bound in a seated pose, accompanied by a caption reflecting on the discomfort and discipline involved in being tied.

The fourth installment of “Rope and the Female Body” presents a sequence of staged photographs showing women bound with rope in varied curled, folded, and reclining positions.

A staged photographic feature presents Queen Rumi Kasuga commanding a male slave to offer his feet and submit to foot trampling, emphasizing female authority and male servility.

This photographic portfolio depicts a woman blindfolded and tightly bound outdoors, including to a tree, while another woman appears to supervise or participate in the staged captivity scenario.

A staged photographic feature portrays a dominant woman using a submissive person as a human chair amid scenes of kneeling, bodily control, and servile positioning.

A staged erotic scene depicts a clothed female “owner” training a nude male “dog” on a rope leash, including a command to wait for food.

A photographic feature presents a nude woman subjected to elaborate rope bondage, including restrained limbs, torso binding, and gagging or sensory restriction.

A staged outdoor bondage sequence shows a woman tied up in a park, worrying about passersby and asking to be released when someone approaches.

An illustrated feature presents a collection of cruel or disciplinary women, depicting scenes of school punishment, piano instruction, imported women, strict teaching, and other staged female-dominance scenarios.

A staged photographic vignette titled “It Falls!” shows a female model tumbling down a staircase in a dramatic scene of peril and physical vulnerability.

A confessional autobiographical narrative tracing Mori Taichi’s boyhood fascination with medical examinations and male anatomy into an adult fixation on phallic imagery, medical devices, and penis enlargement.

Numa Shōzō presents a purported young masochist’s confession alongside commentary on obscure erotic writings, examining masochistic desire, fetishistic fixation, humiliating sexual scenarios, and the evidentiary or literary value of such materials. The piece a...

This serialized erotic fiction follows Shizuko as she enters a household and exercises increasingly forceful psychological and physical control over its inhabitants through domestic authority, improvised restraints, humiliation, and sexual coercion. The narrat...

An autobiographical confession recounting the author’s sexual and aesthetic development through encounters with women, voyeuristic situations, erotic ukiyo-e and shunga, obi imagery, and fetishistic recollections from youth into adulthood.

A historical-psychological essay interprets Oda Nobunaga’s legendary cruelty, military ambition, gender relations, erotic interests, and death through the lens of sexual abnormality and the violent culture of the Sengoku period.

A thirty-year memoir of pursuing erotic and “abnormal” interests, centered especially on the author’s fascination with women’s noses, facial coverings, masks, body-part imagery, and their representation in photographs, films, theater, and popular culture.

A behind-the-scenes profile of bondage models and staged photography sessions, describing the models’ personalities, working relationships, preparation, and experiences with rope restraint. The article is illustrated with photographs documenting several bondag...

A personal letter from Shizuko Futamata to “M” reflecting on their correspondence, changing intimacy, literary sensibilities, and the relationship between private experience, sexual identity, and writing.

An essay recalling erotic and punishment illustrations, comparing scenes of women being restrained, captured, or displayed and discussing their composition, historical atmosphere, realism, and erotic impact.

A critical commentary on the picture album “Cruel Women” examines staged erotic scenes of women dominating, restraining, humiliating, and punishing men, while discussing the images’ composition, symbolism, and psychological effects.

A film-and-magazine correspondence column surveys recent and forthcoming films, especially screen depictions of women being bound, captured, threatened, or subjected to violent spectacle, alongside related erotic-magazine imagery and production news.

A readers’ letters section presents personal bondage and fetish experiences, reactions to photographs and articles, requests for future coverage, and exchanges that sustain participation in the magazine’s specialist community.

A reader-correspondence column collecting masochistic fantasies and experiences, including submissive relations with dominant women, gender-role reversal, and related bodily or sexual fetishes.

A correspondence column on sadistic fantasies and bondage, including readers’ proposed scenarios, posed photographic compositions, and editorial discussion of restraint techniques and erotic presentation.

Readers and editors discuss eroticized seppuku imagery and narratives, focusing on staged belly-cutting scenes, visual depictions, and requests or submissions involving photographs and drawings.

A monthly agency report advertises and describes available erotic photo sets and related materials, including rope bondage, enema scenes, forced restraint, and staged fetish tableaux.

A reader-correspondence column discusses male same-sex interests, fundoshi and abdominal wrapping, personal sexual preferences, and requests for suitable photographs and editorial coverage.

An enema-focused correspondence section presents reader requests, photo submissions, and editorial commentary on the staging and visual presentation of enema scenes and related medicalized equipment.

A preview of the forthcoming April special issue lists planned fiction, memoirs, essays, visual material, contest entries, and other features, presenting the magazine’s upcoming editorial program.

This notice previews planned bondage-film material, discusses reader interest and participation in a proposed actress-bondage production, and provides related film and publication information.

The editorial department solicits submissions in multiple categories—including fiction, unusual-experience accounts, essays, letters, illustrations, personal statements, and local reports—and provides submission, reader-communication, and publication informati...