Article Translations

A fictionalized first-person narrative in which a department-store security guard turns surveillance, capture, interrogation, and punishment into a private vocation involving a hidden restraint room and photographic display.

An installment of SM Enterprise depicting a punitive household or institutional setting governed by male commands, conditioning, discipline, humiliation, and restraint of female captives.

A first-person sexual autobiography moving from childhood and postwar memories through adolescence, marriage, infidelity, sexual experimentation, and relationships outside conventional marital norms.

An illustrated first-person narrative combining sexual reminiscence, voyeurism, photography, bondage, role-playing, and coercive encounters with women identified by names or pseudonyms.

A war-memory and sexual-violence narrative linking Japanese defeat, Manchuria, foreign domination, medicalized inspection, restraint, and the suffering of a Japanese woman presented as a Yamato nadeshiko.

An illustrated essay about televised close-ups, women’s nostrils, beauty programming, and the voyeuristic staging and inspection of female bodies.

A sensational erotic-adventure installment set around a secret kingdom, political authority, captivity, sexual coercion, rivalry, and conflicts involving a powerful female ruler and several competing characters.

An erotic narrative about M-ko, photography, staged suffering, bondage-like performance, threats, reenactment, and the unstable boundary between actual violence and theatrical or photographed violence.

An autobiographical history of rubber fetishism rooted in childhood memory, rainwear, secrecy, enclosure, tactile sensation, and the gradual formation of adult erotic identity.

A serialized erotic-fetish fiction involving theatrical bondage, restraint apparatus, exhibition, animal imagery, historical settings, commands, tears, obedience, and spectatorship.

A first-person observational essay describing covert viewing of women in public toilets and classifying bodies, clothing, posture, age, and behavior as a purported record of voyeuristic experience.

An extensive illustrated case history of M Woman 26 involving bondage, humiliation, restraint, enemas, endurance, staged performance, and the commercial production of erotic photographs.

A conceptual and autobiographical essay on diaper fetishism, infantilization, dependency, maternal care, regression, and the distinction between practical use and erotic idealization.

A first-person illustrated feature about ritualized domination, submission, humiliation, bondage, bodily service, and ceremonial drinking framed as sacred or sacramental practice.

A letter-like contribution reflecting on SM fantasy and practice, physical endurance, bondage, erotic photography, and the emotional difference between imagined and lived experience.

A continuing narrative of staged bondage, photography, jealousy, blackmail, marriage, possessive violence, emotional dependency, and renewed attempts to control and document a woman’s body.

A photo-centered M-themed feature about reunion with Kikuko Fukada, staged bondage photography, correspondence, preparation for a new session, and fascination with the subject’s appearance and submission.

A formally listed miscellany department whose body text is not represented under a securely identifiable title in the surviving pagination sequence.

A formally listed opening installment of a series titled Pleasure at Midnight; the body pages are not represented in the viewer-page sequence.

A photographic index identifying the issue’s dispersed image-gallery subjects, captions, photographers, and models.

A formally listed photo story titled Loss of Homeland; the body pages are not represented in the viewer-page sequence.

A formally listed confession concerning married love; the body pages are not represented in the viewer-page sequence.

A formally listed salon department containing multiple short reader-oriented items; its body pages are not represented in the viewer-page sequence.

A formally listed readers’ correspondence department; its body pages are not represented in the viewer-page sequence.

A serialized narrative of erotic coercion, restraint, humiliation, jealousy, and changing power between its protagonists. Money, status, family background, and social reputation are entangled with repeated reversals of dominance.

An illustrated captivity and conspiracy narrative following police pursuit, interrogation, imprisonment, torture, political violence, and attempted escape on an isolated authoritarian island. The story links criminal organizations, official punishment, corrupt...

A period-style adventure of abduction, bondage, sexualized violence, jealousy, rivalry, captivity, and death. Historical or pseudo-historical martial imagery and criminal hierarchies frame the struggle between vulnerable and coercive characters.

An extended visual narrative of a married couple performing disciplinary and bondage scenarios. A dominant female partner directs the husband through commands, whipping, restraint, humiliation, and theatrical domestic role-play.

An essay on the appeal of tabloid-style news about crime, accidents, scandal, politics, celebrities, family conflict, and social misfortune. It considers how readers combine moral judgment, curiosity, identification, and entertainment when consuming stories of...

A critical discussion of Alfred Hitchcock’s Marnie, addressing theft, childhood trauma, repression, sexuality, marriage, fear, and the film’s psychological construction. The essay also examines color, costume, suspense, performance, and cinematic staging.

A serialized narrative of domestication, confinement, commands, punishment, surveillance, sexual coercion, and unstable social power. Its characters move through relationships shaped by animalization, class hierarchy, obsession, resistance, and psychological d...

A critical discussion of Alfred Hitchcock’s Marnie, addressing theft, childhood trauma, repression, sexuality, marriage, fear, and the film’s psychological construction. The essay also examines color, costume, suspense, performance, and cinematic staging.

A collection essay on women in long boots, whips, costume, posture, and visualized female authority. It compares drawings, fashion imagery, film-related pictures, and fetish photographs while discussing how clothing and stance construct erotic power.

A recurring film-critical department focused chiefly on Daydream and Plants on the Sand. It considers erotic representation, adaptation, acting, direction, censorship, public controversy, and the cultural legitimacy of sexual imagery.

An essay on avant-garde art, masks, faces, walls, towers, and obstructed spaces as forms of psychological and social expression. It contrasts conventional representation with unusual visual forms and links artistic freedom to resistance against institutional a...

An illustrated speculative serial involving a theatrical performance, Gorilla Man, Sarea, Ueshima Emiko, Professor Nakamura, hypnosis, memory loss, an eternal queen, and uncertain boundaries between staged violence and supernatural reality. Its epilogue recons...

The editors discuss reader responses, submissions, photographs, illustrations, and the magazine’s interest in unconventional erotic, psychological, and sensational subjects. The afterword explains the publication’s editorial position and continuing plans.

A correspondence and community section presenting reader reactions, questions, interpretations, and editorial replies concerning the issue’s fiction, characters, imagery, and treatment of fear, memory, eroticism, and female authority.

A narrative about Peach, a young woman whose beauty shapes her movement through domestic service, commercial work, relationships, jealousy, and social expectations. The story examines class mobility, gendered labor, emotional dependency, and the commodificatio...

A psychologically intense narrative of marriage, surveillance, confinement, coercive authority, threats, interrogation, and escape. Dreams, fear, disorientation, and sexualized violence complicate the protagonists’ experience of captivity.