Article Translations

A staged scene titled “Necktie” depicts a submissive man kneeling at a woman’s feet while she controls him through his necktie.

An illustrated domestic bondage scene shows a woman concealed and restrained inside a wardrobe as an unsettling “keepsake” left behind for her returning husband.

An illustrated contributor-album scene depicts a woman secured in a wheeled chair or walker-like apparatus, emphasizing immobilization through an improvised restraint device.

This two-part illustrated bathhouse sequence presents a newlywed subjected to playful marital punishment, first positioned over a bathtub and then drenched under a shower while wearing an elaborate kimono.

A photographic feature presents an acrobatic dancer in a split pose alongside staged images depicting a young woman being progressively undressed, with the sequence intended to continue in a later issue.

A visual feature titled “The Man Who Picks Up a Whip” combines a photograph of a nude man bending to retrieve an object with an erotic historical painting of a woman dominating a fantastical male-bodied figure.

Takase Shinobu’s photographic feature depicts a nude woman bound and enveloped in chains, emphasizing elaborate bodily restraint as its central image and motif.

A photographic feature presents a woman restrained with her arms raised against a bedpost, illustrating bed-based rope restraint and positioning.

A staged two-woman photograph depicts an intimate rope-binding scene emphasizing tight wrapping and bodily restraint.

This essay examines sadistic and masochistic patterns as forms of group psychology rather than merely individual pathology, relating abuse, coercion, authority, military and religious discipline, labor conflict, and postwar social and economic conditions to th...

A first-person account of an obsessive interest in enemas, tracing the author’s childhood experiences, experiments with enema equipment, bodily sensations, secrecy, and continuing desire for the practice.

An erotic grotesque tale set around a company year-end gathering, in which female employees and a socially powerful employer become involved in staged performances, coercive sexualized punishment, bondage, humiliation, and sadistic spectacle.

A masochist’s reflective notebook linking women’s horseback riding and changing gender roles to fantasies of female authority, then developing these ideas through dreams, slave-wife scenarios, submissive service, and related reader material.

The tenth installment of Itō Seiu’s erotic serial follows coercive encounters involving staged spectacles, pursuit, captivity, and the use of ropes and other restraints, accompanied by sensational illustrations.

A long first-person erotic narrative recounts a woman’s formative and adult experiences of abuse, humiliation, domination, restraint, and conflicted desire, linking intimate violence with love and dependency.

A serialized narrative follows a boy’s adolescence in a coal-mining town, depicting schoolyard rivalries, group violence, coercive confrontations, and humiliating restraint amid difficult family and working-class circumstances.

This illustrated cultural essay interprets senryū poems as evidence of sadistic erotic practices and fantasies, especially those associated with Edo-period courtesans, attendants, and sexualized punishment.

A memoir-like account describes compulsory school sumo training, including strenuous physical drills, forced bouts, bodily pain, public nudity, and disciplinary methods shaped by authoritarian school culture.

An essay examines a fascination with seppuku and suicide through personal reflections, historical and modern dramatic representations, and eroticized images of abdominal cutting and self-destruction.

A richly illustrated feature discusses and reenacts historical Japanese bondage scenes in which women are restrained by several men, describing costumes, settings, rope techniques, and staged photographic compositions.

A narrative-practical feature presents the use of three moxibustion points in a marital bondage and punishment scenario, combining diagrams, fictionalized domestic episodes, and detailed descriptions of the resulting sensations and procedures.

Saji Kōsuke presents a first-person scrapbook-style account of encounters and fantasies involving female sadism, bondage, restraint, and sensational erotic situations, framed as collected personal experiences and observations.

Asō Kazuo’s serialized fantasy depicts the narrator’s imagined “seventh heaven” through grotesque and erotic scenarios involving obese bodies, humiliation, restraint, voyeuristic spectacle, and unusual sexualized punishments.

Shichifuku Shihei offers an eroticized comparative study of women’s wrestling beauty, evaluating wrestlers’ physiques, breasts, buttocks, hair, eyes, facial features, strength, and competitive performance through prose and silhouette illustrations.

A historical erotic narrative set in an Edo-period domain depicts peasants crushed by feudal taxation and abuses who organize resistance, endure interrogation and corporal punishment, and ultimately confront the authorities, accompanied by dramatic illustratio...

Morimoto Aizō translates and explains selections from Johannes R. Birlinger's 1901 Das Grausame Weib, presenting historical and sexological cases of cruel women, especially mothers and teachers who inflict severe corporal punishment on children.

Yoshitsugu Ippei offers a first-person fetish confession describing his persistent erotic fascination with bloomers, his efforts to acquire and handle them, and the voyeuristic excitement and fantasies associated with the garments.

This illustrated essay examines the author’s fascination with women’s long boots, discussing the fetish’s psychological and historical associations, styles and materials, and its representation in imported fashion and erotic imagery.

A first-person illustrated feature describes photographing female models in posed bondage and outdoor settings, focusing on their reactions, willingness to repeat the sessions, and the photographer’s interpretation of their masochistic interest.

This serialized erotic suspense story follows Kenjiro and other characters whose fantasies of escape lead toward an isolated island, where loneliness, coercive power, captivity, and violent desire become intertwined. The narrative also reflects on alienation f...

A dramatic first-person account portrays a woman subjected to escalating domestic abuse and elaborate restraint, including rope binding, suspension, gagging, whipping, forced nudity, and other forms of corporal punishment, with the resulting psychological coll...

Itō Seiu’s October illustration depicts a crowded historical marketplace or fairground scene centered on a bound and punished woman, combining spectatorship, public display, and institutionalized violence.

This twelve-part illustrated erotic narrative follows a woman pursued by three men through encounters at the seaside, on a train, and in domestic or theatrical settings, escalating into deception, captivity, binding, and threatened punishment before a final co...

A staged bondage sequence titled “Monkey Game” depicts women restraining one another and using a cloth gag in an intimate role-play scenario.

A photographic practical feature demonstrates a variant hands-behind binding, using rope arrangements that secure the arms and body in a modified rear-restraint position.

This photographic portfolio stages rope-bound scenes with model Nakafuji Tamiko on a beach, showing several outdoor restraint positions at the water’s edge and on the shore.

In this staged episode of the Queen’s morning routine, a subordinate must remain behind her while she washes, taking care not to spill the cup of water and facing punishment for even a minor failure.

A kneeling male servant greets the smoking Queen by attending to and kissing her feet, after which the routine culminates in his release from service.

The male subordinate is used as the Queen’s footstool and must continue supporting her feet while she finishes reading the letters delivered to her.

A staged photographic feature depicts a woman training another person as an obedient “dog” through collaring, handling, and command-oriented physical discipline.