Article Translations

A reader-correspondence section collecting accounts and questions about female homosexuality, lesbian desire, gender presentation, and related erotic experiences.

Readers exchange detailed personal accounts and practical observations concerning enemas, intestinal cleansing, enema devices, bodily sensations, and the erotic use of enemas.

Correspondence discussing abdominal-cutting imagery and fantasies, including requests for and descriptions of scenes involving female bodies and cross-dressing.

Front matter and house notices announce contest results and forthcoming features, list the issue’s contents and contributors, solicit reader submissions and photographs, and provide subscription, mail-order, and publication information for Kitan Club.

A visual survey presents twelve forms of contemporary Japanese binding, showing restrained figures in varied rope-bound positions with brief handwritten labels.

Itō Seiu describes an Edo-period Yoshiwara punishment scene in which a courtesan is subjected to severe restraint and “fire punishment,” framed as warmth during the cold twelfth lunar month.

An illustrated instructional feature demonstrates several floor-based and household restraint arrangements, depicting bound bodies, ropes, and positional variations in domestic settings.

An illustrated erotic sequence depicts a woman subjected to broom-based torment while restrained in a series of posed bondage and punishment scenes.

A photographic feature presents a masked woman with her hands and feet tightly bound, emphasizing immobilization and sensory restriction.

A photographic fetish feature focuses on a pair of tall lace-up woven boots worn by a white woman, presenting the footwear and feet as eroticized visual objects.

An erotic illustration titled “Spider” depicts a woman entwined with or threatened by a large spider-like figure in a dark, fantastical scene.

“River Imp,” by Seki, is an erotic fantasy illustration based on the Japanese kappa folklore motif, showing a woman in a surreal encounter with a river creature.

Morimoto Aizō presents an illustrated and photographic survey of “cruel women,” discussing Western images of dominant women who humiliate, punish, control, or otherwise overpower men in staged erotic scenes.

A staged domestic-service scene shows a woman using a submissive man as a living stand while she handles a washbasin and prepares to apply makeup.

A photographic sequence depicts a dominant woman trampling and pressing her feet against a submissive man, presenting the act as a playful but humiliating queen-and-servant scene.

The first “chair” service exercise presents a woman seated or supported above a kneeling man in a shoulder-ride posture, who must maintain the position until released by his dominant mistress.

A photographic feature depicts a woman secured in a compact shrimp-style bondage posture as part of a punishment or service scene.

An erotic illustration presents a newlywed domestic bondage fantasy in which a husband restrains his bride while attempting to take her temperature.

An erotic illustration depicts a newlywed domestic scene in which a husband approaches his resisting wife with an enema apparatus.

An erotic illustration presents a man and woman modeling an elaborate outfit incorporating straps, belts, and other restrictive elements.

An erotic illustration depicts a private-room scene in which a woman is held and restrained with ropes and chains by a male partner.

This illustrated feature presents a punishment platform and related surrealistic scenes of figures secured with ropes, wires, and specialized restraint furniture.

A photographic feature presents a young male wearing a fundoshi, alongside staged images of undressing associated with women’s underwear fetishism.

A staged outdoor sequence depicts models pursuing, knocking down, binding, trampling, and striking a restrained subject in a wooded setting.

A step-by-step photographic sequence demonstrates outdoor rope restraint, including tying a subject to a pine tree, manipulating posture, and completing the bound pose.

An erotic illustration titled “Mirror of Delusion” depicts a figure enclosed in an ornate, fantastical setting surrounded by grotesque, possibly demonic forms.

An erotic illustration titled “Hell” portrays nude figures undergoing torment amid demonic imagery in an infernal landscape.

“Shrimp Binding” presents a photographic bondage feature showing a woman posed and secured with chains in a tightly folded, restrained position.

A photographic feature presents a woman in a patterned kimono suspended and restrained with rope, emphasizing the interaction of traditional clothing, posture, and bondage display.

A photographic study depicts a woman kneeling while bound around the waist, presenting a staged restraint posture as a visual demonstration.

This illustrated serialized erotic adventure follows Yuriko as she is pursued and forcibly restrained by men aboard a ship, escapes into the sea, reaches a tropical island, and encounters unfamiliar island inhabitants amid continuing danger. The episode combin...

An instructional dialogue presents rope-play scenarios involving wives, lovers, students, and other partners, explaining methods of binding the body, blindfolding and gagging, positional restraint, and suspension through accompanying photographs and drawings.

An erotic narrative follows a brothel woman whose encounters with the male narrator develop through themes of captivity, restraint, submission, jealousy, and forbidden desire, illustrated with staged bondage scenes.

A continuation of a fetish diary recounts the author’s intense interest in enemas, including intimate experiences, medical examinations, hospital visits, equipment, fluids, and increasingly elaborate procedures involving partners and acquaintances.

A pseudo-medical and psychological essay examines pathological jealousy through case-like accounts of abnormal sexuality, including masochistic fantasies, self-binding, and morbid ideas about death and sexual control.

An illustrated essay treats the female arm as an object of erotic beauty, discussing its shape, skin, hair, musculature, grooming, and the emotional and cultural meanings attached to its display.

The third installment of a serialized erotic adventure follows encounters on an isolated island involving pursuit, coercion, captivity, verbal humiliation, restraint with ropes and household objects, and escalating sexual domination.

An essay on an intense erotic fixation with women’s necks, illustrated through scenes of neck-focused restraint, handling, and visual attention.

A first-person confession tracing the author’s armpit fetish, including erotic encounters, fantasies, clothing, body hair, and staged scenes of armpit-focused restraint and display.

An illustrated feature describing diapering as an erotic torment practice, emphasizing diapers, immobilization, humiliation, and punitive control.