Article Translations

The editorial department surveys reader letters describing varied sexual interests and fantasies—including bondage, sadism, fetishism, cross-dressing, medicalized practices, and bodily scenarios—while presenting them as evidence of the magazine’s participatory...

An illustrated erotic narrative depicts a woman being overpowered, stripped, and publicly humiliated by men in and around a railway carriage, emphasizing coercion, captivity, and voyeuristic spectacle.

A photo-report documenting an outdoor rope-bondage session, with models tied and suspended among trees, rocks, streams, and waterfalls; the text also discusses pose planning, equipment, weather, and photographic staging.

An illustrated feature presenting several imaginative bondage arrangements, including women restrained to furniture, overhead structures, and other settings in staged poses.

The concluding installment of Azuma Shin’s serialized erotic novel follows wartime and postwar separations, reunions, jealousy, marital tensions, and coercive bondage encounters involving its central characters.

A reader-communications and editorial-information section presents correspondence, editorial replies, submission guidance, and notices about forthcoming issues and requested contributions.

A historical erotic illustration depicts a richly dressed woman pleading for her life at a guillotine while an executioner prepares to carry out the sentence.

An eroticized historical torture scene shows a woman restrained inside an iron maiden, with the caption describing her body being pierced by needles through openings in the apparatus.

A dramatic illustration presents a woman confined in a suspended cage above a fire, accompanied by commentary condemning the cruelty of religious persecution in supposedly peaceful societies.

An erotic illustration depicts a woman bound spread-eagled to a tree while a man aims a firearm at her, framed as a fanciful vision of punishment in Japan before the Kojiki.

A photographic feature demonstrates a breast restraint made from celluloid rings and cord, inspired by French nude imagery and presented as an application of rope and ring bondage.

A staged photographic sequence presents a female-led rope punishment game involving restraint, wax-dripping heat, pinching, and the submissive partner’s pleas for leniency.

A staged bondage photograph presents Rumi gagged and posed over a man, emphasizing her severe expression and forceful, dominant use of her legs.

This staged photographic feature contrasts active and passive roles through scenes of one woman restraining, pulling the hair of, and pressing down another woman.

A photographic demonstration shows women secured with rope in a continuous binding and hands-behind-back configuration.

A photographic bondage feature demonstrates hands-behind-the-waist binding and a gag harness through two staged restraint scenes.

An erotic illustration presents a newlywed dressed in a sheer summer kimono, bound with rope in a playful domestic fantasy.

An erotic illustration depicts a newlywed in an Akashi-style kimono subjected to foot suspension as part of a husband’s playful bondage fantasy.

A photographic feature depicts a woman with her wrists bound together and secured overhead, emphasizing an elevated restraint position.

A staged scene portrays a domineering woman rousing a prone male servant and threatening punishment if he refuses to perform or obey her commands.

A staged domestic scene shows a woman using a prone man as a seat while ordering him not to move and threatening further servile punishment, including attention to her feet.

A staged photograph shows a seated woman using a prone man as a footstool, emphasizing her control and the erotic display of feet.

A staged photograph depicts a woman administering a beating or spanking to a kneeling man, accompanied by taunting Japanese captions.

An erotic illustration titled “The Silent Piper” depicts a gagged woman with her arms restrained to a horizontal bar, presenting bondage as a theatrical visual tableau.

A staged erotic photograph presents a woman with dramatically disordered hair in an intimate, sensual encounter, emphasizing hair as a visual fetish.

A photographic feature demonstrates a woman secured in a single-leg suspension using rope, highlighting the pose, suspension method, and visual composition of Japanese rope bondage.

An erotic illustration titled “Shackles” depicts a restrained, pearl-adorned woman accompanied by threatening animal imagery, combining bondage motifs with dramatic fantasy illustration.

A serialized erotic narrative follows Shizuko after a chance train encounter draws her into a disturbing domestic world of seduction, coercion, captivity, and escalating bondage involving several women and a man.

An illustrated essay on overseas sadism examines clothing as a vehicle for fetishistic attraction, bodily restriction, discipline, humiliation, theatrical display, and eroticized visual fantasy, with examples from photographs, films, and performance imagery.

Minamikawa responds to former military policeman Hayashida Masaki’s confession, discussing wartime and postwar sexual violence, humiliation, voyeurism, and the disturbing eroticization of personal testimony.

A fictional account of an escaped mistress and her lover being recaptured and subjected to escalating bondage, humiliation, physical punishment, and sadistic sexual control.

An illustrated research essay examining seppuku through samurai history, historical documents, literature, journalism, and artistic representations, tracing changing ideas of honor, execution, gender, and erotic spectacle from the Edo period into modern Japan.

The seventh installment of Itō Seiu’s serialized erotic narrative follows encounters involving a theatrical milieu, sexual violence, murder, and sensational rumor, accompanied by dramatic erotic illustrations.

A first-person account describes escalating abdominal self-abuse and self-binding practices, including the psychological experience of seeking pain, restraint, and bodily control.

Murazato Eiichi presents an autobiographical account of same-sex desire and the development of self-binding fantasies and practices, linking them to adolescent experience and fetishistic compulsion.

A fictional account of a teacher’s obsessive fascination with a handsome male student develops into an episode of pursuit, stripping, physical control, and outdoor bondage.

Presented as a fetishist’s appeal to the magazine, this piece discusses foot and body-part fetishism, high-heel imagery, Western fetish publications, and the desire for more specialized reader-submitted material.

An erotic melodrama follows Misako through a troubled relationship and marriage in which jealousy, coercion, humiliation, and escalating rope restraint threaten her emotional and physical autonomy.

A first-person masochistic narrative depicts a servant’s erotic submission to a dominant woman, combining scenes of domestic service, humiliation, and fur-clad mistress imagery with reflections on Leopold von Sacher-Masoch’s Venus in Furs and its Japanese tran...

An essay and illustrated feature examines female armpits, body hair, sweat, and odor as objects of erotic fascination, interweaving sexual-psychological commentary with personal anecdotes and sensational examples.